IBC2011 must sees


Over 1,300 exhibitors will be supporting IBC2011, each bringing perhaps one, two or three new or enhanced products. My task is to distill these down to the 20 devices likely to be of greatest interest to TV-Bay readers, so far as that is possible several weeks before the show opens. As a recent convert to OS X, I note with gloom that Apple remains a non-exhibitor either at NAB or IBC. Maybe another conveniently timed FCP SuperMeet...

CONTENT CAPTURE

Arri’s Alexa M is a modular version of the established Alexa HD camera. Camera head and body are connected by optical fibre which can also carry a power cable. Images, audio and metadata can be recorded on SxS cards or output to external storage. Alexa M is compatible with all existing 35 millimetre lenses plus a wide range of ARRI accessories.
Comrex' LiveShot delivers live video over IP networks. It uses the H.264/MPEG-4 AVC High profile and is claimed to be capable of encoding and decoding an audio/video stream with less than 200 milliseconds latency. LiveShot delivers full-duplex video and stereo audio between its portable and studio-installed systems. A full-duplex cue link is also available between these systems. On the portable, the return audio/video channel is delivered via output connectors or wi-fi streamed to a mobile device.

For-A's VFC-7000 is a CMOS camera capable of 50 to 700 frames per second (1280 x 720 pixels) recording. Recording time is up to 9.8 seconds at 700 frame/s on a standard internal memory, expandable to four-times capacity. BB and tri-level sync genlock capability is included.

Ikegami's HiMotion2 Super Slow-Mo HD camera has a three-CMOS sensor head and built-in memory, capable of capturing movement at greater than 10x speed. A dual format 1080i/720p camera, it supplies parallel live and replay output.
I-Movix' SprintCam Vvs HD is an ultra slow-motion system for live HD broadcast production. It operates at up to 5,800 frames per second 720p (up to 2,700 frame/s in 1080i) and provides instant replay at native HD resolution with a dual output for a live and replay feed. New features include a dual output that allows a camera operator to shoot and record at the same time, segmented memory, dual output of live action and replay sequences, and integration of live plus replay view on the viewfinder. Two cameras can be synchronised for ultra-slow-motion 3D capture.

JVC's GY-HMZ1U 3D HD camcorder has dual 3.32 megapixel CMOS sensors and delivers 34 megabits per second 1920 x 1080 AVCHD recording in 3D or 24 Mbit/s in 2D. Features include image stabilisation, twin F1.2 HD lenses with 5x optical zoom in 3D and 10x optical zoom in 2D. Recording is to SDHC or SDXC media cards or 80 gigabyte internal memory.
Panasonic's AG-3DP1 is a 3D twin-lens P2 HD shoulder-mount camcorder with 10 bit 4:2:2 independent-frame 1920 x 1080 resolution AVC-Intra recording. Convergence point is adjustable. Functions for automatically correcting horizontal and vertical displacement are provided.

Sony's HXR-NX3D1 is a lightweight all-in-one 3D camcorder with 10x (34.4 to 344 mm) optical zoom lenses, dual quarter-inch 1920 x 1080 pixel CMOS sensors and 96 gigabyte internal memory. The HXR-NX3D1 has a multi-card card slot allowing direct capture or file transfer to Memory Sticks and SD cards. The camcorder has two parallel lenses mounted 31 mm apart. Disparity adjustment can be performed to change the readout areas of the left and right CMOS sensors so that they are closer together or further apart.


PRODUCTION

AJA's Ki Pro Mini is a miniature field recorder capturing to Apple ProRes 422 QuickTime files on Compact Flash memory. An optional mounting plate allows connecting to a camera accessory bracket. (pictured here with the optional mini stand)
Sonnet Technology will display its new Fusion D800TBR5 deskstop storage system. This is an Intel-Thunderbolt-compatible 8-drive RAID 5 desktop storage system supporting RAID 0, 1, 5 and JBOD. It is available in 8, 12, 16, or 24 terabyte versions and can handle one stream of uncompressed 10-bit 1080 4:4:4 HD or multiple streams of ProRes 422, uncompressed 8-bit 1080 HD, DV, HDV, and DVCPRO video.

DiGiCo's SD10B broadcast audio mixer includes 96 channels with full processing, 12 of which can be configured as mono or stereo, with full processing available in either mode. 48 assignable buses offer multiple configurations and a complete 5.1 monitoring matrix with 48 x 6 source to speaker selection.

POSTPRODUCTION
Latest version of Blackmagic Design's DaVinci colour correction tool, DaVinci Resolve 8 includes multilayer timeline support with editing, and XML import and export with Apple Final Cut Pro 7 and Adobe Premiere Pro. OpenCL processing allows use on Apple iMac and MacBook Pro. New processing tools have been added for real-time noise reduction, curve grading, multipoint stabilisation and automatic stereoscopic 3D image alignment.

