Videosys Broadcast Provides Cloudbass with 4K Digital Transmitter Systems

Date: 25/11/2019
Videosys Broadcast Provides Cloudbass with 4K Digital Transmitter Systems

Videosys Broadcast, a leading supplier of quality camera control systems, RF links and camera backs to outside broadcast providers has announced that it has supplied two DTC 4K AEON-CC digital video transmitter systems to Cloudbass, a leading provider of broadcast solutions.

Specifically designed for high-quality wireless camera applications the AEON-CC uses DTC’s next-generation HEVC encoder technology facilitating UHD images. The system consists of one single 4K transmitter unit from DTC coupled with a built-in Videosys Camera Control system. The advantage of the AEON CC with Videosys’ camera control receiver built into the unit is a reduction in the equipment count and the complexities that come when managing 4K transmission and camera control simultaneously.

Cloudbass have been successfully using the systems on UHD, 3G and HD setups across a variety of live Outside Broadcasts, including both SKY Boxing and BT Speedway in UHD, on the British Touring Cars for ITV Sport, and The Lord Mayor’s Show for BBC Events.

Michael Beaumont, Technical Director, Cloudbass Outside Broadcast says, “This forms part of our £5.5 million investment plan. When we saw the AEON-CC 4K we decided this would be the best system to meet Cloudbass’ customer needs. We’ve been using Videosys camera control systems for many years and have worked very closely with the company on bespoke projects including the provision of onboard systems for British Touring Cars. Selecting Videosys to provide us with a 4K system was an obvious choice.”

Colin Tomlin Managing Director of Videosys Broadcast adds, “By taking delivery of the new 4K AEON-CC, Cloudbass has taken the lead in the UK with a 4K system. We are seeing an increased demand from our customers requiring 4K solutions and we have shown that we can deliver a complete system despite tight deadlines. We look forward to working closely together with Cloudbass on this and future innovative projects.

Despite the short time frame Videosys was able to deliver the complete 4K system to Cloudbass on time, ready to deliver 4K services to significant sporting events.

Videosys is showing its 4K transmission system at FutureSPORT 2019, at Chelsea Football Club on Tuesday 26th November 2019.



Tags: camera control systems | RF links | camera backs | outside broadcast | OB | studios | production | 4K | UHD | HD | decoder | receiver | sports | concerts | live events | video | audio | data | distribution
Submitted by Kate Ford (Jump PR Ltd)
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  • BeyondHD at BVE 2016

