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Two Decades of Development With DK-Technologies

For more than 20 years, DK-Technologies has been developing audio and video test and measurement products that have become industry standards thanks to their adoption by many of the world’s top music, broadcast and post production facilities. Founded in 1987 by its current CEO Karsten Hansen, DK began by developing complex, custom-designed matrix s...

Submitted by Dennis Lennie

Published 01 January 2010

Double dip 2009

Well here we go again. Christmas is coming and, yes, given market reactions and the news that Dubai’s bubble has burst, it looks likely that we are heading for the classic W – two falls into recession, a double dip. Of course, like you, I hope it won’t come to that but optimism does seem to have evaporated. Pressure also seems to be mounting in Soh...

Submitted by Dennis Lennie

Published 01 January 2010

A Guide to Testing IPTV: Technologies and Challenges Par...

Throughout this article series we have seen that IPTV network operators face many challenges and explained that effective test and measurement is key to overcoming these challenges. The majority of IPTV networks are still in the early stages of development and operators are therefore primarily concerned with optimising QoS parameters in order to ge...

Submitted by Dennis Lennie

Published 01 December 2009

SATIS in a day

Aware that several French distributors had pulled out of this year's SIEL & SATIS, I chunnelled to Paris on day two of the October 20-22 show with minimal expectations. The small size of the Guide de Visite (20 pages A5) added to my misgivings but the event itself proved respectably large, crowded and buzzing. Nearly 280 companies occupied stands i...

Submitted by Dennis Lennie

Published 01 December 2009

Eye to Eye: Content Protection 2009

In the early days of audio and video recording, the limitations of analogue devices provided a fairly high level of content protection by ensuring that any captured signal was either inferior to the original or fairly soon became so. Optical digital media changed all that, allowing practically perfect copies of speech, music, still images and movin...

Submitted by Dennis Lennie

Published 01 November 2009

A Guide to Testing IPTV: Technologies and Challenges Par...

Testing IPTV NetworksThe Technology LifecycleThe deployment of new technologies tends to follow a similar lifecycle that begins with early research, development and standardisation and ends with full deployment and service management. The lifecycle diagram illustrated in Figure 5 shows a number of different technologies moving through the design an...

Submitted by Dennis Lennie

Published 01 November 2009

Supporting the RED

James Cullen was working as a studio cameraman for the BBC when he was asked by television quiz show favourite CJ de Mooi to shoot a promo for him. The brief was to showcase CJ’s enthusiasm for the Porsche 911 Carrera, and Cullen knew that the production standards had to match the engineering excellence of the car. “I was using a RED One camera whi...

Submitted by Dennis Lennie

Published 01 November 2009

Converting for displays

Behind every great display there’s a great converter. Ever since television started to go digital in studios and post production, the number of digital formats has grown. For a while the television standards bodies got a grip and succeeded in pulling nearly everyone along the ‘SDI’ track; now itself expanded to HD-SDI and 3G-SDI – carrying a multit...

Submitted by Dennis Lennie

Published 01 September 2009

Ask the experts. Eye & Jitter

Why should TV broadcast engineers be interested in adding Eye and Jitter measurement to their T & M facilities?The call for Eye and Jitter as part of overall video test and measurement lies in the widespread adoption of serial digital interface (SDI) standards for broadcast. Unlike analog transmission in which the image quality gradually degrades a...

Submitted by Dennis Lennie

Published 01 September 2009

Ancillary Data Monitoring in Multiviewers

The broadcast environment has gone through enormous change over the last decade, creating challenges in the management, storage and broadcast of material. Factors contributing to these challenges include the increase in the number of channels with the move to digital, the introduction of various aspect ratio and video standards with the transition...

Submitted by Dennis Lennie

Published 01 September 2009

How to choose a broadcast display

How to choose a broadcast display…10 years ago, buying a CRT monitor was simply a case of buying the latest version of your facilities favourite brand in either Grade I or II. The advent of the LCD, HD and the demise of the CRT means we have now to try and decipher all the marketing jargon to work out which display best fits our needs. To help de-m...

Submitted by Dennis Lennie

Published 01 September 2009

Modern multiviewers

The monitoring of multiple video sources has been simplified and costs greatly reduced by the use of multiviewers. These make use of two principle technologies: large high-resolution video screens and the real-time resizing of video. The market is now well developed and provides a wide choice of specifications such as the number of inputs and their...

Submitted by Dennis Lennie

Published 01 September 2009

Why choose a broadcast or professional monitor

Just as it’s unlikely that anyone would purchase a family vehicle to set trailblazing records around a race track and a sports car is not going to be the best choice for off-road use, the same principle is true of monitors – the key is to match the product to the demands of the task. So what are the differences between the major monitor families?Co...

Submitted by Dennis Lennie

Published 01 September 2009

Eye to eye on Broadcast content management 2009

Content asset management is one of the fastest developing areas of the entire broadcast business. Its advantages over old-style film and videotape libraries are so widely recognised that they hardly need repeating. NAB provided an opportunity to look at new advances from some of the key players. AP introduced a new module for its ENPS 6.0 and 7.0....

Submitted by Dennis Lennie

Published 01 August 2009

Broadcast management systems specialisation not generali...

“Broadcast management systems” is used here as a collective term to encapsulate all of the processes involved from capturing and creating content, to distribution and monetisation. There are so many points of decision making in a broadcast production chain that automating the processes can be mind boggling in complexity. Taking just a view of frame...

Submitted by Dennis Lennie

Published 01 August 2009