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Panasonic GH5: Tried and Tested

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My journey as a filmmaker began with a select number of enthusiastic BBC reporters picked out and trained in the concept of Personal Digital Production by the American Video Journalist Michael Rosenblum. Back in the early naughties he was pioneering the concept of one person journalist shoot editors. A complete news reporting package with small per...

Submitted by Tim Bearder

Published 12 February 2018

Canon C300 MkII Reviewed

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The Tech It 's been just over eight months since the release of the updated C300 camera the C300 MkII and almost five years since Vincent Laforet shot Mobius with a pre-production C300. In a landscape dominated by self-shooters and the continued rise of internet video, the C300 perhaps surprisingly like it 's forefather the 5DMkII came to become a...

Submitted by Ben Sherriff

Published 14 June 2016

Rising to the occasion

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by Kevin CookIssue 83 - November 2013 I must admit I wasnt really in the market for a camera crane until I set eyes on the iFootage M1 Mini Crane. Sure, I love seeing craning shots in a film - and I understand perfectly how these types of shots give the viewer an additional and otherwise unavailable perspective to A scene but it all seemed like a l...

Submitted by Kevin Cook

Published 01 December 2013

Preparing for the future in television and film

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by Kieron SethIssue 80 - August 2013 We prepare students for a career in television and film, says Sean Thornton of Anglia Ruskin University. As such, the technology we use has to be real-world and broadcast standard The Media Services team provides equipment to under- and postgraduate students and operates facilities that include TV and photograph...

Submitted by Kieron Seth#

Published 01 September 2013

Video Monitoring Essentials - By Den Lennie

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As a DP the video monitor you work with is one of the most important tools on set. I began my career in 1994 shooting television news for Reuters on Betacam SP and it was very rare that I'd get to use a monitor on location. As my career evolved I started shooting more considered pieces and used Sony 9\" tube monitors all flight cased up. I shot the...

Submitted by Kieron Seth#

Published 01 December 2012

The Modern Solution - Just Add Carbon!

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Problem. Traditionally, getting in and among the action and seeing the true grit, determination and suffering of sporting competitors - be it filming something such as International Ironman competitions with cross terrain transitions from land through to water and back to land - speeds from a sprint, to a swim to a high speed cycle, Formula One pit...

Submitted by Bob Pank#

Published 01 July 2012

Getting back to basics on HOW TO CHOOSE YOUR GRIP AND SUP...

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When looking to purchase grip and support systems there are now a variety of different options available to the dedicated cameraman and this potential minefield of different equipment, at varying prices, can seem daunting and confusing at first. What’s the difference between a shoulder support, steady mount and a stabilizer? Are slide rail systems...

Submitted by Bob Pank#

Published 01 March 2012

LIGHTING FOR 3D PRODUCTION

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Richard Walch, a photographer and DSLR film-maker from Germany, usually makes spectacular productions dealing with extreme sports. For a 3D special supplement in one of the largest German newspapers, Richard Walch photographed Germany's most famous puppet theatre: The "Augsburger Puppenkiste". The troop is internationally known for its films includ...

Submitted by Bob Pank#

Published 01 January 2012

tv-bay questions

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James Tonkin; Director of Hangman Studios, London UKWho are you? (about yourself and Hangman Studios?)I am a director/editor who over the last few years has also turned to DP'ing and producing. I trained originally in music technology for my degree at Rose Bruford College in London but I soon moved into editing and directing after graduating in 200...

Submitted by Bob Pank#

Published 01 April 2011

AF101 a first look

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IBC saw the first working prototypes of the AF100 being shown to the public. Barry Green (some of you will be familiar with Barry from the US Forum DVXUSER) had the pleasure of working with the pre-production AF101 while at IBC. Incidentally the AF100 & AF101 are the same basic camera for different markets, all of them are NTSC/PAL switchable. At t...

Submitted by Bob Pank#

Published 01 November 2010

Underwater DSLR Video Capture

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Needless to say, DSLRs and their newly found HD video capability are a hot topic nowadays but many of us used to traditional video/film cameras are finding the transition a little vexing. The problem is that for years we’ve been able to immerse ourselves within that snug, comfortable viewfinder and get on with the job at hand. All of a sudden we ar...

Submitted by Bob Pank#

Published 01 November 2010

Precise panning for DSLR cameras

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After buying a new DSLR camera with video function one usually works hard at getting good shots. It then becomes obvious that the selection of the proper tripod is crucial for clean horizontal and vertical panning. Sachtler, a brand of the Vitec Group, offers a variety of fluid heads in different weight classes that also fulfill the special require...

Submitted by Bob Pank#

Published 01 June 2010

Accessorising DLSR video

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Some DSLR stills camera manufacturers now include HD video capabilities within their top-of-the-range products. This raises the prospect of lower cost stills cameras shooting good quality HD video. While this is true in certain circumstances there is much more that needs to be included with these cameras to make them consistently produce their best...

Submitted by Bob Pank#

Published 01 March 2010