    BeyondHD at BVE 2016

  • BeyondHD UAVs at BVE 2016

    BeyondHD UAVs at BVE 2016

  • BeyondHD - Drones at BVE 2015

    BeyondHD - Drones at BVE 2015

  • BeyondHD - Letus Helix Gimbal System at BVE 2015

    BeyondHD - Letus Helix Gimbal System at BVE 2015

  • Beyond HD at BVE 2014

    Beyond HD at BVE 2014

  • Polecam talk high speed on BroadcastShow LIVE at IBC 2013

    Polecam talk high speed on BroadcastShow LIVE at IBC 2013

  • Quantel Enterprise sQ at NAB 2013

    Quantel Enterprise sQ at NAB 2013

  • Sound Devices at ProVideo2011

    Sound Devices at ProVideo2011

  • Hireacamera at ProVideo2011

    Hireacamera at ProVideo2011

  • Harmonics Peter Alexander on BroadcastShow LIVE at IBC 2013

    Harmonics Peter Alexander on BroadcastShow LIVE at IBC 2013

  • Vision Research at BVE 2013

    Vision Research at BVE 2013

  • Lemo at BVE 2013

    Lemo at BVE 2013

  • IDX at BVE North 2011

    IDX at BVE North 2011

  • Glensound at BVE 2012

    Glensound at BVE 2012

  • Atomos with the Samurai Blade on BroadcastShow LIVE at IBC 2013

    Atomos with the Samurai Blade on BroadcastShow LIVE at IBC 2013

  • Capella Cambria File Convert (FTC) at BVE2019

    Capella Cambria File Convert (FTC) at BVE2019

  • openGear Mi9 Multiviewer from Apantac at NAB 2017

    openGear Mi9 Multiviewer from Apantac at NAB 2017

  • Tektronix at IBC 2016

    Tektronix at IBC 2016

  • BBright at NAB 2016

    BBright at NAB 2016

  • Elemental Technologies at IBC 2015

    Elemental Technologies at IBC 2015

  • Matrox at IBC 2015

    Matrox at IBC 2015

  • Winner of the LP54 Miller Classic

    Winner of the LP54 Miller Classic

  • Matrox at IBC 2014

    Matrox at IBC 2014

  • Inmarsat at NAB 2014

    Inmarsat at NAB 2014

  • JVC GY-HM850 and GY-HM650 at NAB 2014

    JVC GY-HM850 and GY-HM650 at NAB 2014

  • Atomos Ninja2 Recorder at IBC 2013

    Atomos Ninja2 Recorder at IBC 2013

  • Atomos Ronin at IBC 2013

    Atomos Ronin at IBC 2013

  • Atomos new Samurai Blade at IBC 2013

    Atomos new Samurai Blade at IBC 2013

  • Jampro Antennas at NAB 2013

    Jampro Antennas at NAB 2013

  • Atomos Samurai Blade demonstration at NAB 2013

    Atomos Samurai Blade demonstration at NAB 2013

  • Matrox at BVE 2013

    Matrox at BVE 2013

  • Communications Specialists at NAB 2012

    Communications Specialists at NAB 2012

  • Hitachi and TNP at BVE 2012

    Hitachi and TNP at BVE 2012

  • Matrox at BVE 2012

    Matrox at BVE 2012

  • LEMO at BVE 2012

    LEMO at BVE 2012

  • TNP and Hitachi at BVE North 2011

    TNP and Hitachi at BVE North 2011

  • Harmonic at IBC2011

    Harmonic at IBC2011

  • Panasonic at IBC2011

    Panasonic at IBC2011

  • Matrox at IBC2011

    Matrox at IBC2011

  • Frontniche at IBC2011

    Frontniche at IBC2011

  • Wohler Technologies on BroadcastShow LIVE at IBC 2013

    Wohler Technologies on BroadcastShow LIVE at IBC 2013

  • Holdan and Teradek at BVE North 2011

    Holdan and Teradek at BVE North 2011

  • Wohler MPEG Monitoring at BVE 2014

    Wohler MPEG Monitoring at BVE 2014

  • VITEC at IBC 2015

    VITEC at IBC 2015

  • Wohler MPEG Monitoring Series at IBC 2014

    Wohler MPEG Monitoring Series at IBC 2014

  • JVC GY-HM650 upgrade at NAB 2013

    JVC GY-HM650 upgrade at NAB 2013

  • IMT DR3 IP Diversity Receiver at NAB 2016

    IMT DR3 IP Diversity Receiver at NAB 2016

  • Shure at BVE North 2011

    Shure at BVE North 2011

  • E-Sports streaming with Intinor. ESL now using Intinor for the linear ESLGaming at IBC2019

    E-Sports streaming with Intinor. ESL now using Intinor for the linear ESLGaming at IBC2019

  • Live Sports Broadcast Commentator from Glensound at NAB 2017

    Live Sports Broadcast Commentator from Glensound at NAB 2017

  • DALET SportsPack at NAB 2015

    DALET SportsPack at NAB 2015

  • TSL Products at BVE 2013

    TSL Products at BVE 2013

  • Sonifex at NAB 2012

    Sonifex at NAB 2012

  • Glensound at NAB 2012

    Glensound at NAB 2012

  • Dejero at IBC 2016

    Dejero at IBC 2016

  • Dalet at NAB 2014

    Dalet at NAB 2014

  • Glensound on BroadcastShow LIVE at IBC 2013

    Glensound on BroadcastShow LIVE at IBC 2013

  • Stream UK on BroadcastShow LIVE at IBC 2013

    Stream UK on BroadcastShow LIVE at IBC 2013

  • Dalet at IBC 2013

    Dalet at IBC 2013

  • i-Movix Slow Motion and D-Flicker at IBC 2013

    i-Movix Slow Motion and D-Flicker at IBC 2013

  • ChyronHego Paint at IBC 2013

    ChyronHego Paint at IBC 2013

  • The Vision Charity at BVE North 2011

    The Vision Charity at BVE North 2011

  • Hitomi Matchbox Glass lipsync, audio and video alignment. Now Wireless on a free app. IBC 2019

    Hitomi Matchbox Glass lipsync, audio and video alignment. Now Wireless on a free app. IBC 2019

