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From ISDN to LiveU - an interview with Simon Haywood and...


“Why are people still using SNGs when there’s the reliability, mobility and flexibility of IP-bonding, and that’s without factoring in greater sustainability? It's always surprising to us that some people, when we discuss LiveU with them, still haven't recognised the truly disruptive nature of this technology and the benefits it brings. But that is...

Submitted by Joss Armitage
Published 09 August 2023

Lets do the Time Warp


Time Warp is one of the biggest indoor electronic music events in Europe if not the world, and recently returned to its spiritual home in Mannheim, Germany for the first time in four years for a sold-out attendance that saw 30,000 people soaking up world-class sound. The influential festival was hosted across six floors of Maimarkthalle, a huge...

Submitted by Patrick Hussey
Published 05 July 2023

DIT Sam Petrov Taps AJA ColorBox for Live Grading Flexibi...


Whether working on a feature film, episodic series, or unscripted show, crafting the look of content before it reaches post requires technical acumen and a creative eye. The DIT (Digital Imaging Technician) is integral to this process, bridging the technical realities with the creative goals on-set to ensure the team can achieve its desired aesthet...

Submitted by Anna
Published 27 June 2023

The Future of Broadcast Technology


What vision do you have of the broadcast technology business moving towards 2030 and beyond?We are currently in the middle of a transition phase with migration to several new technologies, from the move to IP-based infrastructure and the shift from linear to video-on-demand (VOD). The question for all of us is how long that transition phase will l...

Submitted by Sebastian Richter
Published 18 August 2022

A switch in time: how KVM can unlock the future of broadc...


One of the major changes for broadcasters during the pandemic has been the shift towards remote production; by no means a new phenomenon in an IP environment, yet accelerated under lockdown to accommodate travel and gathering restrictions. A 2021 report found that almost 40% of broadcast professionals now employ remote production, up 9% on the prev...

Submitted by Chris Smeeton
Published 10 March 2022

Rohde & Schwarz integration with Adobe Premiere Pro


Now recognised as one of the leading editing platforms for television and video post, Adobe Premiere Pro combines powerful functionality and a familiar user interface whilst remaining a competitive option. Simple integration with other applications in the Adobe Creative Cloud family, including After Effects (motion graphics), Audition (audio post)...

Submitted by Ciaran Doran
Published 24 February 2022

The Cloud - a measured approach


With the buzz of ‘cloud’ everywhere in our industry it would be natural to think that cloud is the only game in town. Isn’t it time to step back and consider very carefully how, or whether, you make that journey to the cloud?The pandemic has been front and centre in our minds for close to two years now. Overnight, facilities had to either shut down...

Submitted by Ciaran Doran
Published 07 December 2021

How to successfully buy AV and Broadcast Equipment at Auc...


How to successfully buy AV and Broadcast Equipment at Auction Perhaps you wouldn't expect an auctioneer to tell you this - but yes, there are risks to buying equipment at auction; just probably not the risks that you think. Some people may dismiss buying at auction out of hand based on experiences they or friends or colleagues have had. As auctione...

Submitted by Dan Main
Published 19 January 2021

AJA Video Systems - Ki Pro GO User Review with Spellbinde...


For most of us 2020 enforced a step change in the way we work and the kind of productions that our businesses have been delivering. Back in March as the pandemic struck, I took a leap of faith and invested in some switching and streaming kit, in the form of a Tricaster Mini, encoding and NDI kit and some extra cameras. Fast forward nine months and...

Submitted by Ben Sherriff
Published 22 December 2020

ERA IaaS at University of Salford


Seagate Storage Arrays form basis of ERA designed Storage, Edit Management and MAM system for the University of Salford's media and production coursesBACKGROUNDThe University of Salford (UoS) is widely recognised in both academic and professional circles as a leading educational establishment in acoustics and media production. In 2011 the Universit...

Submitted by KitPlus
Published 21 December 2020

ITN using Densitron Intelligent Display System across mul...


Currently marking its 65th anniversary, Independent Television News (ITN) is one of the UK’s most prominent and respected television production companies. Although it has increasingly diversified into producing content such as documentaries and sports programmes, news and current affairs remain the bedrock of its output. From its broadcast centre o...

Submitted by KitPlus
Published 16 December 2020

Using Modern Technology at Envy Provides a View into the...


As Jai Cave, ENVY’s technical operations director put it, “in a way, we are the cloud to our customers and partners.”ENVY’s use of modern technology, including remote edit capabilities and their expansive use of Signiant Media Shuttle, enables them to collaborate with customers and partners around the world, and made the transition to remote work d...

Submitted by Michael Darer
Published 09 December 2020

State of the Nation and Virtual Social Distancing


Under normal circumstances, I usually make my plans for NAB in November time. It’s when the airlines tend to have sales. This year, for personal reasons, I did not get around to booking back then, and it was only at the end of February that I could start thinking about it. Well, the airline sales had long gone, and I was faced with the prospect of...

Submitted by Dick Hobbs - new
Published 26 March 2020

Why Renting is the New Buying


To rent or to buy? This has long been a topic of debate in the world of property, with people having to choose between spending virtually all of their money up front or giving their money away each month with little chance of seeing a return. How does this apply to the media and entertainment sector? Well, the need to constantly evolve to stay ahea...

Submitted by Ed Tischler
Published 26 March 2020

The Importance of Audio Production Systems


Large-scale entertainment programming presents a unique set of challenges for broadcasters. Often extremely high-profile keystones of a broadcaster’s schedule and increasingly billed as live ‘event television’, as well as delivering the very best audio quality they demand a huge degree of flexibility and agility in terms of their production. With m...

Submitted by Tom Knowles
Published 26 March 2020