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Out with the new, in with the old

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by Peter Savage Issue 110 - February 2016 Out with the new, in with the oldGetting the film look with a digital camera requires the correct lens: and sometimes that means going back in time, writes Peter SavageFor consumers and professionals alike, a digital camera offers convenience and immediacy. But when youre using one to shoot a movie or TV dr...

Submitted by Peter Savage 2

Published 16 March 2016

Everything you need to know about Anamorphic Lenses

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by Les Zellan Issue 94 - October 2014 Back in the late 1940s and early 1950s, film studios and theatre owners panicked. Television was the emerging new technology and as it expanded in popularity they feared audiences would shun the theatre to stay home and watch TV instead. What could they do to beat that? They needed a competitive edge to draw au...

Submitted by Les Zellan

Published 01 November 2014

Capture and Produce

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Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#

Published 01 October 2014

Cooke Optics

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by Robert HowardHere at Cooke Optics we’re currently basking in the golden glow of our brand new Academy Award® of Merit – yes, that’s an Oscar® statuette – which we received this February in recognition of our continuing innovation in the design, development and manufacture of motion picture camera lenses. From Charlie Chaplin and Laurel and Hardy...

Submitted by Robert Howard

Published 01 March 2013

Mastering a tough business

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I recently had a great day out, visiting a company which is enjoying a massive boom in business, has customers prepared to wait as much as a year for its products, and is trying to recruit dedicated staff to increase output. Yet its chairman says “manufacturing is a tough business to be in”. In 1892 a remarkable picture was taken, on a 5” x 7” plat...

Submitted by Bob Pank#

Published 01 September 2012

Andrew McLeans Guide to Lenses

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Andrew McLean, an experienced cinematographer and now vice president of business development at broadcast equipment hire company HotCam, details some of the basic things to consider when it comes to choosing and using camera lenses. What’s the first thing you do when choosing lenses for a shoot?First I consider the creative direction – the aestheti...

Submitted by Bob Pank#

Published 01 March 2012

How lenses are made...in Leicester!

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How lenses are made...in Leicester!A tour of the factory is a wonderful insight into the production of these instruments. We start with the raw material. With over 100 types of glass to choose from Cooke select a pre moulding depending on the lens model. GrindingWe move into the main building now and are greeted by the industrial sound of machines...

Submitted by Dennis Lennie

Published 01 April 2009

A brief history of Cooke, the UK pioneer of motion pictur...

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UK manufacturing has been dwindling for years now to the frustration of many with cheaper solutions in the Far East enabling more competitive products and so on. For this reason it was so refreshing to met with the owner of Cooke Optics, Les Zellan, and take a tour of a real factory, making real products from raw material to end products – the Cook...

Submitted by Dennis Lennie

Published 01 April 2009