  • AudioVideo BrandBuilder Corp at NAB 2016

    AudioVideo BrandBuilder Corp at NAB 2016

  • Audio Developments at ProVideo2011

    Audio Developments at ProVideo2011

  • Video Devices PIX-E Series at IBC 2015

    Video Devices PIX-E Series at IBC 2015

  • Thear Technology Limited at ProVideo2011

    Thear Technology Limited at ProVideo2011

  • Datavideo at IBC2011

    Datavideo at IBC2011

  • Shure at ProVideo2011

    Shure at ProVideo2011

  • Lifesize Video Conferencing at ISE 2019

    Lifesize Video Conferencing at ISE 2019

  • KVM over IP with Video Monitoring Wall from Apantac at IBC 2019

    KVM over IP with Video Monitoring Wall from Apantac at IBC 2019

  • Updates From Ross Video at IBC 2019

    Updates From Ross Video at IBC 2019

  • Bluefish444 releases Chronos K8 8ch 3G SDI i/o video card at IBC 2019

    Bluefish444 releases Chronos K8 8ch 3G SDI i/o video card at IBC 2019

  • The KitPlus NAB kit overview video

    The KitPlus NAB kit overview video

  • Ross Video launch the Furio Sky Dolly at NAB 2019

    Ross Video launch the Furio Sky Dolly at NAB 2019

  • KitPlus Talks to Ross Video at BVE

    KitPlus Talks to Ross Video at BVE

  • Ross Video new product launches and updates at IBC 2018

    Ross Video new product launches and updates at IBC 2018

  • Ross Video Ultrix-FR5 shown at BVE 2018

    Ross Video Ultrix-FR5 shown at BVE 2018

  • Teracue ICUE-GRID Video Wall at IBC 2017

    Teracue ICUE-GRID Video Wall at IBC 2017

  • Video Transport over IP from MediaLinks at NAB 2017

    Video Transport over IP from MediaLinks at NAB 2017

  • Uncompressed Video over IP from Matrox at NAB 2017

    Uncompressed Video over IP from Matrox at NAB 2017

  • Ross Video at NAB 2016

    Ross Video at NAB 2016

  • Video Devices at NAB 2016

    Video Devices at NAB 2016

  • Videosys at NAB 2016

    Videosys at NAB 2016

  • Video Devices at BVE 2016

    Video Devices at BVE 2016

  • THOMSON VIDEO NETWORKS at NAB 2015

    THOMSON VIDEO NETWORKS at NAB 2015

  • Ross Video Acuity at IBC 2014

    Ross Video Acuity at IBC 2014

  • Thomson Video Networks at IBC 2014

    Thomson Video Networks at IBC 2014

  • Official TOUR Video 2013

    Official TOUR Video 2013

  • Haivision: Video Cloud at NAB 2013

    Haivision: Video Cloud at NAB 2013

  • Matrox Video at IBC 2012

    Matrox Video at IBC 2012

  • Ross Video at IBC 2012

    Ross Video at IBC 2012

  • ProVideo2011

    ProVideo2011

  • Rotolight at ProVideo2011

    Rotolight at ProVideo2011

  • Real Life Kit at ProVideo2011

    Real Life Kit at ProVideo2011

  • IOV at ProVideo2011

    IOV at ProVideo2011

  • IAC at ProVideo2011

    IAC at ProVideo2011

  • JVC Professional at ProVideo2011

    JVC Professional at ProVideo2011

  • Sony at ProVideo2011

    Sony at ProVideo2011

  • Atomos at ProVideo2011

    Atomos at ProVideo2011

  • Flaghead Photographic at ProVideo2011

    Flaghead Photographic at ProVideo2011

  • Hague Camera Supports at ProVideo2011

    Hague Camera Supports at ProVideo2011

  • Thomson Video Networks at IBC2011

    Thomson Video Networks at IBC2011

  • Brickhouse Video at IBC2011

    Brickhouse Video at IBC2011

  • Clear-Com ProGrid at NAB 2014

    Clear-Com ProGrid at NAB 2014

  • Clear-Com HelixNet Partyline at NAB 2014

    Clear-Com HelixNet Partyline at NAB 2014

  • Wohler at IBC 2016

    Wohler at IBC 2016

  • Sound Devices 688 at IBC 2015

    Sound Devices 688 at IBC 2015

  • TSL Products SAM1 MADI at BVE 2014

    TSL Products SAM1 MADI at BVE 2014

  • Glensound Cub at BVE 2014

    Glensound Cub at BVE 2014

  • 4HM at BVE North 2011

    4HM at BVE North 2011

  • TNP and DSMB at BVE North 2011

    TNP and DSMB at BVE North 2011

  • Riedel at BVE North 2011

    Riedel at BVE North 2011

  • Prodys at IBC2011

    Prodys at IBC2011

  • Telestream Vantage support for DPP at IBC 2014

    Telestream Vantage support for DPP at IBC 2014

  • Cooke at IBC2011

    Cooke at IBC2011

  • ATEME at NAB 2014

    ATEME at NAB 2014

  • Haivision on BroadcastShow LIVE at IBC 2013

    Haivision on BroadcastShow LIVE at IBC 2013

  • Vimond Control Center at NAB 2013

    Vimond Control Center at NAB 2013

  • ROSS Ultrix IP and more from NAB 2018

    ROSS Ultrix IP and more from NAB 2018

  • KitPlus filming rig used at BVE 2017

    KitPlus filming rig used at BVE 2017

  • Blackmagic Design at IBC 2016

    Blackmagic Design at IBC 2016

  • Bluefish444 KRONOS at IBC 2016

    Bluefish444 KRONOS at IBC 2016

  • Filming kit review from NAB

    Filming kit review from NAB

  • Guntermann and Drunck at IBC 2015

    Guntermann and Drunck at IBC 2015

  • Miller Cineline tripods at IBC 2015

    Miller Cineline tripods at IBC 2015

  • Miller Compass tripods at IBC 2015

    Miller Compass tripods at IBC 2015

  • Fibrenetix with StorageDNA at IBC 2014

    Fibrenetix with StorageDNA at IBC 2014

  • Telestream Wirecast and Switch at IBC 2014

    Telestream Wirecast and Switch at IBC 2014

  • Fibrenetix with Quadrus at IBC 2014

    Fibrenetix with Quadrus at IBC 2014

  • Telestream Enterprise at NAB 2014

    Telestream Enterprise at NAB 2014

  • Telestream Switch at NAB 2014

    Telestream Switch at NAB 2014

  • Haivision at NAB 2014

    Haivision at NAB 2014

  • IMT at NAB 2014

    IMT at NAB 2014

  • BVE 2014

    BVE 2014

  • Cambridge Imaging Systems at BVE 2014

    Cambridge Imaging Systems at BVE 2014

  • RTS Omneo at BVE 2014

    RTS Omneo at BVE 2014

  • Angelbird SSDs at BVE 2014

    Angelbird SSDs at BVE 2014

  • Tally Technologies at BVE 2014

    Tally Technologies at BVE 2014

  • Sony Camcorders at BVE 2014

    Sony Camcorders at BVE 2014

  • Sony Monitors at BVE 2014

    Sony Monitors at BVE 2014

  • Sony Wireless Microphones at BVE 2014

    Sony Wireless Microphones at BVE 2014

  • Wohler DPP at BVE 2014

    Wohler DPP at BVE 2014

  • DPA Microphones and Bubblebee Industries at BVE 2014

    DPA Microphones and Bubblebee Industries at BVE 2014

  • Metus Ingest at BVE 2014

    Metus Ingest at BVE 2014

  • Hireacamera at BVE 2014

    Hireacamera at BVE 2014

  • Polecam Toshiba Minicams at BVE 2014

    Polecam Toshiba Minicams at BVE 2014

  • Camdec at BVE 2014

    Camdec at BVE 2014

  • Polecam Slow Motion Minicams at BVE 2014

    Polecam Slow Motion Minicams at BVE 2014

