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AJA IP 25 R for Modern IP Based Monitoring

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Identifying the Core Industry Challenge Many production teams are moving to IP based workflows, yet a large amount of monitoring equipment still relies on SDI or HDMI. This creates a practical hurdle when working with SIM T 2110 feeds because engineers need a dependable way to view and verify fibre based signals without replacing existing displays...

Submitted by Simon Tillyer

Published 08 December 2025

AJA Bridge Live 3G - Versatile IP Video Gateway Gets a Ma...

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What problem does this solve? Live broadcast and remote production increasingly depend on high-efficiency workflows that can reliably convert and transport video over IP. However, many existing gateway solutions are limited by either low input density or format restrictions, requiring multiple devices to handle different formats or directions of...

Submitted by Simon Tillyer

Published 09 May 2025

AJA Dante 12G-AM - Powerful Audio Embedding Made Compact

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What problem does this solve? In the world of professional broadcast and production, managing high-quality audio routing over IP—especially with Dante—can often require multiple devices, complex configuration, and external software just to perform simple tasks like embedding and disembedding audio. Many compact converters on the market are eithe...

Submitted by Simon Tillyer

Published 09 May 2025

Silent Scalable and Seamless AJA KUMO 6464-12G Tackles Ro...

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What problem does the KUMO 6464-12G solve? In high-end broadcast, live production, and OB (outside broadcast) environments, managing multiple 4K or 8K video signals quickly and silently is a constant challenge. Traditional routers that support 12G-SDI often come with noisy fans, large rack footprints, or limited integration capabilities — not idea...

Submitted by Simon Tillyer

Published 05 May 2025

DIT Sam Petrov Taps AJA ColorBox for Live Grading Flexibi...

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Whether working on a feature film, episodic series, or unscripted show, crafting the look of content before it reaches post requires technical acumen and a creative eye. The DIT (Digital Imaging Technician) is integral to this process, bridging the technical realities with the creative goals on-set to ensure the team can achieve its desired aesthet...

Submitted by Anna

Published 27 June 2023

AJA Video Systems - Ki Pro GO User Review with Spellbinde...

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For most of us 2020 enforced a step change in the way we work and the kind of productions that our businesses have been delivering. Back in March as the pandemic struck, I took a leap of faith and invested in some switching and streaming kit, in the form of a Tricaster Mini, encoding and NDI kit and some extra cameras. Fast forward nine months and...

Submitted by Ben Sherriff

Published 22 December 2020

Live Streaming Workflows Examined

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In today’s hyperconnected world, audiences expect accessible, high quality content across the displays they see every day, whether at home or on the go, at a concert or church service, or even in the board room. There are a number of approaches professionals can take to deliver live content, but each workflow ultimately varies depending upon the de...

Submitted by Bryce Button

Published 03 November 2019

State of the Nation - November 2018

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There is an interesting seminar called Size Matters at the KitPlus Show – organised by the publishers of this fine magazine – at MediaCityUK in Salford on 6 November. It’s a talk by cinematographer Alistair Chapman on the way that camera technology is changing, and in particular the size of the electronic device which creates the image is growing....

Submitted by Dick Hobbs - new

Published 09 November 2018

Insiders View - A few Days in the Desert

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i At Finepoint, we always get excited about attending the NAB show. With tens of thousands of video professionals from around the world gathering together, NAB is a great opportunity for us to get exposure to all the latest news and technology in the world of video and post production, as well as giving us the chance to catch up with all our indust...

Submitted by Giles Bendig

Published 01 August 2017

Capture and Produce

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Issue 94 - October 2014One of the hot topics at this year’s IBC was undoubtedly the growing adoption of end-to-end IP production and the imminent death of SDI. During a panel session, hosted by Mediasmiths and Cognizant, and including representatives from BBC, Sony and more, the key point made was that the adoption of IP production technology and w...

Submitted by Will Strauss#

Published 01 November 2014

Bob Pank looks at the size of 4k

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by Bob Pank Issue 86 - February 2014 The television industry has had many new technological eras in recent years. Only two years ago we were still a 3D era; the latest of the many that have surfaced and sunk over the years of cinema, making it recurring fad. Now 4K / UHD is firmly grabbing the attention of equipment manufacturers as well as product...

Submitted by Bob Pank#

Published 01 March 2014

Finding a Flexible Post Workflow

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In the heart of London's Shoreditch is the award winning post-production house – Splice. Specialising in broadcast, commercial and corporate post production, the boutique studio is home to forty full-time employees and a grand display of state-of-the art technology spanning three floors including: two Baselight grading theatres, Avid DS suites and...

Submitted by KitPlus

Published 01 February 2013

Twas the issue before Christmas;

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As it’s nearly Christmas, I figured, what better way to honor the end of anther year than to celebrate everything that has gone before? To do that, I’ve picked my favourite production technology innovations of 2012. But, as we’re fast approaching the festive season, I’ve compiled them in the form a Christmas shopping list. Yes, I know. It’s genius....

Submitted by Will Strauss#

Published 01 January 2013

Testing times of a 4K world

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The term '4K' applies to some five slightly different picture formats with around 4,000 pixel horizontal resolution: all much bigger than HD. In fact roughly four times the total pixels required for 1920 x 1080 pixel high definition. 4K has been around for some years but was until recently only affordable by producers with mega budgets. Advances in...

Submitted by Will Strauss#

Published 01 August 2012

Big Fish, Little Fish, Camera-Top-Box

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Big Fish, Little Fish, Camera-Top-BoxFor whole swathes of people within the television industry the concept of digital production - and what we generally refer to as ‘going tapeless’ – is probably now considered slightly old hat. Broadcasters, engineers, camera people and other early adopters of technology are so au fait with digital production the...

Submitted by Will Strauss#

Published 01 July 2012