KitPlus | Articles

Two Decades of Development With DK-Technologies

For more than 20 years, DK-Technologies has been developing audio and video test and measurement products that have become industry standards thanks to their adoption by many of the world’s top music, broadcast and post production facilities. Founded in 1987 by its current CEO Karsten Hansen, DK began by developing complex, custom-designed matrix s...

Submitted by Dennis Lennie

Published 01 January 2010

Eye to Eye: Whats new in audio 2009

Part of my day at SATIS recently was sent discussing with Neutrik the dodgy issue of sexual compatibility, a subject not mentioned in my report from the show for TV-Bay last month. I had recently invested in a Roland Edirol R-44 solid-state audio recorder. Used in conjunction with four Rode phantom-powered capacitor microphones, it makes an excelle...

Submitted by Dennis Lennie

Published 01 January 2010

Surround technologies

Throughout the world, in a wide range of broadcasts, surround sound has become a vital tool for easily and effectively capturing real-life recordings. Playing an equally important role in developing advanced surround sound microphones is Holophone®, with its patented audio recording devices designed specifically to address the challenges audio prof...

Submitted by Dennis Lennie

Published 01 January 2010

The Prism Sound Effect

The Prism Sound Effect. When Prism Sound took over the SADiE brand last year, it embarked on a fact-finding mission to discover why the brand had such a huge and extremely dedicated international user base. This process has been extremely enlightening and has enabled Prism Sound to respond with SADiE 6 - a new product for professional sound editors...

Submitted by Dennis Lennie

Published 01 January 2010

The Loudness Issue in Todays Audio Systems

Complaints regarding audio being “too loud” have always existed. For example, the change from a television drama with little or no music or sound effects and quiet dialogue to a loud commercial can be quite jarring and will likely cause the viewer to reach for the volume control. This can happen when listening in mono, stereo or surround sound. The...

Submitted by Dennis Lennie

Published 01 January 2010

12 Frequently Asked Questions About On-Camera Lighting

1. Why/when would someone use an on-camera light? The main purpose of an on-camera light is for “fill” light. Simply put, you are just trying to remove any shadows from your talent’s face to give them a nice clean natural look. If you use too much light, however, you will drown out your background and get no depth to the video. Also, in today’s’ ru...

Submitted by Dennis Lennie

Published 01 December 2009

Eye to Eye: Lighting and lighting control

In 1985 I visited the Paris HQ of France Regions 3 with Arthur Garratt, a freelance science broadcaster who worked mainly for BBC World Service. FR3 was one of the first European television networks to make full use of high-efficiency ENG and EFP. We learnt a lot and were able to offer one recommendation in return. Watching a news presentation by t...

Submitted by Dennis Lennie

Published 01 December 2009

LED lighting for image creators

Somehow I ended up on a growing number of LED Lighting equipment manufacturers e-mail mailing lists. Most of them were from China, some from the States and elsewhere. They must have thought that, as we supply broadcast, film and video lighting, that we would be interested in LED lighting. They were right. So I used to dutifully reply, asking them q...

Submitted by Dennis Lennie

Published 01 December 2009

New Light in the Forbidden City

IBC 2009’s Production Village was the venue for the launch of a revolutionary new lighting product, the Rotolight ‘Stealth Edition’ RL48 ring-light. Although the show had more than 48,000 visitors and over 1200 exhibitors, Rotolight was listed in the TV-Bay lighting category, featured in the IBC News and the ‘Eye Catcher’ technology report on Amste...

Submitted by Dennis Lennie

Published 01 December 2009

SATIS in a day

Aware that several French distributors had pulled out of this year's SIEL & SATIS, I chunnelled to Paris on day two of the October 20-22 show with minimal expectations. The small size of the Guide de Visite (20 pages A5) added to my misgivings but the event itself proved respectably large, crowded and buzzing. Nearly 280 companies occupied stands i...

Submitted by Dennis Lennie

Published 01 December 2009

DFX filter software

Tiffen has been manufacturing photographic filters and lens accessories for consumer and professional imaging for over 70 years. Now the company has developed Tiffen DFX, software that offers a range of filters for use with digital images. We believe this makes DFX unique; benefiting from a deep understanding of what glass filters actually do as we...

Submitted by Dennis Lennie

Published 01 December 2009

CADLOCK - securing the future of broadcast.

When absolute CAD, the Soho based broadcast installation experts released their range of rackmount products in 2007, it was to improve the way equipment was installed within a facility. But the client feedback indicated that the products were not only being purchased to solve the rackmount issues, but also to increase the security of the assets. Th...

Submitted by Dennis Lennie

Published 01 November 2009

Implications of a Tapeless workflow

The rise of ‘Tapeless Workflows’ is dramatically changing the way broadcasters and post-production facilities protect the content they are working on or own. The traditional workflow relies on tapes to record and protect information, usually stored on a shelf to be used again if necessary. However, due to changes in technology and the demands of an...

Submitted by Dennis Lennie

Published 01 November 2009

The importance of measurements for eye and jitter

‘If it hasn’t got eye and jitter measurements, it’s about as useful as a chocolate teapot’ recalled Paul Nicholls, PHABRIX sales and marketing manager. ‘This was one comment made by a prominent broadcast engineer that stuck with me when we began to research the critical toolset required on the new eye and jitter PHABRIX SxE’. Having taken this to h...

Submitted by Dennis Lennie

Published 01 November 2009

3D Post

The state of 3DRewind a couple of years and 3D was a hot topic but there was very little production and few companies able to offer suitable support for efficient 3D post production. Many people thought it would fade, as before. A few even hoped it would go away! Now many are supporting stereoscopic 3D. The most activity is in the DI (digital post...

Submitted by Dennis Lennie

Published 01 October 2009