  • JVC HM850 at BVE 2014

    JVC HM850 at BVE 2014

  • Wowza Media Systems on BroadcastShow LIVE at IBC 2013

    Wowza Media Systems on BroadcastShow LIVE at IBC 2013

  • Tektronix at IBC 2013

    Tektronix at IBC 2013

  • Broadpeak at IBC 2013

    Broadpeak at IBC 2013

  • Haivision live encoding HEVC at IBC 2013

    Haivision live encoding HEVC at IBC 2013

  • Softron Media at IBC 2013

    Softron Media at IBC 2013

  • Telestream with Wirecast version five at IBC 2013

    Telestream with Wirecast version five at IBC 2013

  • Telestream with Post Producer at IBC 2013

    Telestream with Post Producer at IBC 2013

  • BroaMan at NAB 2013

    BroaMan at NAB 2013

  • RTW at NAB 2013

    RTW at NAB 2013

  • Guntermann and Drunck GmbH at NAB 2013

    Guntermann and Drunck GmbH at NAB 2013

  • Telestream at BVE 2013

    Telestream at BVE 2013

  • Local TV debate at BVE North 2012

    Local TV debate at BVE North 2012

  • FFV and TNP at BVE 2012

    FFV and TNP at BVE 2012

  • TV ONE at BVE 2012

    TV ONE at BVE 2012

  • BVE 2012

    BVE 2012

  • Jonathan Harrison at BVE North 2011

    Jonathan Harrison at BVE North 2011

  • Vision Research at BVE North 2011

    Vision Research at BVE North 2011

  • Autocue at BVE North 2011

    Autocue at BVE North 2011

  • Elemental Technologies at IBC2011

    Elemental Technologies at IBC2011

  • FOR-A at IBC2011

    FOR-A at IBC2011

  • Blackmagic at IBC2011

    Blackmagic at IBC2011

  • DekTec at IBC2011

    DekTec at IBC2011

  • LiveU at IBC2011

    LiveU at IBC2011

  • Mode-AL at IBC 2011

    Mode-AL at IBC 2011

  • Autocue at IBC2011

    Autocue at IBC2011

  • Nevion at IBC2011

    Nevion at IBC2011

  • Bella 22 MK11 Network Audio Monitor from Glensound at IBC 2019

    Bella 22 MK11 Network Audio Monitor from Glensound at IBC 2019

  • VisLM Loudness Meter update from Nugen Audio at IBC 2019

    VisLM Loudness Meter update from Nugen Audio at IBC 2019

  • TSL Products acquire DNF Controls plus TSL SAM-Q SDI Audio Monitor NAB 2019

    TSL Products acquire DNF Controls plus TSL SAM-Q SDI Audio Monitor NAB 2019

  • Glensound show Beatrice the AES67 Network audio intercom beltpack at IBC 2018

    Glensound show Beatrice the AES67 Network audio intercom beltpack at IBC 2018

  • Latest audio product updates from TSL Products at IBC 2018

    Latest audio product updates from TSL Products at IBC 2018

  • Nugen Audio Loudness Meter, Halo Upmix and Halo Downmix at NAB 2018

    Nugen Audio Loudness Meter, Halo Upmix and Halo Downmix at NAB 2018

  • 7.1.2 Dolby Atmos support by Halo from Nugen Audio at NAB 2017

    7.1.2 Dolby Atmos support by Halo from Nugen Audio at NAB 2017

  • Nugen Audio at IBC 2016

    Nugen Audio at IBC 2016

  • Nugen Audio at NAB 2016

    Nugen Audio at NAB 2016

  • Minnetonka Audio at NAB 2016

    Minnetonka Audio at NAB 2016

  • Nugen Audio Loudness Toolkit at BVE 2016

    Nugen Audio Loudness Toolkit at BVE 2016

  • Nugen Audio Halo Upmix at BVE 2016

    Nugen Audio Halo Upmix at BVE 2016

  • NUGEN Audio at IBC 2015

    NUGEN Audio at IBC 2015

  • NOA Audio Solutions at IBC 2015

    NOA Audio Solutions at IBC 2015

  • NUGEN Audio at BVE 2015

    NUGEN Audio at BVE 2015

  • Nugen Audio at NAB 2014

    Nugen Audio at NAB 2014

  • NOA Audio Solutions at IBC 2013

    NOA Audio Solutions at IBC 2013

  • NuGen Audio at IBC 2013

    NuGen Audio at IBC 2013

  • NUGEN Audio: Loudness Toolkit at NAB 2013

    NUGEN Audio: Loudness Toolkit at NAB 2013

  • Nugen Audio at IBC 2012

    Nugen Audio at IBC 2012

  • Audio Developments at BVE North 2011

    Audio Developments at BVE North 2011

  • Junger Audio at IBC2011

    Junger Audio at IBC2011

  • Shure Distribution at BVE North 2012 LIVE Show

    Shure Distribution at BVE North 2012 LIVE Show

  • Source Distribution and Genelec at BVE North 2011

    Source Distribution and Genelec at BVE North 2011

  • Calrec Apollo IP Console at NAB 2019

    Calrec Apollo IP Console at NAB 2019

  • Nugen Halo Upmix and AMB Updates at IBC 2017

    Nugen Halo Upmix and AMB Updates at IBC 2017

  • Canford at BVE 2017

    Canford at BVE 2017

  • Telos Alliance at BVE 2017

    Telos Alliance at BVE 2017

  • The Telos Alliance at IBC 2016

    The Telos Alliance at IBC 2016

  • Glensound at IBC 2016

    Glensound at IBC 2016

  • Studer Glacier at IBC 2016

    Studer Glacier at IBC 2016

  • RTS at BVE 2015

    RTS at BVE 2015

  • Glensound Dante at IBC 2014

    Glensound Dante at IBC 2014

  • NOA Archive Solutions at IBC 2014

    NOA Archive Solutions at IBC 2014

  • RTW at IBC 2014

    RTW at IBC 2014

  • RTW at NAB 2014

    RTW at NAB 2014

  • Glensound Atomic Copper at NAB 2014

    Glensound Atomic Copper at NAB 2014

  • Nexidia QC on BroadcastShow LIVE at IBC 2013

    Nexidia QC on BroadcastShow LIVE at IBC 2013

  • TSL Products PAM1, SAM1 and PAM PiCo at IBC 2013

    TSL Products PAM1, SAM1 and PAM PiCo at IBC 2013

  • Glensound with the USB Commentary Mixer at IBC 2013

    Glensound with the USB Commentary Mixer at IBC 2013

  • TSL Products at IBC 2013

    TSL Products at IBC 2013

  • Sound Devices at NAB 2013

    Sound Devices at NAB 2013

  • TSL Products at NAB 2013

    TSL Products at NAB 2013

  • Thear Technology at BVE 2013

    Thear Technology at BVE 2013

  • TSL Systems at BVE 2013

    TSL Systems at BVE 2013

  • AC Entertainment Technologies at BVE 2013

    AC Entertainment Technologies at BVE 2013

  • Pinknoise at BVE North 2012

    Pinknoise at BVE North 2012

  • RTW at NAB 2012

    RTW at NAB 2012

  • Sound Devices at NAB 2012

    Sound Devices at NAB 2012

  • Emotion Systems at NAB 2012

    Emotion Systems at NAB 2012

  • Clear-Com Eclipse MADI Card at NAB 2012

    Clear-Com Eclipse MADI Card at NAB 2012

  • TSL at NAB 2012

    TSL at NAB 2012

  • Triveni Digital at NAB 2012

    Triveni Digital at NAB 2012

  • Petrol at NAB 2012

    Petrol at NAB 2012

  • Qualis at NAB 2012

    Qualis at NAB 2012

  • Calrec at NAB 2012

    Calrec at NAB 2012

  • DK-Technologies at NAB 2012

    DK-Technologies at NAB 2012

  • Calrec at BVE 2012

    Calrec at BVE 2012

  • Sonifex at BVE 2012

    Sonifex at BVE 2012

  • DiGiCo at BVE 2012

    DiGiCo at BVE 2012

  • 4HM at BVE 2012

    4HM at BVE 2012

  • The Mic Store at BVE North 2011

