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Calrec Craft Interview with Ken Wilkinson

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Ken Wilkinson is an Emmy Awards nominated New York audio engineer who specialises in production sound mixing for film, commercial, episodic and documentary work as well as news, sports and entertainment television. Tell us about your path into professional broadcast audio; how did you get started and what drew you in? And who do you work for?...

Submitted by Kate Ford

Published 22 August 2025

Calrec Craft Interview with Marine Martignac

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Can you tell us about your background, and how you started in the industry?  I finished my studies in 2016, and I started a sound technician course in operation and an audiovisual engineering course. These two highly complementary courses enriched each other. Engineering allows you to understand the infrastructures used during operation and operat...

Submitted by Kate Ford

Published 13 August 2025

Glensound Adds Ravenna and Full Remote Control to Its Mos...

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What operational gap does this update address? Commentary teams often need compact, reliable units that can deliver flexible audio routing, network integration, and robust remote control. While Dante has been widely adopted in this space, expanding into Ravenna-based workflows introduces new compatibility and infrastructure demands. Glensound’s la...

Submitted by Simon Tillyer

Published 03 June 2025

Calrec Craft Interview: Florian Brown, A1

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Craft Interview: Florian Brown, A1   Summary: Last year, veteran A1 Florian Brown spent a full day at Florida-based Full Sail University talking to students about what it’s like to work as an A1 and the benefits of working in the broadcast audio. His talk covered many of the different freelance possibilities in audio, video, EVS, editing and...

Submitted by Alicia Root

Published 06 April 2023

HOLLYLAND LARK 150 Review

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HOLLYLAND Lark 150 reviewThe exponential growth of video supercharged a technological revolution that began in the early noughties with the advent of DSLR cameras. The cinematic-style shallow depth of field image video quality from DSLRs was a revelation, but, back then audio was the big drawback. As demand has grown so the technology has improve...

Submitted by Phil Vinter

Published 05 February 2021

Sennheiser Memory Mic User Review

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The Sennheiser Memory mic, adding to the new generation of semi-professional equipment that is helping the need for high quality audio in parallel markets that until now, did not have the budgets to achieve ‘great’ results. As part of training to be a General Practitioner, trainee doctors have to be observed interacting with patients. This is essen...

Submitted by Dr Anthony Willman

Published 21 March 2019

The Biggest Toy Shop in the World

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When Nigel Woodford started his career at BBC Wood Norton in 1962, television was black and white and BBC Two had not yet been launched. In 2018 Nigel will retire, and Richmond Film Services, the pro-audio equipment rental company set up by Nigel in 1973, can count numerous contributions to iconic moments in British cultural, sporting and film hist...

Submitted by Emma Morrison

Published 08 September 2018

Listening to the needs of audio engineers

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Monitoring SDI video content within an installation is and has always been straight forwards. If you have a monitor, and you can see the image correctly, all is well. This is not necessarily the case for metadata and especially not for audio. Assuming a SMPTE 352 payload packet is present on the SDI signal, this metadata determines how the video co...

Submitted by Alan Wheable

Published 07 June 2018

Out of the box: Sennheiser Ambeo VR microphone

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The use of 360 video, especially on platforms like Facebook and YouTube is really starting to take off. Gone are the days when you needed to buy multiple GoPros and rigs in order to get something decent looking. Now players like Insta360 and even GoPro with their fusion 360 camera are providing single camera, high quality solutions, enabling the ma...

Submitted by Jon Pratchett

Published 26 March 2018

What happened to audio networking

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i It may seem hard to believe, but audio networking has now been with us for over 20 years. In 1996, Peak Audio released CobraNet, the first system that used computer networking of some sort to transport audio. Looking at that early system, it wasn\'t easy to see all the benefits that were to come. Yes, you eventually got up to 64 channels on a sin...

Submitted by Brad Price

Published 01 August 2017

Audio at 750mph

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i London-based 750mph has recently completed the finishing touches to a massive refit and upgrade of this audio post stalwart\'s Soho HQ which will bring even more, newly immersive, audio online. Following its expansion, 750mph now occupies around 10,000 square feet of studio space and is equipped with nine Fairlight\'s EVO modular console consoles...

Submitted by Sam Ashwell

Published 01 August 2017

Who really benefits from the Cloud?

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The transition to "the cloud\" in our industry has been challenging. Why is it so important to have cloud technologies? What do customers really expect? The term "cloud\" has been used to such an extent that it has diminished the real and actual importance of what\'s really going on - off-premise compute power. With typical cloud adjectives still a...

Submitted by Jayson Tomlin - new

Published 04 April 2017

Streaming and the need for continued innovation

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In a fast-changing world, audio producers need to adapt quickly in order to keep up. Media consumption is changing - fast. Almost without anyone noticing, we have passed the tipping point. Only a few years ago we were discussing streaming as an emerging technology; yet now, according to a recent Deloitte survey, streaming has overtaken live TV as t...

Submitted by Jon Schorah - new

Published 04 April 2017

Smart audio - the way foward for live broadcast productio...

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Today\'s broadcast facilities are facing ever-increasing demands on their resources as they strive to keep up with consumers who expect more content on more devices, both where and when they want it. Amongst all the various elements broadcasters have to handle (including video, graphics, data, captions and subtitles), the importance of audio should...

Submitted by Anthony Wilkins

Published 07 December 2016

Class: Multi - Channel Audio

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by Bruce Devlin Issue 113 - May 2016 If you\'re given a media file and it has 16 channels of audio then life can quickly become the opposite of boring, especially if it has to go to air quickly and the supplier is new. Put simply there are many ways in which the different channels can be laid out in the file, but there isn\'t a single overall stand...

Submitted by Bruce Devlin

Published 13 May 2016