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How The SADiE LRX2 Is Making Location Multitrack Recordin...

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Nearly twenty years ago I saw one of the first SADiE Digital Audio Workstations, which were just starting to make their mark as the first cost effective computer sound editor. I was so impressed with the concept that I immediately wanted one, even though I had no professional use for it whatsoever. Most of my work (particularly then) was in TV docu...

Submitted by Dennis Lennie

Published 01 March 2009

Surround Sound For HD Broadcast

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While 2008 may not be fondly remembered as a classic year if you work in certain industries, it's a fascinating time to be working in video media production or broadcast television. The steady move to high-definition at all stages of the video production process, is causing the biggest shake-up in technology and working practices since the introduc...

Submitted by Dennis Lennie

Published 01 February 2009

The future of Audio

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Total audio has been around for 12 years now and I worked for the BBC for 13 years prior to that, I resigned in 1996 as a senior sound supervisor based at Pebble Mill. I firmly believe that sound is only noticed twice, the first time it was distorted and the second time it wasn’t there. When it all goes swimmingly it’s rarely mentioned. In the last...

Submitted by Dennis Lennie

Published 01 February 2009

RF Condenser Microphones why they are so good in the wet

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A question I am often asked when people discover who I work for is “Why are ‘RF condenser’ microphones so good in the wet, being so much less susceptible to humidity problems than the more common ‘AF condenser’ microphones?”Basically, AF capacitor microphones use the capsule as a capacitor to store charge. With one fixed plate and the other free to...

Submitted by Dennis Lennie

Published 01 February 2009

Audio acquisition and production

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Remembering the days when the average 'portable' sound recorder was heavy enough to induce a hernia, I have high respect for the capabilities of modern digital audio devices. Not least the solid-state recorders that have emerged as successors to the Sony-originated DAT and MiniDisk formats. But avoid anything that lacks XLR connectors unless you ar...

Submitted by Dennis Lennie

Published 01 February 2009

The Fairlight Time Machine

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Just over fifty years ago, the then Soviet Union launched the first satellite into orbit around our planet. At that time the USA and USSR were in the depths of the cold war and the launch of Sputnik 1 on the 4th October 1957 was the starting gun for the space race. The winner would be the country to successfully land the first human being on the Mo...

Submitted by Dennis Lennie

Published 01 February 2009

Good cop, bad cop

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Peter Savage looks at the tricky subject of asking customers to honour their commitments and, possibly, debts – without ruining your customer-supplier relationship or losing what you are owed. How do you keep your customer sweet whilst making sure they pay?This is a question that I have been asked numerous times over the last few months, as draggin...

Submitted by Dennis Lennie

Published 01 February 2009

How to choose a Microphone

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The microphone is probably the most important tool we use when recording sound. Plugging it into the best pre-amplifier will optimise the quality of the signal but no amount of processing will fix the wrong sound coming from your microphone. The device for turning movements in the air into an electrical signal is a creative instrument and should be...

Submitted by Dennis Lennie

Published 01 February 2009

Audio Technology Spotlight

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In the ever changing world of TV technology, formats, standards and delivery, it’s always been reassuring to think that audio equipment for sound gathering on location hasn’t changed too much. That is, until the last couple of years when the emergence of the now widely used digital solid state recorders, digital transmission radio mic systems, high...

Submitted by Dennis Lennie

Published 01 February 2009

The morality of meltdown

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Apologies for breaking away from my usual broadcast-orientated comments but, when looking at the micro of our own world, sometimes big macro economic tsunamis crash in – and can have hugely damaging effects on our own small, flat, micro economic island. I’m writing this over the weekend when the US Congress is deciding whether it should bail out th...

Submitted by Dennis Lennie

Published 01 January 2009

Choosing the right tripod

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Camera support equipment is constantly changing as technological advances influence what can be created in the viewfinder. New generations of ultra compact cameras are enabling the camera operator to explore and get into the action as never before and longer lenses allow close-up views previously unobtainable. But with so much choice, how do you se...

Submitted by Dennis Lennie

Published 01 January 2009

Camera rigs and lighting

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The biggest single story at IBC this year, apart from the usual company-eats-company rumours, was the continuing progress of stereoscopy or '3D' as it is currently undersold. A stereoscopic snapshot may well be 3D (displaying length, width and height) but a stereoscopic movie is in fact 4D as it includes a timeline. John Logie Baird set the stereos...

Submitted by Dennis Lennie

Published 01 January 2009

Everything you ever wanted to know about TV lighting Part...

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Back in time in the days of monochrome TV, portrait lighting was used to try and compensate for the lack of colour in those days of flickering 405 line pictures on tiny screens. The other consideration was to compensate for the lack of depth; the missing dimension from our TV screens. When colour TV came along in the 1960’s, pictures looked more re...

Submitted by Dennis Lennie

Published 01 January 2009

How we lit Mick

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Shine a lightLets start at the beginning with the most fundamental, basic of questions – what’s the point of lighting anything, let alone a living legend like Sir Mick Jagger? The answer is simple – because lighting is the most important part of the whole process. Not the filming. Not the fiddly edit. Not the chin-scratching pre-production. The lig...

Submitted by Dennis Lennie

Published 01 January 2009

Lighting and Grip.

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Lighting and Grip are often spoken as if they are one item, inseparable and complete. However the clue is in the phrase lighting AND grip. So let’s start by separating them. Lighting covers the instruments that provide the light. Grip covers the instruments we use to hold and control the light. LightingThere is a huge range of lights, luminaires, p...

Submitted by Dennis Lennie

Published 01 January 2009