Quantel's QTube allows media assets to be securely accessed via an internet connection. It is based on three components: QTube Browser (a Microsoft Silverlight-based viewer, enabling the user to search the Quantel Enterprise sQ system and find, view and edit metadata on content remotely), QTube Edit (an internet-enabled version of the standard Enterprise sQ desktop editor), and QTube Transformer (providing the interface between the sQ system and the QTube clients). QTube is also compatible with Microsoft Smooth Streaming and Apple Live Streaming.

INFRASTRUCTURE
Axon has expanded the capabilities of its SynView multiviewer by adding 3D display capabilities. Two multiview inputs can be locked to each other and displayed side-by-side or, on suitable displays, as a 3D image. Tallies, borders and UMD information are all 3D processed.
Harris' Selenio combines baseband video and audio processing, video and audio compression and IP networking technology into a single modular platform. MPEG-2 and H.264 compression standards are supported from SD and HD to 3 Gb/s and mobile.

Mosart Medialab version 3.0 newscast automation system allows users to assemble combinations of production elements into a collection of on-display buttons with touch-screen operation. Elements can include events such as a clip, lower thirds and other graphics.

RTS Intercom Systems' VLink (Virtual Linked Intercom) enables remote users to interface with RTS matrix intercoms via the internet using a simple PC-based application. The basic RTS VLink-LE version comprises a standalone software/server-based intercom providing limited interconnect functionality into any existing audio feed.

MONITORING

Dolby's PRM-4200 reference monitor provides 12-bit colour rendition without dithering. Supporting 3D lookup tables,it can be calibrated to match digital screening environments and to emulate the response of film-print stocks during digital intermediate colour correction. The monitor includes a remote controller which can be rackmounted or used on the desktop.

Sony has expanded its line of OLED Trimaster EL picture monitors with the 25-inch PVM-2541 and 17-inch PVM-1741, designed to replace CRT displays for content evaluation. Both models provide 1920 x 1080 HD resolution with 10-bit signal processing. Features include 3G HD-SDI inputs, serial and parallel remote control, timecode display, embedded audio display, internal waveform monitor and auto white balance.

Phabrix Rx is a 2U 19 rack mounting modular signal analyser with dual two 4.3 inch colour TFT displays capable of generating and displaying a range of test patterns and logging information. Control is via the eight buttons under each display plus on-screen GUI. The Rx offers auto bi-level, tri-level and SDI genlock with cross lock capability. 16 channels of embedded audio are supported.

POSTSCRIPT

IBC will offer a great opportunity to preview the future of television: far higher resolution cameras than are needed for today's 1920 x 1080 pixel displays. Currently of interest primarily to film-makers, 4K, 8K and onward up to UHDTV will undoubtedly be adopted sooner or later by onair and/or online programme publishers. Most of the mainstream camera manufacturers have 4K and/or 8K products that are worth looking at in addition to the ongoing developments in 3D. How super-large screens will be delivered to consumers is another matter. Perhaps in halves strapped to the sides of a glazier's truck.



Tags: iss056 | ibc2011 | ibc | arri | for-a | ikegami | i-movix | jvc | panasonic | sony | aja | sonnet technology | digico | blackmagic | quantel | axon | harris | mosart | rts | dolby | sony | phabrix | N/A
Contributing Author N/A

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  • Dalet at NAB 2014

    Dalet at NAB 2014

  • NewTek TriCaster at BVE 2014

    NewTek TriCaster at BVE 2014

  • Glensound on BroadcastShow LIVE at IBC 2013

    Glensound on BroadcastShow LIVE at IBC 2013

  • Primestream on BroadcastShow LIVE at IBC 2013

    Primestream on BroadcastShow LIVE at IBC 2013

  • Stream UK on BroadcastShow LIVE at IBC 2013

    Stream UK on BroadcastShow LIVE at IBC 2013

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    Polecam talk high speed on BroadcastShow LIVE at IBC 2013

  • Dalet at IBC 2013

    Dalet at IBC 2013

  • SIS LIVE and their products ManPak and DriveForce at IBC 2013

    SIS LIVE and their products ManPak and DriveForce at IBC 2013

  • ChyronHego Paint at IBC 2013

    ChyronHego Paint at IBC 2013

  • Gearhouse Broadcast on Tour May 2013

    Gearhouse Broadcast on Tour May 2013

  • TSL Products at BVE 2013

    TSL Products at BVE 2013

  • Sonifex at NAB 2012

    Sonifex at NAB 2012

  • Glensound at NAB 2012

    Glensound at NAB 2012

  • The Vision Charity at BVE North 2011

    The Vision Charity at BVE North 2011

  • 7.1.2 Dolby Atmos support by Halo from Nugen Audio at NAB 2017

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  • Phabrix RX series at IBC 2014

    Phabrix RX series at IBC 2014

  • Phabrix at BVE 2012

    Phabrix at BVE 2012

  • TSL at NAB 2012

    TSL at NAB 2012

  • Sonifex at BVE 2012

    Sonifex at BVE 2012

  • QX Hybrid 2110/12G-SDI UHD Rasterizer from Phabrix at IBC 2018

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  • PHABRIX QXIP support for SMPTE 2110

