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Dick Hobbs roasts television rare


by Dick HobbsIssue 80 - August 2013 I was at a conference about workflows the other day. One of the presentations was by a very nice man called Eric Minoli, who is chief engineer at TFO, the French-language public broadcaster in the Canadian province of Ontario. He illustrated his presentation with a great story. Some friends were invited around to...

Submitted by Dick Hobbs.
Published 01 September 2013

Bringing increased efficiencies to file-based workflows


by Reed HaslamIssue 80 - August 2013 Most professionals in todays broadcast and media industries can remember a time when the videotape format was ubiquitous. It was the defacto recording, storage, and playback medium for many years, and fragments of the medium still exist today. What clearly contributed to the success of tape is its compact packag...

Submitted by Reed Haslam
Published 01 September 2013

Do you have the computing horsepower you need? XMac Mini...


by Greg LaPorteIssue 80 - August 2013 In high-pressure audio/video production environments, adequate computing horsepower is critical for handling the volume of tracks and channels to be recorded, played back, mixed, edited and streamed. The Apple® Mac Pro® offers great performance and extensibility but its heavy, bulky tower configuration doesnt l...

Submitted by Greg Laporte
Published 01 September 2013

A preview of this years IBC with Will Strauss


by Will StraussIssue 80 - August 2013 Writing an IBC preview when the show itself is still seven weeks away is never easy. Despite best intentions, lots of exhibitors havent yet shown their hands (or are still deciding which cards to play) and many of those that have, are really not giving much away. However, fear not dear reader. The next two page...

Submitted by Will Strauss#
Published 01 September 2013

8 questions about QC and language-based tools for caption...


by KJ KandellIssue 79 - July 2013 What are Captions?Captions (also known as subtitles) are coded signals that are sent along with the video and are decoded at your television or cable box to provide the audio track of the programming as white or colored text over a background. Captions can be open or closed. Open captions are always visible while t...

Submitted by KJ Kandell
Published 01 August 2013

Continuous power in the field


When on location whether in the depths of a jungle with reduced access to power or in a city centre with limited charging opportunities then good consideration to your kit bag is needed to remove those power hungry devices that could leave you running short for the final big shot of the day!The benefits of field recorders are well known, often doub...

Submitted by Raymond Burns
Published 01 July 2013

The evolution of camera connectivity and the HPX600


Tape in, tape out. Cable in, video out. Card in, card out. Simpler times: productions orchestrated by an army of runners, tape op’s and engineers, with transmission to TV, ingest via a VTR and a room dedicated to storing media. Today’s production team has changed. It’s become a small elite squad, tasked with multi-channel playout, multi-resolution...

Submitted by Kieron Seth#
Published 01 July 2013

Managing Loudness for Broadcast TV


Often viewed as the “ugly sister” when compared to its more glamorous rival video, audio is finally receiving some much deserved attention in broadcast circles. The trigger for this realisation is an increasing shift in awareness that viewers are interested in not just the pictures they are seeing, but equally the sound they are hearing. In particu...

Submitted by Anothony Wilkins
Published 01 June 2013

The Cloud, a big hit at NAB with Bob Pank


NAB 2013 will go down in history as the event where the broadcast industry took to the Cloud in a big way. Perhaps it was the number of smaller companies and start-ups that have been successfully operating cloud services for a year or more that persuaded the big names to join in but, more likely, these moves have been in the pipeline for a while. T...

Submitted by Bob Pank#
Published 01 June 2013

Loudness: What happens now if my work is not compliant?


Now that loudness is a mandatory requirement in the United States, Europe, and much of the rest of the world, it’s not so much a question of when organizations will begin to comply, but how?1. Now the standards are in place, what happens now if my work is not compliant?There are varying repercussions for noncompliance, depending where you work and...

Submitted by Jon Schorah
Published 01 June 2013

Evolving the industry audio monitoring systems


With respect to monitoring, particularly for multiplatform content delivery, how can our facility straddle the divide between baseband and file-based signals?The media industry as a whole is moving toward multiplatform content delivery. This shift includes and affects not only traditional broadcasters and new media outlets, but the content creators...

Submitted by Don Bird
Published 01 June 2013

Cameras, conversations and conversions at Camera Diner wi...


Every Thursday evening, around 500 viewers tune in online to Camera Diner’s live show getting a unique look at the latest in film and still camera technology, as well as exclusive interviews with some of the imaging world’s biggest names. The whole thing is streamed live from a basic set-up in Oxford, England. Shot on a 1950’s style diner set, the...

Submitted by Paul Genge
Published 01 May 2013

NAB is for soothsayers, trendsetters and people with road...


Unlucky for some…by Will StraussPrototypes, alpha products, demos and proofs of concept: NAB in Las Vegas is all about future innovation. Will Strauss picks 13 stands that you must visit this year. With the dust from BVE barely settled, it’s already time to look towards NAB. I know, I know. Don’t shout at me. I didn’t arrange the broadcast industry...

Submitted by Will Strauss#
Published 01 April 2013

Life live beyond the Premier League


by Kieron SethIn Europe outside broadcast has traditionally been within the reach of a handful of deep-pocketed television companies. Across the Atlantic, small OB vans have been popular for years with niche, regional news crews beaming state pie eating competitions to eager viewers. With the advent of Local TV and low-cost fast turnaround producti...

Submitted by Kieron Seth#
Published 01 April 2013

Bob Pank looks at Editing and the Cloud


By Bob PankHistorically video editing has been one of those operations shaped by technology. For decades it depended on VTRs to play and record. You had to go to an edit room, usually darkened and with loads of buttons and winking lights, to get your edit done by a video editor. It was not cheap. Then, with video stored on computer discs, editing w...

Submitted by Bob Pank#
Published 01 February 2013