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Robotic cameras on location


Television is such a natural extension of the human senses that I doubt if more than one viewer in a thousand gives much thought to the effort put into modern programme production. Much of the original push for creative freedom came from outside broadcast crews, initially using turret-mounted optics and later zoom lenses to obtain close-ups of dist...

Submitted by Dennis Lennie
Published 01 February 2010

Broadcasting Audio in 5.1 Format


One of the positive consequences of digital television transmission is the ability to include fully embedded multi channel audio with suitable metadata to control both channel displacement and even sound levels within the domestic environment. While at the receiving end of the transmission chain there are many innovations and protocols to make life...

Submitted by Dennis Lennie
Published 01 January 2010

Film Affect


As shooting on film for TV applications is increasingly being replaced with HD, there is a growing tendency for people to wish to apply film tools and methods to origination when using the electronic medium. However, unless aiming for a specific look that cannot be achieved any other way, it can prove more time consuming and costly to work this way...

Submitted by Dennis Lennie
Published 01 January 2010

Pushing Air- the art of acoustic design


Acoustics is usually regarded (or often disregarded) as a black art that is practiced with no discernable science involved, with a great reliance on ears for measurement and blind faith as a method statement. Nothing could be further from the truth in the professional study of sound, with many practitioners furnished with several degrees and a weal...

Submitted by Dennis Lennie
Published 01 January 2010

De Wolfe Celebrates Centenary


De Wolfe Music Publishers, the longest-running independent film and television music library resource in the world, is celebrating its remarkable centenary this year. Over the last hundred years, the music library’s vast collection of instantly recognisable and iconic tracks has helped shape popular culture; if you've ever seen Man About The House,...

Submitted by Dennis Lennie
Published 01 January 2010

Two Decades of Development With DK-Technologies


For more than 20 years, DK-Technologies has been developing audio and video test and measurement products that have become industry standards thanks to their adoption by many of the world’s top music, broadcast and post production facilities. Founded in 1987 by its current CEO Karsten Hansen, DK began by developing complex, custom-designed matrix s...

Submitted by Dennis Lennie
Published 01 January 2010

Eye to Eye: Whats new in audio 2009


Part of my day at SATIS recently was sent discussing with Neutrik the dodgy issue of sexual compatibility, a subject not mentioned in my report from the show for TV-Bay last month. I had recently invested in a Roland Edirol R-44 solid-state audio recorder. Used in conjunction with four Rode phantom-powered capacitor microphones, it makes an excelle...

Submitted by Dennis Lennie
Published 01 January 2010

Double dip 2009


Well here we go again. Christmas is coming and, yes, given market reactions and the news that Dubai’s bubble has burst, it looks likely that we are heading for the classic W – two falls into recession, a double dip. Of course, like you, I hope it won’t come to that but optimism does seem to have evaporated. Pressure also seems to be mounting in Soh...

Submitted by Dennis Lennie
Published 01 January 2010

Surround technologies


Throughout the world, in a wide range of broadcasts, surround sound has become a vital tool for easily and effectively capturing real-life recordings. Playing an equally important role in developing advanced surround sound microphones is Holophone®, with its patented audio recording devices designed specifically to address the challenges audio prof...

Submitted by Dennis Lennie
Published 01 January 2010

Junger Audio Helps Broadcasters Get To Grips With 5.1 Upm...


Television viewers who have invested in home cinema systems will already know how dreadful mono and stereo audio can sound when played through 5.1 surround sound speakers. Instead of being enveloped by carefully mixed 5.1 surround sound, viewers are, instead, subjected to unbalanced audio coming at them from unpredictable directions. This problem i...

Submitted by Dennis Lennie
Published 01 January 2010

Top Tips Audio Monitoring Systems for On-Location Monitor...


1) Audio monitoring systems for on-location monitoring need to be able to handle all formats. This flexibility is crucial for all field applications, in which broadcasters frequently must accommodate a variety of formats, and not always those they anticipated. Formats supported by the audio monitoring system should include 3G/HD/SD-SDI, AES, and an...

Submitted by Dennis Lennie
Published 01 January 2010

Musical matches for your production


The best production you've ever created is in the can. It's time to match your masterpiece with an equally impressive musical soundtrack. But where to start? It's time to dispel the myth that music licensing is complex or expensive and to understand what options are available to you. Firstly, let's get one thing straight. Music, a bit like lunch, i...

Submitted by Dennis Lennie
Published 01 January 2010

The Prism Sound Effect


The Prism Sound Effect. When Prism Sound took over the SADiE brand last year, it embarked on a fact-finding mission to discover why the brand had such a huge and extremely dedicated international user base. This process has been extremely enlightening and has enabled Prism Sound to respond with SADiE 6 - a new product for professional sound editors...

Submitted by Dennis Lennie
Published 01 January 2010

The Loudness Issue in Todays Audio Systems


Complaints regarding audio being “too loud” have always existed. For example, the change from a television drama with little or no music or sound effects and quiet dialogue to a loud commercial can be quite jarring and will likely cause the viewer to reach for the volume control. This can happen when listening in mono, stereo or surround sound. The...

Submitted by Dennis Lennie
Published 01 January 2010

12 Frequently Asked Questions About On-Camera Lighting


1. Why/when would someone use an on-camera light? The main purpose of an on-camera light is for “fill” light. Simply put, you are just trying to remove any shadows from your talent’s face to give them a nice clean natural look. If you use too much light, however, you will drown out your background and get no depth to the video. Also, in today’s’ ru...

Submitted by Dennis Lennie
Published 01 December 2009