KitPlus | Articles

Making the Workflow Flow

The toughest things about being the Standards Vice President (SVP) is that everyone expects standards to be the most important thing. In all the systems that I’ve designed and deployed over the years, I've yet to find any production workflow that is 100% standards based. True, the core technologies may well be standards based, but the overall workf...

Submitted by Bruce Devlin - new

Published 16 July 2019

TVFutures. No More Comfort Zone - Get a Placement

I have often heard that any chance of getting work in the television industry is based quite heavily on who you know, and whilst that might indeed be true, I’ve also come to the realisation that it may also depends on what opportunities you seize and how far out of your comfort zone you might be prepared to push yourself. Looking back it was quite...

Submitted by Michelle Brown

Published 16 July 2019

Industry Ready Broadcasting Students

Cardiff Metropolitan University traces its roots back to 1865, when they opened their first school in an old library. Now Cardiff Met is a global, practice-focused and professionally oriented institution, committed to ensure every student fulfills their potential to make outstanding contributions in their future industries. Cardiff Met is also one...

Submitted by KitPlus

Published 16 July 2019

Centre Stage for Cameras with All About Eve

Taking its inspiration from the classic 1950 film, Ivo van Hove’s stage production of All About Eve, starring Gillian Anderson as theatre darling, Margo Channing, and Lily James as the eponymous Eve, retains the themes of ageing, celebrity and obsession. The piece, produced by Sonia Friedman Productions and Fox Stage Productions garnered stellar re...

Submitted by Anthony Newton

Published 16 July 2019

Review: JVC GY-HC900 Camera

JVC has a long history of developing relatively low price-point equipment, dating right back to its success in the 1970s with the VHS tape format. JVC products sometimes impact the broadcast mainstream but generally find greatest success in niche market segments such as news production where price and portability take priority over the no-comprise...

Submitted by Andy McKenzie

Published 16 July 2019

Make Time for Remapping

For my 4th Kitplus article I thought I’d highlight an effect in Premiere Pro that frankly I would be lost without. Namely - time remapping. I own and work with a Sony FS7 (other cameras are available) - and given that it’s now one of the most popular cameras in UK broadcast today I’d be willing to guess most editors will have come across the clips...

Submitted by Alex Macleod

Published 16 July 2019

How Providers Can Win Man of the Match With Live Sports O...

Times are tough for traditional broadcasters and live TV; the rise of on-demand TV and paid subscription services isn’t a secret and a large amount of the population are turning to these alternatives rather than their established counterparts. When it comes to sports, however, it’s a different playing field. No one can dispute the buzz of the build...

Submitted by Chris Wood

Published 16 July 2019

Making a Difference in Wireless Transmission

We are very proud to say that we are the only company that provides a highly specific service, and that is the hire of wireless video transmission solutions operating in the licence exempt spectrum. There are other companies that provide licensed equipment and offer a diverse range of wireless solutions based on different modulations, but our produ...

Submitted by Lukasz Malankowski

Published 16 July 2019

How LiveU Has Changed The Way We Work At ITV Daytime

As my job title suggests, I’m responsible for planning and executing technology projects across ITV’s Daytime, including outside broadcasts, which are central to what we do. We broadcast live for more than six hours every weekday with four shows: Good Morning Britain, This Morning, Lorraine and Loose Women. With a history as one of the main UK terr...

Submitted by Tim Guilder

Published 16 July 2019

How Broadcasts Can Simplify The Delivery Of Live Video St...

In today’s fast paced environment broadcasters need to quickly, easily, and simultaneously share high-quality live content with multiple affiliates or other broadcast facilities. However, today it’s typical for each third-party transmitter to be connected to its own receiver with its own platform and management system. This results in major TV chan...

Submitted by Phillipe Gonon

Published 16 July 2019

State of the Nation - If Winter Comes

Here’s an important fact that might get lost in all the noise of the moment. HBO’s Game of Thrones, which is relentlessly covered in the press as well as being talked about by its fans, is not actually terribly popular. The opener of the current (and last, thank goodness) series attracted a consolidated audience of about 3.5 million – that includes...

Submitted by Dick Hobbs - new

Published 04 June 2019

NAB 2019 Highlights

The NAB Show in Las Vegas never loses its capacity to surprise. With NHK already transmitting in 8K and the Tokyo Olympics just a year away, this might have been the year that 8K equipment prices descended from the stratosphere to just plain expensive. The main trends at NAB 2019 were an increasing focus on HD-HDR, Media-over-IP and 4K. 8K was pret...

Submitted by Paul MacKenzie

Published 04 June 2019

TV Futures - Producers Produce

I’ve learnt two major facts about being a producer since studying on my BSc Television and Broadcasting course: ‘the role of producer cannot be defined in a sentence’ and ‘if your team don’t see you working, you’re doing your role as producer correctly’. When I first came to The University of Portsmouth I knew what course I wanted for skills and ro...

Submitted by Emily Merritt

Published 04 June 2019

Canon EOS C300 MkII Camera Review

Canon described the EOS C300 Mark II at its launch as 'a game-changer for creative film-making'. What interested me was whether the camera's impressive feature set, compact size and very aggressive price point matched the needs of the video production market. Key features At the front end of the camera is a Super 35mm CMOS sensor capturing Full HD...

Submitted by Andy McKenzie

Published 04 June 2019

Post Production on Tour

I’m writing this article after finally settling back into my office after a busy few days on the Kitplus Tour 2019. The tour saw me travelling from Manchester to Glasgow then onto Bristol, then finally returning back to Manchester. Quite a few miles travelled. But totally worth it. I chose three topics for the workshops which I presented. The first...

Submitted by Alex Macleod

Published 04 June 2019