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Calrec Craft Interview: Florian Brown, A1

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Craft Interview: Florian Brown, A1   Summary: Last year, veteran A1 Florian Brown spent a full day at Florida-based Full Sail University talking to students about what it’s like to work as an A1 and the benefits of working in the broadcast audio. His talk covered many of the different freelance possibilities in audio, video, EVS, editing and...

Submitted by Alicia Root

Published 06 April 2023

AoIP Solutions at Sky TV

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Sky UK has recently moved the whole of its Sky News operation into new, state-of-the-art facilities in the Sky Studios building on the Sky TV campus in Osterley, West London. Described as being both the most sustainable broadcast facility of its kind in Europe as well as the most technologically advanced, the Sky Studios project is set to completel...

Submitted by Tom Pidsey

Published 18 July 2018

Remote Production - Speed, Control, Infrastructure

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i Remote production gives broadcasters the ability to capture a wider range of live events, such as regional sports, news or music festivals, and mix them in a remote facility hundreds or thousands of miles away. Many of these events might be of restricted interest, and may be broadcast to a narrow audience demographic. They may be regional news ev...

Submitted by Ian Cookson - new

Published 01 August 2017

Mixing console displays - central to usability

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Since the introduction of assignable controls on mixing consoles, it has been essential to provide sound engineers with a clear picture of what the function and status is of each fader and other associated controls. Consoles can have over 100 faders. To allow the sound operator to keep track of the function of each panel and its current settings, c...

Submitted by Paul Hooper

Published 15 February 2017

Remote Production

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by Jim Green Issue 113 - May 2016 Ten years ago,remote production was the stuff of dreams,a glimpse into a brave new world. The prospect of providing real-time audio control of live events thousands of miles away,without even leaving the studio,was as enticing as it was unlikely. But broadcasters are already reaping the benefits of remote productio...

Submitted by Jim Green

Published 13 May 2016

Manipulate and Edit

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Issue 93 - September 2014 Company mergers can be no fun. Staff panic about ‘efficiencies’ and therefore their jobs. The press speculates about ‘what really happened?’ And there are always lawyers involved. And no one likes that. When DiGiCo revealed that it would merge with fellow audio console manufacturers Calrec and Allen & Heath, following a bu...

Submitted by Will Strauss#

Published 01 October 2014

Will Strauss rounds up IBC 2013

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by Will StraussIssue 82 - October 2013 Dear Reader. I have a confession. I did not visit every single one of the many hundreds of stands at IBC this year. In fact, I didnt even visit all 11 halls within the RAI. And I didnt talk to all 52,974 attendees. I was there. I have the stroopwafels to prove it. Its just that IBC is a massive show. And I am...

Submitted by Will Strauss#

Published 01 November 2013

NETWORKING AND THIRD PARTY CONTROL

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Since the advent of digital technologies, the way audio and video is controlled and transported around broadcast facilities has been constantly evolving in the search for greater efficiencies and improved workflows. Today, broadcasters are demanding more and more versatility and integration from their equipment, and in turn, the capabilities now av...

Submitted by Bob Pank#

Published 01 June 2012

Its good to talk

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Online, my sister is quite the socialite. She has more friends on Facebook than people I’ve ever met, and a very active Twitter account. Let’s not even get started on LinkedIn, Buzzsprout, Flickr, You Tube, MySpace and Scrib’d. Half her life is on the web, and while the conventions of these online relationships remain a mystery to me, my sister is...

Submitted by Bob Pank#

Published 01 June 2011

Eye to Eye: Whats new in audio 2009

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Part of my day at SATIS recently was sent discussing with Neutrik the dodgy issue of sexual compatibility, a subject not mentioned in my report from the show for TV-Bay last month. I had recently invested in a Roland Edirol R-44 solid-state audio recorder. Used in conjunction with four Rode phantom-powered capacitor microphones, it makes an excelle...

Submitted by Dennis Lennie

Published 01 January 2010

NAB 2009 report

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By general consensus, this year's NAB Spring Convention, or 'NABshow' as it styles itself, was one of the best ever. Wider aisles and a respectable rather than manic level of attendance made the event, in the words of one exhibitor, 'Business Class'. NAB was always the prototype show where you could sense the directions in which manufacturers were...

Submitted by Dennis Lennie

Published 01 July 2009