    The Mic Store at BVE North 2011

  • Sennheiser at BVE North 2011

    Sennheiser at BVE North 2011

  • HHB and Soundfield at BVE North 2011

    HHB and Soundfield at BVE North 2011

  • Solid State Logic at IBC2011

    Solid State Logic at IBC2011

  • Dolby at IBC2011

    Dolby at IBC2011

  • Murraypro at IBC2011

    Murraypro at IBC2011

  • Calrec at IBC2011

    Calrec at IBC2011

  • TC Electronic at IBC2011

    TC Electronic at IBC2011

  • SADiE at IBC2011

    SADiE at IBC2011

  • RTW at IBC2011

    RTW at IBC2011

  • DK Technology at IBC2011

    DK Technology at IBC2011

  • Linear Acoustic at IBC2011

    Linear Acoustic at IBC2011

  • Sound Devices at IBC2011

    Sound Devices at IBC2011

  • Atomos with the Datacolor Spyder on BroadcastShow LIVE at IBC 2013

    Atomos with the Datacolor Spyder on BroadcastShow LIVE at IBC 2013

  • Datacolor Spyder on the Atomos stand at IBC 2013

    Datacolor Spyder on the Atomos stand at IBC 2013

  • Datavision at BVE 2012

    Datavision at BVE 2012

  • Radiant Grid at IBC2011

    Radiant Grid at IBC2011

  • Prime Focus Technologies at IBC 2016

    Prime Focus Technologies at IBC 2016

  • EBS at IBC 2015

    EBS at IBC 2015

  • EBS at IBC 2014

    EBS at IBC 2014

  • SGL at NAB 2012

    SGL at NAB 2012

  • Root6 at BVE 2012

    Root6 at BVE 2012

  • MOG Technologies at BVE 2012

    MOG Technologies at BVE 2012

  • Sensio at IBC2011

    Sensio at IBC2011

  • IPE show the EMU3 12 Output Mains Distribution Unit at BVE 2019

    IPE show the EMU3 12 Output Mains Distribution Unit at BVE 2019

  • Shure Distribution at BVE North 2012 Part 1

    Shure Distribution at BVE North 2012 Part 1

  • Shure Distribution at BVE North 2012 Part 2

    Shure Distribution at BVE North 2012 Part 2

  • Source Distribution and Rode at BVE North 2011

    Source Distribution and Rode at BVE North 2011

  • Atomos Shogun Inferno at BVE 2017

    Atomos Shogun Inferno at BVE 2017

  • Telestream Vantage v5 at NAB 2013

    Telestream Vantage v5 at NAB 2013

  • VIZRT at BVE 2012

    VIZRT at BVE 2012


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News
The future is video: IPV secures and pound;4m investment to accelerate global growth Posted: 06/12/2019
The future is video: IPV secures and pound;4m investment to accelerate global growth

Media asset management software provider IPV has confirmed details of new growth capital that will enable it to further expand the global reach of its acclaimed MAM product, Curator. The £4m Series A round was led by SME-focused venture capital firm Mobeus Equity Partners, with additional ongoing finance secured from Calculus Capital.

Mark Fagan, IPV CEO said, “Multiple industries are rapidly expanding their use of video but are facing significant challenges during the content creation process. Curator makes it easy to remotely edit, collaborate and publish high quality video content – enabling customers to ensure consistency of messaging and sustained audience growth via digital, online and mobile platforms.”

This capital will enable IPV to deliver the benefits of Curator to an even wider audience, expanding into areas of digital marketing, customer experience and enterprise video management.

Tags: IPV | Media Asset Management | MAM | VAM | PAM | Curator | Video Content | Video Production | Metadata Video Asset Management | Venture Capital | Investment | Mobeus Equity Partners | Calculus Capital
Submitted by Page Melia PR
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Film students at FAMU in Prague get a lesson in audio with Calrec Brio console Posted: 03/12/2019
Film students at FAMU in Prague get a lesson in audio with Calrec and rsquo;s Brio console

The Film and TV School of the Academy of Performing Arts (FAMU) in Prague has purchased its first digital console - a Brio36 - from Calrec. It’s being used for various projects including automated dialogue replacement/voiceovers in the school’s recording room.

Martin Kebrdle, Head of the Sound Department Studio at FAMU, explained that the school needed a powerful console that could be used with Avid Pro Tools on several applications. “The console is connected to Pro Tools with MADI cards. In the future we plan to add Calrec’s Hydra2 networking. The console is perfect for our needs; it’s compact and it has been incredibly easy for the students to learn — which has been a blessing since this is the first time many of them are using a digital audio console. The Brio is a great introduction into the world of digital audio recording for our students.”

FAMU is the fifth oldest film school in the world and was founded in 1947. As part of the Academy of Performing Arts in Prague, FAMU is composed of eleven departments, where students can achieve their bachelors, masters and doctoral degree in every discipline of filmmaking including: directing, documentary filmmaking, scriptwriting, dramaturgy, animated film, cinematography, sound design, editing, production, photography, and the interdisciplinary Center of Audiovisual Studies. The Brio is installed in the school’s sound direction room. The sale and installation were handled by Calrec’s distributor Mediatronik S.R.O.

“The fact that the Brio is being used by students to help them prepare for careers in audio clearly shows the Brio’s versatility. It’s not simply a console for broadcasters; it’s useful for many applications and awards relevant experience for those learning an audio discipline,” commented Mike Reddick, International Sales Manager, Calrec.

Tags: Audio; audio consoles; audio routing; audio processing
Submitted by Jump PR
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KRK Limited Edition ROKIT G4 White Noise Monitors Now Available Posted: 02/12/2019
KRK Limited Edition ROKIT G4 and ldquo;White Noise and rdquo; Monitors Now Available

KRK Systems, part of the Gibson family of brands, is adding a new family of studio monitors to its latest ROKIT Generation 4 (G4) range, the limited edition ROKIT G4 White Noise. Available in 5-, 7-, and 8-inch bi-amp models, these stylish limited-edition monitors offer the same impressive features as the newly released ROKIT G4s, but with an enticingly different aesthetic. Art and science come together with the new White Noise editions of these professional monitors, taking music and sound creativity to a whole new industry-level.

