KitPlus | Articles

War House goes live in 4K

Issue 87 - March 2014In the next chapter of the War Horse story, National Theatre Live in collaboration with Sony, are pushing the technological boundaries of live entertainment to a new level. For the first time worldwide, the multi-award winning stage production will be broadcast live in 4K. On February 27th 2014, National Theatre Live (NT Live)...

Submitted by KitPlus

Published 01 April 2014

Cutting the cord

by Will Strauss Issue 87 - March 2014 Wireless cameras are not new. In fact, they date back to the 1970s. But its only been in the last ten years that this technology has really blossomed, with engineers working out how to adapt the digital terrestrial transmission technology so that it can be used efficiently for programme-making. From that tippin...

Submitted by Will Strauss#

Published 01 April 2014

Discover DMPCE by Sony

Issue 86 - February 2014The Digital Motion Picture Centre in Europe is located at one of the worlds leading destinations for makers of film, television and commercials: Pinewood Studios in the UK. At DMPC(E) you can develop your craft, experience cutting edge technology and meet with Industry colleagues. The first DMPC was opened in Culver City, Ca...

Submitted by KitPlus

Published 01 March 2014

Why is mediocrity such a powerful force?

by Thomas Urbye Issue 85 - January 2014 Ive hit the decade mark!Yes, Im now in to my second ten years working in Sohos post production world. Not only that, Im ten years working with some great Directors, DoPs, Producers and Exec Producers (not to mention the great people that are hired by these people). In that time Ive met all sorts of characters...

Submitted by Thomas Urbye

Published 01 February 2014

Supporting the transition to 4K

by David AckroydIssue 84 - December 2013 Plasma, LCD and LED screen technologies brought broadcasters HD audiences that justified their investment in HDTV. Recent computer monitors, tablets, mobile phones, digital cinema and 3D have driven an explosion in viewing formats. Together they have created an appetite for continued change and development i...

Submitted by David Ackroyd

Published 01 January 2014

The UKs PTZ explosion

by Kieron SethIssue 83 - November 2013 The advent of broadcast quality, remotely controlled PTZ cameras has had an enormous impact on television production in the UK. Not only can cameras now be discreetly placed in virtually any location but they can also be operated a very small team of technicians. This combination of creative freedom and the si...

Submitted by Kieron Seth#

Published 01 December 2013

High speed camera system technology

by Steve CotterillIssue 81 - September 2013 High speed camera systems are now readily available, but all systems are not equal. Say you want to enhance your live TV coverage of a sporting event with slow motion. For some time now, the only alternative to standard 25fps based replays would have been replays from supermotion 75fps cameras manufacture...

Submitted by Steve Cotterill

Published 01 October 2013

Feeding a world hungry for instant news and entertainment

by Lorna GarrettIssue 81 - September 2013 It might sound cliche, but it is definitely true: the news never sleeps. With a third of the year still left, 2013 has already seen a host of events that have captured the worlds attention. From the anticipation of a royal baby to the devastation of hurricanes, tornados and bombings, from encounters on the...

Submitted by Lorna Garrett

Published 01 October 2013

Dick Hobbs gets up to speed with ESOMPS

The UK communications regulator Ofcom has issued a consultation document on the prospects for a technology called Earth Stations on Mobile Platforms, or ESOMPs. My first response to the consultation is that they should get a better acronym. An ESOMP is a small communications device which is attached to a mobile platform: a train, a plane, a ship or...

Submitted by Dick Hobbs.

Published 01 October 2013

Dick Hobbs roasts television rare

by Dick HobbsIssue 80 - August 2013 I was at a conference about workflows the other day. One of the presentations was by a very nice man called Eric Minoli, who is chief engineer at TFO, the French-language public broadcaster in the Canadian province of Ontario. He illustrated his presentation with a great story. Some friends were invited around to...

Submitted by Dick Hobbs.

Published 01 September 2013

A runaway success at Graduate Fashion Week with Blackmagi...

Issue 79 - July 2013 Encouraging and nurturing raw young talent, Graduate Fashion Week (GFW) is one of the largest international platforms of its kind. Showcasing the future of fashion, over 1,000 aspiring designers descended on London during June for Graduate Fashion Week 2013. Made up of 22 catwalk shows and an exhibition with more than 40 univer...

Submitted by KitPlus

Published 01 August 2013

The evolution of camera connectivity and the HPX600

Tape in, tape out. Cable in, video out. Card in, card out. Simpler times: productions orchestrated by an army of runners, tape op’s and engineers, with transmission to TV, ingest via a VTR and a room dedicated to storing media. Today’s production team has changed. It’s become a small elite squad, tasked with multi-channel playout, multi-resolution...

Submitted by Kieron Seth#

Published 01 July 2013

The greening of broadcast facilities

By Chris Exelby, Managing Director, TSL Professional Products, Ltd. In today’s world of tightening broadcast facility budgets, planners need to keep a keen eye on the bottom line to ensure operational efficiency. An integral part of this process is getting a green handle on power management, an increasing necessity around the globe. Power managemen...

Submitted by Chris Excelby

Published 01 July 2013

Sky Sports News SNG coverage

Outside broadcast, satellite uplink and product design specialist SIS LIVE has deployed its new 1.8m vehicle mounted antenna DriveForce®. DriveForce delivering high bandwidth transmissions with the ability to transmit at any location including those where exceptionally windy conditions prevail. SIS LIVE is currently operating a new dedicated DriveF...

Submitted by Raymond Burns

Published 01 May 2013

Finding a Flexible Post Workflow

In the heart of London's Shoreditch is the award winning post-production house – Splice. Specialising in broadcast, commercial and corporate post production, the boutique studio is home to forty full-time employees and a grand display of state-of-the art technology spanning three floors including: two Baselight grading theatres, Avid DS suites and...

Submitted by KitPlus

Published 01 February 2013