    PHABRIX QXIP support for SMPTE 2110

  • QX Updates from Phabrix at NAB 2018

    QX Updates from Phabrix at NAB 2018

  • SX, RX and QX range updates from Phabrix at NAB 2018

    SX, RX and QX range updates from Phabrix at NAB 2018

  • HDR, 12G, 4k, IP - the range expands from Phabrix at NAB 2017

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  • IP, 3G-SDI + HDR generation, analysis and monitoring from Phabrix NAB 2017

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  • Phabrix Qx at IBC 2016

    Phabrix Qx at IBC 2016

  • Phabrix Technology Demo at IBC 2016

    Phabrix Technology Demo at IBC 2016

  • PHABRIX Qx at NAB 2016

    PHABRIX Qx at NAB 2016

  • PHABRIX at NAB 2016

    PHABRIX at NAB 2016

  • PHABRIX TAG and Rx updates at NAB 2016

    PHABRIX TAG and Rx updates at NAB 2016

  • Phabrix Qx at IBC 2015

    Phabrix Qx at IBC 2015

  • Phabrix TAG and Rx at IBC 2015

    Phabrix TAG and Rx at IBC 2015

  • PHABRIX Rx range at NAB 2015

    PHABRIX Rx range at NAB 2015

  • PHABRIX Qx Rasteriser at NAB 2015

    PHABRIX Qx Rasteriser at NAB 2015

  • Phabrix RX rack mount range at NAB 2014

    Phabrix RX rack mount range at NAB 2014

  • Phabrix at NAB 2014

    Phabrix at NAB 2014

  • Phabrix TAG at NAB 2014

    Phabrix TAG at NAB 2014

  • Phabrix RX2000 at NAB 2013

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  • Phabrix at BVE 2013

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  • Phabrix at IBC 2012 Part Two

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  • Phabrix at IBC 2012 Part One

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  • AudioVideo BrandBuilder Corp at NAB 2016

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Articles
Sony HDC-4800 Review
Andy McKenzie First announced at NAB 2016, the Sony HDC-4800 is a studio camera system capable of shooting 4K/UHD at up to 8x or full HD at up to 16x. With a price point upwards of £250,000 it is a very high-end product with a wide feature set. In Sony's own words, "This is the future of live production, designed to satisfy the storytelling aspect of modern sports production.” Deliveries began in mid 2017 and, after careful preliminary evaluation, we invested in several systems for our hire fleet ahead of the FIFA World Cup in Russia.
Tags: iss134 | review | hdc-4800 | sony | finepoint | Andy McKenzie
Contributing Author Andy McKenzie Click to read or download PDF
Accelerated Workflows with eGPU
Mike Griggs From the UK’s National Trust to magazine publishers to manufacturers, digital content creator Mike Griggs has a wide and varied portfolio of clients for whom he creates 3D art, motion graphics and multimedia exhibits. A typical day might involve sampling birdsong near Virginia Woolf’s country estate or creating 3D animations for VR. To keep on top of these demands, Griggs wanted to take the full power of the GPU computing revolution on the road.
Tags: iss134 | sonnet | egpu | amd | post production | editing | Mike Griggs
Contributing Author Mike Griggs Click to read or download PDF
The brave new world of software based production
Boromy Ung In today’s rapidly evolving broadcast industry, the only constant media organizations can truly count on is change — and the need to adapt as rapidly and cost-effectively as possible. One of the biggest agents of change is the IP revolution, driving broadcasters to migrate their operations to all-software solutions running on commodity, IT-based technologies.
Tags: iss134 | chyronhego | graphics | sports | ott | Boromy Ung
Contributing Author Boromy Ung Click to read or download PDF
What content providers need to know about OTT
Hiren Hindocha As OTT (Over-The-Top) technology has gotten more mature and established robust standards over the years, the concept of OTT monitoring is gaining popularity. With customer expectations soaring, it’s vital for OTT providers to deliver superior quality content. To deliver Quality of Experience (QoE) on par with linear TV broadcast, the entire system, starting from ingest to multi-bitrate encoding to delivery to CDN must be monitored continuously.
Tags: iss134 | ott monitoring | qos | logging | compliance | dash | atsc | cloud | Hiren Hindocha
Contributing Author Hiren Hindocha Click to read or download PDF
State of the Nation - November 2018
Dick Hobbs - new There is an interesting seminar called Size Matters at the KitPlus Show – organised by the publishers of this fine magazine – at MediaCityUK in Salford on 6 November. It’s a talk by cinematographer Alistair Chapman on the way that camera technology is changing, and in particular the size of the electronic device which creates the image is growing.
Tags: iss134 | cmos | 35mm | AJA | Arri | Blackmagic | Canon | Datavideo | GoPro | Grass Valley | Hitachi | Ikegami | JVC | Kinefinity | Nikon | Panasonic | Red | Sony | jpeg2000 | Dick Hobbs - new
Contributing Author Dick Hobbs - new Click to read or download PDF