Providing wide, deep and dynamic listening, along with incredible imaging, KRK’s ROKIT G4 studio monitors have been scientifically re-engineered and re-designed from the ground up. They are ideally suited to the way modern artists work—in all genres and environments. The entire ROKIT G4 range features on-board DSP-driven Graphic EQ with 25 settings to help condition any acoustic environment while offering new levels of versatility in a studio monitor—making them the only monitors in their class with an LCD screen to display DSP-driven EQ settings. The flat setting is great for most environments, but low-, mid- and high-frequency presets can be adjusted to help compensate for common trouble spots in different sound environments. This on-board system works in conjunction with the KRK Audio Tools App, available for free on the Android and iOS stores.

Additionally, all system elements of the ROKIT G4 monitors are cohesively designed and engineered to work perfectly with their advanced drivers made with Kevlar®, efficient Class D power amplifiers and front-firing port, which offers exceptional low-end extension, punch and flexible room-positioning. These features collectively extend accurate and tight bass reproduction and improve audio integrity while minimizing listening fatigue—offering an overall balanced listening experience.

 

Tags: KRK Systems | ROKIT G4 White Noise | Studio Monitors | speakers | Gibson Pro Audio
Submitted by D. Pagan Communications
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DPA New 4560 CORE Binaural Headset Microphone Simplifies Immersive Sound Capture Posted: 02/12/2019
DPA and rsquo;s New 4560 CORE Binaural Headset Microphone Simplifies Immersive Sound Capture

YouTubers, sound designers, podcasters, vloggers and other content creators, including filmmakers who want to capture authentic immersive audio for their projects, can now do so with ease thanks to the launch of the new 4560 CORE Binaural Headset Microphone from Danish manufacturer, DPA Microphones.

The new binaural headset delivers the superior sound quality for which DPA products are internationally renowned. The professional quality of the microphones allows them to capture, in real time, exactly what each ear is hearing so that those listening on headphones can experience the full immersive sound. These qualities are also appealing to other applications such as sound system documentation, soundscape analysis, sound quality assessment, and sound for theatrical productions or gaming, among others. Jazz and classical musicians have also seen the potential in this mic: recording the sound from the performers’ perspective instead of the audience’s is a completely new way of sharing the artists’ sound experience with fans. The result, an ultimate surround experience.

 

Tags: DPA Microphones | Binaural Headset Microphone | 4560 | CORE | DPA | immersive sound | surround sound
Submitted by D. Pagan Communications
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Masstech Announces Srinivas Gankidi As New Sales Manager For India Posted: 28/11/2019
Masstech Announces Srinivas Gankidi As New Sales Manager For India

Masstech is pleased to announce that Srinivas Gankidi has joined the company as Sales Manager for India.

Srinivas has over 20 years’ experience in the media and entertainment industry, delivering file-based technology solutions to major broadcasters in India, Bangladesh and Sri Lanka, including Zee TV, Sony TV, SRM Channels, Jain HITS, TV9, RIL (Reliance Infocom), NTV, Star Maa, Somoy TV, and Ghazi TV.

Prior to joining Masstech, Srinivas was Sales Manager for Media & Entertainment at Quantum Storage India Pvt Ltd., and previously held sales engineering positions with Evertz Microsystems and Harmonic Inc.

Srinivas will form part of Masstech’s Asia Pacific team, designing and deploying Masstech’s Kumulate intelligent storage and asset lifecycle management solutions for clients throughout the region.

Tags: Masstech | Sales Manager | India | Srinivas Gankidi
Submitted by Bubble Agency
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Customer demand for personalized TV services is spurring majority of broadcasters to offer tailored ads Posted: 28/11/2019
Customer demand for personalized TV services is spurring majority of broadcasters to offer tailored ads

Four-fifths (80%) of broadcasters are considering implementing ads tailored to the consumer but are increasingly falling behind streaming services due to hesitance around adopting cloud technologies, according to research carried out on behalf of ATEME, the emerging leader in video delivery solutions for broadcast, cable, DTH, IPTV and OTT.

 

The survey of those in middle management positions or above within the realms of TV and broadcast also found that 96% of broadcasters feel there is a demand from customers for more personalized services. As over a third (34%) of broadcasters currently generate revenue through adverts, offering personalized adverts could help them increase this revenue. Consequently, over a quarter (26%) are currently looking into how to offer these services to customers.

 

“Our research found that more than half (58%) of broadcasters are investing up to 20% of their budget in trialing new customer content or services as they prioritize personalization to offer customers enhanced viewing experiences,” said Remi Beaudouin, Chief Strategy Officer, ATEME. “By using technology and the data available to them to tap into this trend, traditional broadcasters will be able to create a tailor-made viewing experience and potentially open up new revenue streams,” he added.

Tags: ATEME | Broadcast | Research | Ads | Cloud
Submitted by Whiteoaks
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AVer Europe Launches New High Spec Visualiser for Educators Posted: 28/11/2019
AVer Europe Launches New High Spec Visualiser for Educators

AVer Europe has announced the launch of the M17-13M, its new mechanical arm visualiser, to the UK market. Boasting a 13-megapixel camera, 35.2X total zoom and full HD quality, the M17-13M offers one of the highest visualiser specifications available to education institutions to transform teaching and learning practices.

Operating as a document camera with impressive angle control, the M17-13M visualiser enables users to capture the best image clarity and detail. The onboard annotation capability provides users with the opportunity to add notes, highlight important information or add captions to presentation material easily, making explaining a tricky concept or a key point to a classroom simple.

Designed with a fully adjustable neck and head, the M17-13M visualiser can rotate, swivel, expand and collapse for the perfect angle to display presentation materials, including paper or 3D models. Its versatile compact design means it can be neatly folded away, making it ideal for quick storage or sharing between classrooms and practitioners. The product is bundled with AVER’s A+ Suite classroom software for visualisers and comes with a five-year warranty.

