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TV Bay Questions

Name & Title?James Willett, Freelance ColouristWho are you? (about yourself and who you work for)?Freelance Colourist living and working in LondonWhat do you do? What does your company do?I'm the guy that has the brilliant job of doing everything from lining up and visually matching shots to creatively stylising and achieving the Directors look for...

Submitted by Kieron Seth#

Published 01 November 2011

Colourist and Online Editor

Who are you? (about yourself and who you work for)?I run East London Post based in Shoreditch, which is currently a single suite Colour Grading and Online Editing business based around DaVinci Resolve and Apple FCS3. What do you do? What does your company do?East London Post provides colour grading and online editing for a wide range of projects. W...

Submitted by Bob Pank#

Published 01 October 2011

tv-bay questions

Name & Title?Barrie Williams, owner and founder of Pixelfantastic, a boutique post production facility 13 miles east of SohoWho are you? (about yourself and who you work for)?I started my career in front of the lens as a musician, touring Europe for several years playing Jazz violin. We did a lot of TV work, so I became very familiar with the insid...

Submitted by Bob Pank#

Published 01 September 2011

tv-bay questions

Who are you? (about yourself and who you work for)?I am a freelance colourist working mainly in London and LA. I am the founder of the UK’s first datalab MYTHERAPY. I am also working on behalf of several manufacturers in research and development of colour science for digital film cameras; I am a demo artist for Iridas and Master Colourist at ICA In...

Submitted by Bob Pank#

Published 01 August 2011

THE RISE AND FALL AND RISE AND FALL OF POST PRODUCTION

I was sitting in the pub the other day and met an old editor mate of mine. We started chewing the cud about post-production and, inevitably, the glory days. When I first met him, in the early 80s, I hadn’t even started my career in broadcast leasing. He, meanwhile, had a money clip full of £50 notes and was the talk of the town. He didn’t have enou...

Submitted by Bob Pank#

Published 01 August 2011

SOLID STORAGE FOR SPECIAL EFFECTS

While it’s easy to be dazzled by the brilliance of visual effects on the big screen, the less showy side of film post-production often goes unrecognised. Here, Double Negative (known affectionately as DNeg) reveals how an array of Infinity|8 RAID systems and ATTO RAID adapters keeps all that amazing work safe and secure. Double Negative’s trophy sh...

Submitted by Kieron Seth#

Published 01 August 2011

TV Bay Questions

Who are you? (about yourself and Sequence)My name is Ben Foakes,29 years old and founder/ majority owner of Sequence. I work as an editor and post-supervisor as well as jointly running Sequence with my co-manager Kevin Chapman and our fantastic team of staff. The company was setup in June 2004, starting as a single home FCP suite and rapidly growin...

Submitted by Bob Pank#

Published 01 November 2010

Hows that

A few days ago I umpired a cricket match. It was a very pleasant afternoon, marred only slightly by the almost continual drizzle, but it was August in southern England. The game was held at a lovely village cricket club, and so my fellow umpire and I did not have the benefit of replays or other technology. To be honest, I think they would have been...

Submitted by Bob Pank#

Published 01 October 2010

HD Post Production

In a parallel universe all forms of electronic entertainment are produced and presented in identical formats that can be exchanged and retrieved by anyone with permission to access the product. Unfortunately in our universe the opposite is true and a frustrated band of audio and video heroes spend every day of their working lives trying to satisfy...

Submitted by Bob Pank#

Published 01 September 2010

Looking back, and forward to the next decade of media pro...

The year 2000 doesn’t seem that long ago – and what’s for certain is that as you get older ten years is a very short space of time. A decade is a long time in technology though. In 1999 most people didn’t have a mobile phone and weren’t even on the internet at home, painfully slow dial-up was the only option for most. A decade on, the internet is a...

Submitted by Bob Pank#

Published 01 March 2010

De Wolfe Celebrates Centenary

De Wolfe Music Publishers, the longest-running independent film and television music library resource in the world, is celebrating its remarkable centenary this year. Over the last hundred years, the music library’s vast collection of instantly recognisable and iconic tracks has helped shape popular culture; if you've ever seen Man About The House,...

Submitted by Dennis Lennie

Published 01 January 2010

Double dip 2009

Well here we go again. Christmas is coming and, yes, given market reactions and the news that Dubai’s bubble has burst, it looks likely that we are heading for the classic W – two falls into recession, a double dip. Of course, like you, I hope it won’t come to that but optimism does seem to have evaporated. Pressure also seems to be mounting in Soh...

Submitted by Dennis Lennie

Published 01 January 2010

CADLOCK - securing the future of broadcast.

When absolute CAD, the Soho based broadcast installation experts released their range of rackmount products in 2007, it was to improve the way equipment was installed within a facility. But the client feedback indicated that the products were not only being purchased to solve the rackmount issues, but also to increase the security of the assets. Th...

Submitted by Dennis Lennie

Published 01 November 2009

Filming for the army on Salisbury Plain

The ApproachIt’s no secret. Soldiers are trained to feel invincible, They develop a whole persona around focussed “toughness” and the ability to take care of themselves. But nobody is tough enough to withstand being crushed between a 70 tonne Warrior and a Land Rover. The problem is how to explain this to men who as a day job, get shot at. That was...

Submitted by Dennis Lennie

Published 01 September 2009

How we lit Mick

Shine a lightLets start at the beginning with the most fundamental, basic of questions – what’s the point of lighting anything, let alone a living legend like Sir Mick Jagger? The answer is simple – because lighting is the most important part of the whole process. Not the filming. Not the fiddly edit. Not the chin-scratching pre-production. The lig...

Submitted by Dennis Lennie

Published 01 January 2009