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Sony PWS-4500 Live Production Server Reviewed

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Available since 2016, the Sony PWS-4500 is a solid-state UHD/HD live production server designed for use in applications such as sports, studio or stage events. The target applications are master recording and advanced replay operations for live production companies for whom the server's ability to record the output from high frame rate cameras and...

Submitted by Andy McKenzie

Published 24 January 2019

Sony HDC-4800 Review

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First announced at NAB 2016, the Sony HDC-4800 is a studio camera system capable of shooting 4K/UHD at up to 8x or full HD at up to 16x. With a price point upwards of £250,000 it is a very high-end product with a wide feature set. In Sony's own words, "This is the future of live production, designed to satisfy the storytelling aspect of modern spor...

Submitted by Andy McKenzie

Published 09 November 2018

GoPro HERO 7 Review

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When I heard I was filming a nature restoration project in the pouring rain this week I was excited. WHY? No Cameraman enjoys the rain, surely but this time I was enthusiastic because I knew this would be the perfect opportunity to try out the brand new GoPro Hero 7 Black Edition. Scythes, water, and wildlife that excrete things are not normally co...

Submitted by Tim Bearder

Published 09 November 2018

Dedo DLED3 Microlighting Kit Review

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Having recently had the immense pleasure of getting my hands on the new Minisoftbox adapter ring for the Dedo DLED3 that takes the soft box that fits the standard DLH4 & DLED7. Size matters here! I discovered that there is only about a half stop difference between the DLED7 and the DLED3 output at the surface of the diffusion fabric which is amazin...

Submitted by Jonathan Harrison

Published 18 July 2018

Panasonic EVA1 and Atomos Shogun Inferno ProRes Raw Revie...

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Filmmakers all over the world are embracing an affordable new route to higher-than-4K video recording. It’s just a few weeks since Atomos enabled support for 5.7K Apple ProRes RAW recording from the Panasonic EVA1 with the Shogun Inferno monitor/recorder, but filmmaker David Fernandes and DP Gregory Bennett have already become the first to use 5.7K...

Submitted by David Fernandes

Published 18 July 2018

Atomos Ninja Inferno REVIEWED

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Bristol-based Daniel Peters is one of a new breed of indie filmmakers discovering that you dont need big budgets to create filmic shorts. Often working solo, shooting and editing his own work, he creates the look and feel of bigger productions with only limited resources. His commitment to the craft is so great he had to sell much of his own gear t...

Submitted by Daniel Peters

Published 19 October 2017

Canon CN-E 18-80mm T4.4 Review

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i The Canon Cine range of lenses have been around for quite a few years now. The CN-E Cinema Prime lenses became an early alternative to using PL adaptors or the Zeiss Compact Prime lenses. Other than that the choice was rehoused stills lenses or maybe if you were lucky a set of Zeiss super speeds. The cine lens set became a cost effective offering...

Submitted by Ben Sherriff

Published 07 September 2017

Polecam user review

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When it comes to filming from above, drones have dominated in recent years. But restrictions on where and when they can be used means there is still a demand for traditional style jibs. Polecam has been a major player in the crane market for nearly two decades and its rigs have captured everything from interesting perspectives of major sporting eve...

Submitted by Phil Vinter

Published 15 March 2017

Stop, collaborate and listen

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by Peter Savage Issue 106 - October 2015 Fresh from his trip to Amsterdam, Azule chairman Peter Savage relives what he saw at IBC by highlighting a very welcome industry trend: equipment manufacturers are finally talking to each other. Its not terribly rock and roll but the most surprising and welcome - thing that I saw at IBC 2015 was the willing...

Submitted by Dick Hobbs.

Published 01 November 2015

Sony PXW-FS5 Review

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by Alister Chapman Issue 106 - October 2015 I was lucky enough to get some hands on time with a prototype FS5 in Amsterdam at IBC. In case you havent heard about it, the PXW-FS5 is a compact interchangeable lens, super 35mm camcorder from Sony that can record in HD or UHD 4K. It shares many of the features of the already incredibly popular PXW-FS7...

Submitted by Alister Champman

Published 01 November 2015

Peli 1095 Reviewed

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Issue 102 - June 2015 Any owner of a laptop, or in my case a Mac Book Pro, leading a busy life needs to look at how their machine will be safety transported from one location to another. Working from multiple locations, attending events and client sites all mean that machines have a tough life and although files are more often than not backed up on...

Submitted by KitPlus

Published 01 July 2015

Oh what a show!

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Issue 99 - March 2015Walking through the halls of BVE 2015 it would be hard not to acknowledge the bustling atmosphere, positive vibes and busy aisles. The show attracted a high quality and diverse audience from across the broadening content creation industry seeing over 15,000* key industry decision makers including leading indies, post houses, DO...

Submitted by KitPlus

Published 01 April 2015

IDX E-HL9 Battery review

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Author: Jon BoastManufacturer: IDXModel: E-HL9 BatteryShort Description: 88Wh Li-ion V-Mount High Load Battery with PowerLink & Digi-View. Why was it needed and what did it replace: I'd had my IDX E-10 batteries for a long time and so I needed to re-invest in new batteries to power my cameras, monitor and glidecam. What other systems did you consid...

Submitted by Bob Pank#

Published 01 January 2015

Matrox Monarch HD

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Issue 96 - December 2014 Matrox Monarch HD is the video streaming and recording appliance for the first live underground music site of its kind, DMO Live (Don't Miss Out), a new platform that records and live-streams international music parties, exclusive artist interviews and festivals direct to the DMO website. Created for the electronic music lo...

Submitted by KitPlus

Published 01 January 2015

REVIEW: Matrox Monarch HD

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by Colin Ashby Issue 95 - November 2014 Firstly, a confession; it\'s a fair bet that, technically, I know a lot less than you the reader although I\'ve worked in broadcast television for over 30 years so I have a lot of hands-on experience. To balance this out, I\'m a cameraman so we\'re by nature attracted to new models, bright shiny things, whist...

Submitted by Colin Ashby

Published 01 December 2014