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TVFutures - Location Assistant

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Hi, my name is Maddison Young and I am an undergraduate on BSc (Hons) Television and Broadcasting at the University of Portsmouth. If there is one consistent message being given to students these days it is ‘move out of your comfort zone, and get real industry work and experience’! It’s a scary message, and my first year saw me take mostly internal...

Submitted by Maddison Young

Published 24 January 2019

Advances in LED lighting innovation with Rotolight AEOS

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i There\'s no doubt that lighting plays a critical role in videography, filmmaking and photography. It\'s the area of content capture that brings added creativity to shoots, whether that\'s filming a wedding, producing a commercial or making a movie. Much like cameras have evolved over the past few years, lighting has also evolved; from the traditi...

Submitted by Rod Aaron Gammons

Published 07 September 2017

The Teradek Bolt reviewed

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The location is a small busy working kitchen of a top London restaurant; the chef and kitchen staff have enough on their plate (!) without having to worry about avoiding cables and bumping into members of the crew filming them go about their business. The soundman is able to keep himself out of the way, not causing trip hazards with cables and the...

Submitted by Jon Boast

Published 01 July 2013

Will Strauss captures some decent sound gear

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Capturing decent location sound requires skill, experience and, as Will Strauss discovered when compiling a list of recent audio acquisition innovations, piles of expensive kit. Although some cameramen might disagree, audio is still the most important thing to get right when on location. The odd dodgy shot can, generally speaking, be sorted in post...

Submitted by Will Strauss#

Published 01 June 2013

How to choose a Location?

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How to choose a Location?Clearly it depends on what your script or brief says so we need some examples to work with:Location 1: two back-gardens with a low fence between them. Script: one householder is envious of his next-door neighbour's new lawn mower. Location 2: a school playground. Script: a cuddly-toy monster is handing out a new range of ch...

Submitted by Bob Pank#

Published 01 April 2012

Location Sound Recording And Post-production with Chris W...

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Sound is often regarded as playing a subordinate role to visuals in film, TV and video production, but the finest directors and producers have insisted on taking as much care over the sonics of a production as the visuals. Of course, on smaller-scale productions, it's still often the case that the soundtrack is whatever you capture while you’re bus...

Submitted by Dennis Lennie

Published 01 February 2010

A day in the like of a location manager

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One of the most dramatic moments I have witnessed whilst filming a series called Dempsey and Makepeace was in Limehouse Basin, not looking at all like it does today. It had a swing bridge, where you could cause the most enormous traffic jam if you kept it open long enough and get mentioned on the local traffic news, which we did manage quite succes...

Submitted by Dennis Lennie

Published 01 February 2010

Robotic cameras on location

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Television is such a natural extension of the human senses that I doubt if more than one viewer in a thousand gives much thought to the effort put into modern programme production. Much of the original push for creative freedom came from outside broadcast crews, initially using turret-mounted optics and later zoom lenses to obtain close-ups of dist...

Submitted by Dennis Lennie

Published 01 February 2010

What do Location Managers do all day?

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It’s a question that is often asked by my family who fondly believe I spend my time in idle chit-chat and gossip with high-powered film and media executives sipping skinny-latte Mocachinos (whatever they are!) and eating sushi. But consider the following exciting ‘James Bond’ style scenario. “Our hero and heroine are on the run, driving fast throug...

Submitted by Dennis Lennie

Published 01 March 2009