Tags: visualiser | teaching | education | technology | camera | HD
Submitted by brookscomm
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Gottschalks Big 80s Show travels back to the 80s with GLPs KNV system Posted: 28/11/2019
Gottschalks Big 80s Show travels back to the 80s with GLPs KNV system

The 80s … who doesn’t like remembering that decade? From a fashion perspective, it may not have sparkled, but musically the 80s undoubtedly had a lot to offer. 

Thomas Gottschalk, who once again gathered a who's who of 80's cult stars at the TUI Arena in Hannover for Gottschalk's Big 80s Show, also clearly thinks that. Performances by Kim Wilde, Paul Young, Thomas Anders, Marc Almond and many more could be experienced on the set's four show stages, with the concert broadcast by ZDF.

Lighting cameraman / gaffer for the production was Michael Donecker. Frank Hofmann — better known as FH — from Scan Design Berlin was responsible for the show lighting design of a production that lasted for several hours. FH, who developed a penchant for lighting design early in life, today works predominantly for TV productions. He was clear from the outset exactly what requirements this special show would place on the production lighting design. "As the name implies, this was about the 80s and everything that made this time so exciting,” he said. “Therefore, I wanted to imitate the looks of those days but using modern technology."

Tags: broadcast | 3wm | LED | GLP | KNV
Submitted by 3WM Communications
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The Red Giant Year End Sale Returns Bigger and Better than Ever on December 10th Posted: 26/11/2019
The Red Giant Year End Sale Returns Bigger and Better than Ever on December 10th

In just two weeks, Red Giant will kick off its Year End Sale, the 24-hour annual blowout on all Red Giant tools, running from 8:00 a.m. PST (11:00 a.m. EST) on Tuesday, December 10, 2019 to 8:00 a.m. PST (11:00 a.m. EST) Wednesday, December 11, 2019. This year’s sale will be the biggest one yet: customers will have access to 50% off Red Giant Complete, a subscription that gives editors, motion designers and VFX artists access to all Red Giant tools at one low price - Trapcode Suite, Magic Bullet Suite, Universe, VFX Suite and Shooter Suite. Everything else in the online store will be on sale at 30% off.

WATCH NOW: RED GIANT 2019 YEAR END SALE - https://www.youtube.com/watch?v=96nKa0l4QYk&feature=youtu.be

Win Red Giant Complete - One Full Year of Free Software

For the next two weeks, Red Giant will be giving away free software every 12 hours. Simply follow @redgiantnews on Twitter and retweet the special contest tweets using the hashtag #RGYearEndSale for a chance to win a one-year subscription to Red Giant Complete. Enter once every 12 hours for a chance to win. Contest ends Monday December 9, 2019, at 6:00 p.m. PST (9:00 p.m. EST). That’s 24 chances to win tons of free software.

 

 

Tags: Red Giant | year end sale | promotions
Submitted by Zazil Media Group
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AWS Elemental MediaLive Offers Statistical Multiplexing for Better Broadcast Quality, Performance, and Bandwidth Management Posted: 26/11/2019
AWS Elemental MediaLive Offers Statistical Multiplexing for Better Broadcast Quality, Performance, and Bandwidth Management

 

Statistical Multiplexing (Statmux) is now available with AWS Elemental MediaLive, Statmux is a technology used in live broadcast workflows that allocates bits in real time among multiple live video channels. It instantaneously adjusts the bitrate of each channel in the statmux pool to make the best use of total available bandwidth and combines the encoded outputs into a single transport stream. This maximizes network efficiency by optimizing picture quality for a group of channels within a fixed total bandwidth.

Using AWS Elemental MediaLive with Statmux, customers can now deploy linear video processing and playout in the AWS Cloud for broadcast, cable, or terrestrial distribution.

Media companies, such as national broadcasters, originate live content and simultaneously share that content with their distribution partners. Traditionally, this has been accomplished by preparing channels for distribution using purpose-built, on-premises hardware encoders. These systems can take months to procure and configure, require extensive engineering to operate reliably, and cannot be repurposed once deployed. AWS Elemental MediaLive with Statmux lets broadcasters and content providers build and manage broadcast video workflows on fully managed AWS services and gain flexibility, reduce hardware and management costs, and deliver excellent picture quality with built-in reliability.

Key benefits of AWS Elemental MediaLive with Statmux include:

  • Cloud flexibility—Add, remove, or update live channels based on evolving audience and business needs, easily introduce new codecs, prioritize resources on a per-channel basis, and take advantage of multiple codecs and resolutions.
  • Built-in resiliency—Resources are automatically allocated across multiple availability zones for high availability and fully managed failover.
  • High video quality—Statmux for MediaLive lets you maximize video quality while optimizing for fixed satellite or cable distribution bandwidth. And, you can tune quality settings on a per-channel basis without disruption to assure that the highest-priority channels maintain the highest quality.
  • Operational efficiency—Build broadcast distribution workloads in minutes, without on-premises hardware, and deliver channels more efficiently over fixed network bandwidth.
  • Monitoring and metrics—Integrated Amazon CloudWatch monitoring enables real-time views of video metrics and multiplexer performance.
  • Unified headend—For content providers that distribute traditional broadcast video as well as multiscreen linear video, Statmux for MediaLive can deliver both through a single architecture. With the increasing importance of OTT delivery, having one system to manage all encoding can dramatically simplify operations.

Learn more about how customers are saving time, reducing overhead, maximizing low-cost cloud resources, and maintaining optimized picture quality with AWS Elemental MediaLive and Statmux here: https://aws.amazon.com/medialive/features/statmux.

Tags: aws | aws elemental | medialive | video | broadcast | amazon
Submitted by Raz Public Relations
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Composer Youki Yamamoto Feels Childish Delight in His New PMC Monitors Posted: 26/11/2019
Composer Youki Yamamoto Feels Childish Delight in His New PMC Monitors

No matter how old you are, it is always lovely when something excites you enough to feel like a child again – and that is exactly how renowned musician, composer and orchestrator Youki Yamamoto felt the first time he heard PMC monitors in his own studio.

