Directors Cut upgrades to Baselight for HDR and 4K

Date: 31/10/2019
Directors Cut upgrades to Baselight for HDR and 4K

Independent London post house Directors Cut Films – owned and operated by its creative staff – has invested in a Baselight TWO colour grading workstation with a Blackboard 2 control panel. Directors Cut works primarily in premium long-form television, as well as drama series, documentaries and feature films, with increasing interest in 4K and HDR.

“Being owned and run by ex-editors, we know what is required to meet and exceed expectations in post,” said Senior Colourist Andy Elliott. “We felt it was the right time to invest and embrace HDR and 4K workflows. HDR in particular produces much more of a positive visual impact, with real benefits in the immersive experience for the viewer.”

Leading broadcasters and production companies in the UK routinely turn to Directors Cut to finish major projects. While the work includes major dramas and some feature films, the company has a reputation for long form TV, especially documentaries. Recent projects graded by Elliott include biographies of Cher and Elton John, an investigation of the Bauhaus for BBC4, and Sir David Attenborough’s call to action Climate Change: The Facts.

Elliott pointed out that such programmes frequently bring together footage shot on multiple different cameras and formats, often in less than ideal circumstances. The task for the colourist is to integrate all of the footage as well as create a coherent look that reflects the story the director wishes to tell. That makes the speed and power of the upgraded Baselight suite an important asset.

“The pace at which I can get through a film has improved, so I have more time to refine the look,” stated Elliott. “And with the AAF workflow, the grade is not ‘baked in’, so it is infinitely tweakable if needed. If there is, say, an additional interview, the grade can be lifted from another shot and dropped onto the new one, straight on the editor’s timeline. This is really useful in current affairs, where we can be right up against tight transmission deadlines.”

Directors Cut, based just outside Soho, the traditional home of the London post industry, is built around the experience and creativity of its staff. More than 30 suites in the facility are all connected through central networks with over 256 terabytes of shared storage. The company continues to invest in new technology, today focusing on the growing importance of editing and delivering in 4K – a focus that led to the investment in Baselight.

“This is just about the most powerful grading system money can buy,” concluded Elliott, “in what is one of the most comfortable grading suites in London.”

www.filmlight.ltd.uk



Tags: FilmLight | Directors Cut Films | independent post house | Baselight TWO | colour grading | Blackboard control panel | Andy Elliott | HDR | 4K | grading suite | powerful system | asset | colourist | MKM Marcomms | MKM Marketing Communications
Submitted by MKM (MKM Marketing Communications)
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NUGEN Audio Announces Halo Downmix Update

 

NUGEN Audio unveils the latest version of its Halo Downmix, which now increases the compatibility of the software allowing for greater flexibility and collaboration across a broad spectrum of project types. NUGEN has broadened the plug-in’s channel count support to address less common output formats. With this update, Halo Downmix is capable of downmixing from 7.1 and 5.1 to any of the following configurations: 7.0, 6.1, 6.0, 5.1, 5.0 and 4.0, as well as LCR and stereo. With the optional 3D extension, downmixing from 7.1.2 is also supported.

Tags: NUGEN Audio | Halo Downmix | Software Updates
Submitted by D. Pagan Communications
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LaFace and McGovern Associates to Represent Brightline Posted: 07/07/2020
LaFace and amp; McGovern Associates to Represent Brightline

LaFace & McGovern Associates is now representing Brightline throughout Western Pennsylvania, West Virginia, Southern Ohio, and Eastern Kentucky. L&M is expected to focus on Brightline products for architectural applications, including the recently redesigned VideoPlus, a flush-mounted linear fixture, and the Flex-T recessed lighting panel for drop ceilings and drywall.

 

 

 

Tags: LED | broadcast | videoconferencing | healthcare | house of worship
Submitted by Pipeline Communications
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BoFiNet enlists Globecast for Now TV OTT service creation in Botswana Posted: 07/07/2020
BoFiNet enlists Globecast for Now TV OTT service creation in Botswana

Globecast, the global solutions provider for media, announces that Botswana-based production company Plastique enlisted Globecast as its technical partner to supply a turnkey OTT service for Botswana Fibre Networks (BoFiNet), Botswana’s wholesale provider of national and international telecommunications infrastructure.

Tags: Globecast | TV | OTT | production | fibre | connectivity
Submitted by Jump PR
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Kickstarting interactivity: Promethean TV introduces new Sports Stats Overlay Posted: 07/07/2020
Kickstarting interactivity: Promethean TV introduces new Sports Stats Overlay

 

Promethean TV, a digital solution to drive ROI from broadcast and interactive video, has introduced a new Sports Stats Overlay that will allow audiences to “lean in” to the match experience from the comfort of their own home, as passionately as they might in the seat of a stadium. With an immersive set of touchscreen statistics, viewers will be able to feel every second, diving deeper into a player's performance across each game.

Tags: Sports | Stats | Overlay | Promethean TV | Interactivity | Engagement
Submitted by Jargon PR
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