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Making a Difference in Wireless Transmission


We are very proud to say that we are the only company that provides a highly specific service, and that is the hire of wireless video transmission solutions operating in the licence exempt spectrum. There are other companies that provide licensed equipment and offer a diverse range of wireless solutions based on different modulations, but our produ...

Submitted by Lukasz Malankowski
Published 16 July 2019

NAB 2019 Highlights


The NAB Show in Las Vegas never loses its capacity to surprise. With NHK already transmitting in 8K and the Tokyo Olympics just a year away, this might have been the year that 8K equipment prices descended from the stratosphere to just plain expensive. The main trends at NAB 2019 were an increasing focus on HD-HDR, Media-over-IP and 4K. 8K was pret...

Submitted by Paul MacKenzie
Published 04 June 2019

TV Futures - Producers Produce


I’ve learnt two major facts about being a producer since studying on my BSc Television and Broadcasting course: ‘the role of producer cannot be defined in a sentence’ and ‘if your team don’t see you working, you’re doing your role as producer correctly’. When I first came to The University of Portsmouth I knew what course I wanted for skills and ro...

Submitted by Emily Merritt
Published 04 June 2019

Canon EOS C300 MkII Camera Review


Canon described the EOS C300 Mark II at its launch as 'a game-changer for creative film-making'. What interested me was whether the camera's impressive feature set, compact size and very aggressive price point matched the needs of the video production market. Key features At the front end of the camera is a Super 35mm CMOS sensor capturing Full HD...

Submitted by Andy McKenzie
Published 04 June 2019

Post Production on Tour


I’m writing this article after finally settling back into my office after a busy few days on the Kitplus Tour 2019. The tour saw me travelling from Manchester to Glasgow then onto Bristol, then finally returning back to Manchester. Quite a few miles travelled. But totally worth it. I chose three topics for the workshops which I presented. The first...

Submitted by Alex Macleod
Published 04 June 2019

Behind the Scenes of Wild rose


Financed by BFI Film Fund, Wild Rose tells the story of a musician from Glasgow who dreams of becoming a Nashville star. The only thing in the way: her own penchant for crime and violence. Starring Jessie Buckley, the film begins just as its talented antihero, Rose-Lynn, is first released on parole after having spent a year in jail on a drug charge...

Submitted by KitPlus
Published 04 June 2019

Capturing Haute Couture


As the fashion world returned to the French capital for the most prestigious of the 'Big Four’ fashion weeks, historical venues such as the Carrousel du Louvre and the Grand Palais played host to famous emblematic brands such as Chanel, Valentino, Louis Vuitton and Stella McCartney, showcasing their autumn/winter 2019 collections. The services of l...

Submitted by KitPlus
Published 04 June 2019

State of the Nation - Drama


If you can remember as far back as the 1980s, then you probably remember a Saturday night drama called Hill Street Blues, written and developed by Steven Bochco. Made for NBC in the States, it was widely shown around the world, including in the UK. It was a pioneer ensemble drama, with no star characters but a lot of individuals – the police office...

Submitted by Dick Hobbs - new
Published 21 March 2019

BSC Expo 2019 Report


BSC Expo returned to the Battersea Evolution on Friday February 1st and Saturday 2nd. It is a busy and friendly event though this year in need of some temperature control: exhibitors around the entrance area were uncomfortably aware of the wintry conditions outside and the main hall was in need of cooling. BenQ showed examples from its range of mon...

Submitted by Paul MacKenzie
Published 21 March 2019

NAB Intelligence


It\'s that time of year again. 06:30 on road bikes on the Las Vegas Strip with a merry bunch of folks who believe they look good in lycra. As we pedal West up the hill towards Red Rock there will be stories of the year just gone and questions about what to look for at the show. I, for one, will be attending the Devoncroft event to check up on who i...

Submitted by Bruce Devlin - new
Published 21 March 2019

TV Futures - The Shadowing Experience


My name is Daniel Jones, and it is no accident that I’m currently studying BSc (Hons) Television and Broadcasting at the University of Portsmouth. Since completing GSCE media studies I have been constantly questioning what I watch with questions such as, “Wow, how was that filmed?” or “That looks amazing, I wonder how long that took?” It should com...

Submitted by Daniel Jones
Published 21 March 2019

4k and HDR Wireless Camera Transmitters


Across the globe, live events represented over 50 percent of the most watched TV programs last year. However, big budget episodic shows are impacting live TV and the way viewers want to see their content. Viewers are demanding the same quality of production for live event broadcasts as they see in pre-recorded TV series and films. Producers of live...

Submitted by David Edwards
Published 21 March 2019

Painting Performance Analytics with ChyronHego


By now, most people are familiar with the sport of mixed martial arts (MMA) and its leading organization – UFC (Ultimate Fighting Championship). And while the sport and its leading promotion are only 25 years old, a great deal has changed in those 25 years, including the training of UFC athletes. Leading that training is UFC’s Dr. Duncan French, Vi...

Submitted by KitPlus
Published 21 March 2019

Your two week editing future


So here we are - January again! Usually a good time to reflect on the year just gone by, and a good time to look forward to the coming months as the new year begins. When I was reflecting on my 2018, and when thinking about what to write for my first article for Kit Plus - I kept coming back to one theme - organisation. As someone who gets hired to...

Submitted by Alex Macleod
Published 25 January 2019

The making of The Heist


Shine TV has never been one to shy away from a challenge, be that in terms of using new technologies, filming ideas or overall formats: we pride ourselves on being ambitious and risk-takers. We make Hunted and The Island with Bear Grylls for Channel 4 and we’ve just made The Heist, this time working with Sky One. These are all huge, ambitiously for...

Submitted by Tom Hutchings
Published 25 January 2019