Yamamoto has had a 15 year residence at Pinewood Studios where he creates his own music as well as other compositions for films and computer games. He is also equally at home in Katara Studios, Doha, which is where he first had the idea of investing in a pair of PMC monitors for his own facility.

After doing some research, he chose PMC MB2 monitors with a separate Class A Bryston amp because he felt this was the most versatile system for any kind of music. “I get all the lovely clarity and detail that PMC delivers, but I don’t get tired listening all day and the sound is so beautiful that I find it hard to leave the studio,” he says. “I just want to stay in there and keep working. It is almost like being with your first ever girlfriend!”

Tags: PMC Speakers | Youki Yamamoto | MB2 monitors | Composer | Orchestrator | Final Fantasy | Paddington 2 | Pinewood Studios
Submitted by White Noise Public Relations Ltd
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Videon EdgeCaster Edge Compute Encoder Compatibility With AWS Elemental MediaStore Enables a Cost-Effective, Low Latency Solution Posted: 26/11/2019
Videon EdgeCaster Edge Compute Encoder Compatibility With AWS Elemental MediaStore Enables a Cost-Effective, Low Latency Solution

Videon today announced compatibility with AWS Elemental MediaStore, enabling a cost-effective, low-latency solution. Videon customers can now use AWS Elemental MediaStore as a direct ingest from the EdgeCaster H.264/HEVC video encoding platform to support ultra-low latency workflows with outputs supporting both HLS and DASH using CMAF. AWS Elemental MediaStore's support of EdgeCaster's ingest protocols enables less than three-second worldwide latency to be achieved with standards-based, scalable, and cost-effective workflows.

"Live streaming should not come with a latency penalty as compared to traditional broadcast TV," said Todd Erdley, founder and CEO of Videon. "EdgeCaster's compatibility with AWS Elemental MediaStore is a strong step forward to making live streaming truly live —using standards-based, viewer-scalable, and cost-effective solutions. Compatibility with AWS Elemental MediaStore represents an important development in our relationship with Amazon Web Services. AWS Elemental offers crucial insight into how streams can be ingested into AWS Elemental MediaStore and how Videon can optimize our platform."

 

Tags: Videon | EdgeCaster | Edge Compute Encoder | AWS Elemental MediaStore | H.264/HEVC | CMAF | H.264
Submitted by Wall Street Communications
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OMNIMAGO Selects Xytech MediaPulse to Streamline Project Management Needs Posted: 26/11/2019
OMNIMAGO and nbsp;Selects Xytech and rsquo;s MediaPulse to Streamline Project Management Needs

German post-production specialist OMNIMAGO GmbH, has chosenXytech’s MediaPulse resource management software as its go-to solution for its scheduling, billing and project management needs.

 

Recently released at IBC 2019, MediaPulse 2019 features an updated user interface developed to place targeted functionality in the hands of all users in an enterprise, including every staff member, freelancer and vendor to create a seamless end-to-end automated workflow accessible on any device connected to the internet.

 

Given the variety of projects OMNIMAGO takes on, it was integral the company found a solution to contain the whole process, from bidding to invoicing, within the same system.

 

“This ensures all of the necessary information is easily available to all of the people and departments involved,” said Peter Fries, OMNIMAGO’s managing director. “MediaPulse has proven itself as the ultimate tool to support us during the administration process on all of our technical projects.”

 

Currently holding 45 MediaPulse licenses, OMNIMAGO has been using MediaPulse for almost 20 years and selected the software for its best-in-class efficiency.

 

“It fulfills all of our scheduling, billing and project management requirements in the best possible way,” Fries said. “We took a number of other established ERP systems into consideration, but nothing compared to the efficiency of MediaPulse.

Tags: xytech | omnimago | software | mediapulse | user interface | automated | workflow
Submitted by Xytech Systems
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Broadcast Solutions Finland modernises Directors Cut production control rooms Posted: 26/11/2019
Broadcast Solutions Finland modernises Directors Cut production control rooms

In the two renewed multipurpose control rooms, Director's Cut creates the Finnish national programmes for international sporting events (e.g. football Champions League, ice hockey or tennis). Director's Cut's primary customer is MTV3, Finland's largest private television station.

After the successful implementation, it is now possible to produce up to six Finnish-language programme feeds simultaneously from two multipurpose control rooms with only two producers. One Mainfeed and two Sidefeeds can be produced per control room. Audio processing takes place in a Lawo Powercore. Control is via Lawo VisTool user interfaces and an 8-fader Ruby console for the Mainfeed and via two 4-fader Ruby consoles for the two Sidefeeds.

Broadcast Solutions created the VisTool interfaces especially to meet the individual workflows of Director's Cut. The new facility also includes six commentator booths equipped with Lawo LCUs and 43" Sony monitors.

 

Tags: Studio | refurbishment | Director\'s Cut | commentary | Lawo | Grass Valley
Submitted by Broadcast Solutions
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Cooke Optics opens LA service operation for increased customer support in key market Posted: 26/11/2019
Cooke Optics opens LA service operation for increased customer support  in key market

Cooke Optics announced today that it has opened a service operation in Los Angeles, CA to provide full lens servicing and testing. This new operation further strengthens Cooke Optics’ dedication to worldwide service and support.

Les Zellan, Chairman, Cooke Optics, said, “With hundreds of movies and TV shows shot in and around LA each year, and many local rental houses stocking Cooke lenses, we’re proud to offer full lens servicing at a convenient location. The LA operation joins the Cooke service operations around the world, so customers can now reach us directly on both US coasts, the UK, São Paulo in Brazil and Shanghai in China.”

Michael Nadas has joined Cooke Americas as the company’s Optical Engineer in LA. He comes to the team with 28-plus years of technical experience in the film and television production industry, specializing in evaluating, testing and repairing both cinematic and broadcast lenses from multiple manufacturers to factory specifications. Michael established the quality control standards for lens testing and evaluating procedures company-wide at Sim, a leading supplier of studios, production equipment, workflow/dailies and post-production solutions. Over the course of his career, he has acquired an in-depth technical knowledge of specific types of lenses that are unique to our industry and most recently led Sim’s Motion Picture Optics department out of Los Angeles.

Tags: Cooke Optics | Service operation
Submitted by Bubble Agency
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