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Is working for free, training or a pathway to paid work?


by Graham Reed Issue 102 - June 2015 I suspect like a lot of KitPlus readers I often have a look at a websites that advertise jobs, but mainly un-paid. I have frequently thought that these job offers are really just trying to get free or cheap labour for the benefit of the director/producer. One recently advertised for .... a cameraman thats enthus...

Submitted by graham reed
Published 01 July 2015

High-speed archiving in a high-res world


by Lee Sheppard Issue 102 - June 2015 SGL has partnered with Avid for the past 11 years and the companies continue to deliver solutions that are required by today\'s modern broadcast facilities. SGL FlashNet, the engine that drives Avid Interplay Archive, provides customers around the world with an integrated MAM/PAM archive solution. Built around...

Submitted by Lee Sheppard
Published 01 July 2015

The future of storage is now affordable and flexible.


by Ed Harper Issue 102 - June 2015 As the 10th anniversary of the Avid ISIS shared storage product line approaches this autumn, Ed Harper, senior product manager in the Avid ISIS collaborative storage solutions group, looks at how the company continues to innovate its flagship, flexible and scalable storage solution. Over the years, our engineering...

Submitted by Ed Harper
Published 01 July 2015

#TVFUTURES


by Callum O\'Leary Issue 101 - May 2015 When I first introduced myself back in September, I had just begun my final year project and it was all very early days. I cannot stress how scary the prospect of a final year project is, and it is most certainly a mountain that needs to be climbed. I had originally decided upon a \'combined project\', which...

Submitted by Callum O Leary
Published 01 June 2015

CALM - A crucial act to follow


by Martin Moore Issue 101 - May 2015 Sudden jumps in sound level between television programmes and commercials first came to the notice of legislators after a loud commercial interrupted a family dinner at the home of US House of Representatives member Anna Eshoo. The technical parameters adopted in the draft were based on an existing recommended p...

Submitted by Martin Moore
Published 01 June 2015

Ten years is a long time...


by Peter Savage Issue 100 - April 2015 Ten years is a long time and 100 editions is a major milestone. I happily look back to the spring of 2005 as this was the start of my second life, much as it was for the team at tv-bay - a coincidence of dates which is probably why we have had such a long writing partnership. Matt and Simon were starting out o...

Submitted by Dylan Ellcome
Published 01 May 2015

Oh what a show!


Issue 99 - March 2015Walking through the halls of BVE 2015 it would be hard not to acknowledge the bustling atmosphere, positive vibes and busy aisles. The show attracted a high quality and diverse audience from across the broadening content creation industry seeing over 15,000* key industry decision makers including leading indies, post houses, DO...

Submitted by KitPlus
Published 01 April 2015

#TVFUTURES


by Simon Bull Issue 99 - March 2015 Sport\'s television is a multi-billion dollar industry that draws millions upon millions of viewers to a gigantic range of sports programming. Many of the most watched television events have been sports broadcasts, the Olympics, the World Cup, and the Super Bowl to name a few. It\'s an ever-growing universal indu...

Submitted by Simon Bull
Published 01 April 2015

Big rush with little fuss at new Birmingham broadcaster


by Neil Hutchins Issue 99 - March 2015 Big Centre TV is the latest of the new wave of UK Local TV stations, having launched on 28th February. But behind the calm and successful appearance was a frenzied period of activity, as Ofcom had only confirmed their licence just three months earlier. To get from nothing to on-air in such a short timescale wa...

Submitted by Neil Hutchins#
Published 01 April 2015

Training for media - who should do it?


by Martin Uren Issue 99 - March 2015 Simple enough to ask, but any possible answer to the question of who should train those working in the media industries, or more specifically the moving image industries, is complex and involves many interrelated factors. I would like to explore the issues, and maybe present some suggestions on how we might do a...

Submitted by Martin Uren
Published 01 April 2015

Loudness normalisation for podcast streaming


by Jon Schorah Issue 99 - March 2015 For media companies steeped in traditional workflows, the exploding demand for over-the-top (OTT) content on many different devices is offering up significant new opportunities as well as challenges. If content owners can re-purpose their assets effectively, they can reach existing and new audiences through chan...

Submitted by Jon Schorah
Published 01 April 2015

Fuelling productivity at BP


by Angus Mackay Issue 99 - March 2015 As one of the world\'s leading oil and gas companies, BP has a long history of producing a variety of film, video, and multimedia, and currently has an archive of over fifteen thousand films dating back over a century. The productions cover topics ranging from scientific discovery, energy exploration, community...

Submitted by Angus Mackay
Published 01 April 2015

Education meets industry...


by Bernard Newnham Issue 98 - February 2015 Heatherden Hall - the most famous country house you\'ve never heard of. Famous because it has appeared in large numbers of British films from Goldfinger to Carry on Camping. Why? Because it\'s the original building at the UK\'s premier film studio - Pinewood. A fitting place, then, to hold a conference on...

Submitted by Bernard Newnham
Published 01 March 2015

#TVFUTURES


by Raechelle Jackson Issue 98 - February 2015 The penultimate term studying Television and Broadcasting is a time to reflect upon my journey as a CCI TV manager thus far and look to the future. And as graduation starts to inch ever closer, I am now pondering the opportunities that lie ahead of me. When I think back to what I knew as I walked throug...

Submitted by Raechelle Jackson
Published 01 March 2015

Open Source for Film and TV Production


by Dan Mulligan Issue 98 - February 2015 There\'s nothing like a new project to make you feel excited about life, and excited is definitely how I\'ve been feeling since I adopted an Open Source policy to my companies\' camera and workflow divisions. My background is in cameras. I started out assisting and focus pulling before moving up the ranks to...

Submitted by Dan Mulligan
Published 01 March 2015