KitPlus | Articles

Make a scifi film in the Mexican Desert

British director Nicolas Roeg once said to me that making a film is like horse racing. To start with you give the horse a nudge to get him moving, then as you gather speed there's a point where you have to trust the horse. You hold on and the horse will carry you across the finish line. I've just returned home from shooting a Sci-fi proof-of-concep...

Submitted by Edward Andrews

Published 26 September 2016

The work of five viewers with no transcoders

I am a digital imaging technician and editor with more than 15 years of experience in the film and television industry. I have traveled the world working with various production companies on popular network reality series, such as TNT's "72 Hours,\" National Geographic Channel's "Ultimate Survival Alaska,\" and MTV's "Are You The One?\" I'm also th...

Submitted by Randy Mills

Published 01 April 2016

Educating with Robots

by Sian Roberts, Online Editor Issue 110 - February 2016 Educating with RobotsTimeline North's post production director, colorist and VFX artist reveal how they used DaVinci Resolve and Fusion to complete 140 sketches for upcoming CBeebies children's series, Spot BotsMade up of a series of funny live action sketches, new CBeebies - a popular BBC ch...

Submitted by Sian Roberts

Published 16 March 2016

BVE and London Entertainment Week

BVE NewsIssue 109 - January 2016 BVE, the premier event for the UK broadcast, media and entertainment industries, is thrilled to announce its schedule for 2016, a year that proves to be the most all-encompassing show yet. BVE 2016 welcomes the launch of London Entertainment Week reflecting the expansion into the Pro AV and Live Entertainment Techno...

Submitted by KitPlus

Published 21 January 2016

Post Production Companies Protection

by Leighton Chenery Issue 109 - January 2016 The UK Post and VFX industry has some of the most skilled and creative talent in the World attracting work from all over the globe including many of the biggest movies from the US. We all know, however, that problems are not a rarity and whilst nobody might be to blame, you may end up having to make a di...

Submitted by Leighton Chenery

Published 21 January 2016

EXIT PLAN - Creating an indi SCI-FI for less than 3000 do...

with Richard Oakes Issue 108 - Decmeber 2015 The director behind new indie short "Exit Plan\" reveals just what it took to write, crowd fund, shoot and grade his very own proof of concept for a science fiction feature with DaVinci Resolve, a Pocket Cinema Camera, and only four crew members on set For founder of Dark Fable Media, Richard Oakes, film...

Submitted by exitplan

Published 15 December 2015

4k - is it really worth it

by Beth Zarkosh Issue 108 - December 2015 4K; the holy grail of modern digital filmmaking. Weve all heard of it, but perhaps not all of us are ready for the change. Here we look at the perceptions versus the realities of shooting in 4K. Ultra High Definition is something that has derived from 4K, but now it seems most filmmakers are pressured into...

Submitted by Beth Zarkhosh

Published 15 December 2015

Rise of the drones

by Jeremy Braben Issue 100 - April 2015 Drones are taking TV and film productions where they have never gone before. But how can they be used to best effect, what challenges do they present and will they replace helicopters in aerial filming? Jeremy Braben of Helicopter Film Services (HFS) has some of the answers... The recent explosion of unmanned...

Submitted by Jeremy Braben

Published 01 May 2015

Oh what a show!

Issue 99 - March 2015Walking through the halls of BVE 2015 it would be hard not to acknowledge the bustling atmosphere, positive vibes and busy aisles. The show attracted a high quality and diverse audience from across the broadening content creation industry seeing over 15,000* key industry decision makers including leading indies, post houses, DO...

Submitted by KitPlus

Published 01 April 2015

Open Source for Film and TV Production

by Dan Mulligan Issue 98 - February 2015 There\'s nothing like a new project to make you feel excited about life, and excited is definitely how I\'ve been feeling since I adopted an Open Source policy to my companies\' camera and workflow divisions. My background is in cameras. I started out assisting and focus pulling before moving up the ranks to...

Submitted by Dan Mulligan

Published 01 March 2015

What is the future of media creation, salaries and conten...

by Thomas Urbye Issue 97 - January 2015 Often this very question is debated by experts in our industry, but many have their own agenda, whether that be advertising creation, media buying, low budget film-making, publicly funded television, subscription based services and beyond. But what is the real future for our viewing habits, those of us workin...

Submitted by Thomas Urbye

Published 01 February 2015

Coffee and TV: Tracking the Samsung Galaxy Note 4 with mo...

by Jon Trussler Issue 97 - January 2015 When VFX artists are faced with tight deadlines, they rely on software to address particular pain points, helping them deliver the finished product in time. Such was the case when Soho-based VFX studio Coffee and TV was commissioned to hand off 70 VFX shots in just two weeks for three Samsung Galaxy Note 4 co...

Submitted by John Trussler

Published 01 February 2015

Four must-haves for modern media workflows: Enhancing you...

by Laurent Fanichet Issue 97 - January 2015 It\'s always been about the struggle to manage lots of assets and adapt your MAM to suit in the world of digital media workflows. In the early years, enterprise storage infrastructure couldn\'t keep pace with the demands of SD, so the first non-linear editing systems were turnkey solutions with proprietar...

Submitted by Laurent Fanichet

Published 01 February 2015

Manipulate and Edit

Issue 93 - September 2014 Company mergers can be no fun. Staff panic about ‘efficiencies’ and therefore their jobs. The press speculates about ‘what really happened?’ And there are always lawyers involved. And no one likes that. When DiGiCo revealed that it would merge with fellow audio console manufacturers Calrec and Allen & Heath, following a bu...

Submitted by Will Strauss#

Published 01 October 2014

Fixing that inhospitable location shoot

by Harry Amies Issue 88 - April 2014 Say Iran. What do most people think of? Hostage-taking, nuclear programmes, angry mobs, CGI outsourcing, VFX, a multi-million dollar movie industry? If Harry Amies and Amir Rezazadeh of UK based co-producers HarryAmir have anything to do with it itll be the last three. HarryAmir is a UK-based company, that helps...

Submitted by Harry Amies

Published 01 May 2014