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IBC 2019 A Whistle Stop Rundown


I’ve been to IBC once before, taking to the floor with Simon, Matt, Jon and the rest of the KitPlus team to assist with the filming of interviews. This was a lot of fun, but it was hard to find the time to look at the kit I wanted to see. This year with the demise of BVE and unable to make it to the Media Production Show I decided to fork out for a...

Submitted by Ben Sherriff
Published 03 November 2019

Creating Opportunities For A Diverse and Colourful Future


The creative industry is awash with beautiful designs, animations and incredible imagery, created for one reason – to entertain and capture our imagination. An industry creating such amazing visualisations should represent all viewers, from different backgrounds, beliefs, cultures and orientations. ACCESS:VFX, could be the answer to a more diverse...

Submitted by Alex Humphries-French
Published 03 November 2019

Creating A Signature Look With Lighting


As an LA-based DP, I view my role as a narrative storyteller. For me, cinematography is not just about getting some nice images – it’s about telling truths. I love being able to weave a story with imagery and capture something that’s real, whether through performance or visual symbolism. Lighting is one of my most important mechanisms for capturing...

Submitted by William Hellmuth
Published 03 November 2019

On Stage At Festival Beauregard


Set in the majestic grounds of the Chateau de Beauregard, and in its eleventh year, the festival is an eclectic mix of homegrown French talent and international artists spanning pop, rock, punk and dance. We made the hop across the channel to find out more. With a diverse lineup - where else can you find Tears for Fears, Disclosure, Snow Patrol, Fa...

Submitted by KitPlus
Published 03 November 2019

Never Stop Learning....Or Spending


I’m over 75, and have been a member of the Bristol Film and Video Society (www.bristolvideo.org.uk) for several decades. Like the great majority of members, I am not and never have been a video professional but have video interests beyond the club and its productions. For some time I have been recording lectures (for other clubs) using a Panasonic...

Submitted by Peter Heaven
Published 03 November 2019

Solving Rigorous Digital Workflow Challenges


Headquartered in New Zealand, The Rebel Fleet offers digital workflow services to top film and television production companies. Clients address broad creative needs and retain total image control across multiple shooting units with fast turnarounds. Recent projects include The Meg, Adrift, Ash vs Evil Dead, and The Shannara Chronicles. The company...

Submitted by Michael Urban
Published 03 November 2019

Pro Pancake Editing With Premiere Pro


Pancakes & post production. Not two things you might at first put together. But using pancake timelines can be an extremely effective way of working - so bear with me!Very recently I began working on a series of edits for Premier League kicks. If you’ve not heard of it, I’d encourage you to do a quick Google search and check it out. It's a really c...

Submitted by Alex Macleod
Published 03 November 2019

Testing Hybrid Workflows


‘As hybrid workflows that bridge the IP and SDI worlds become the norm, test and measurement tools that support hybrid environments become increasingly more important’ says PHABRIX’s Martin Mulligan, SVP Sales and Operations. With the industry’s steady migration from traditional HD-SDI to IP and/or 12G-SDI infrastructures, broadcasters are now face...

Submitted by Martin Mulligan
Published 03 November 2019

IBC 2019 Question Time


The media and entertainment industry is in an exciting period of transformation and innovation, and Signiant is thrilled to be in the midst of it. Nowhere was this energy more apparent than at this year’s IBC conference, where we had the opportunity to speak with a wide range of organizations, vendors, and thought leaders to better understand where...

Submitted by Jon Finegold
Published 03 November 2019

Complex Live Streaming At Scale


On Saturday September 14th in the Content Everywhere Hub Theater at IBC, Zixi hosted a panel featuring partners and customers who have integrated with and utilized the Emmy-winning Zixi software for contribution and distribution of live video over managed and un-managed internet connections. Panelists included: David Griggs, Senior Product Manager,...

Submitted by KitPlus
Published 03 November 2019

The University of the Third Age


Here's a cliché - "We all get to be old one day - if we're lucky". There comes a point when things like ".... mastered in Dolby Vision Domestic and SDR Rec 709.....\" become just a touch unimportant (and actually I never really understood that stuff in the first place). I retired for the third time last year - BBC producer, and before that camerama...

Submitted by Bernard Newnham
Published 10 September 2019

Increasing Diversity in the UK Indie Market


London director Sam Addo tells us more about how he aims to change the status quo when it comes to onscreen diversity with his new feature, Cards on the Table. “Over the past thirty years, filmmakers have made movies telling a wide range of stories, however, in my humble opinion, those with disabilities, from the LGBTQ+ community and or those from...

Submitted by Sam Addo
Published 10 September 2019

The LED Lighting Revolution


Back in April 2019, the National Association of Broadcasters hosted the annual NAB show in Las Vegas where over 90,000 people from more than 160 countries came to see the latest broadcast technology from around the world. Honouring the highlights of the show were NAB’s 2019 Product of the Year awards, where the newly launched Chroma-Q Space Force o...

Submitted by Neil Vann
Published 10 September 2019

REVIEW Canon UJ111x8_3B UHD Lens


Shooting in ultra high definition and high dynamic range has become the preferred option for all television productions with a potentially long commercial life. The hir-ing charge and indeed the outright purchase cost of cameras of this standard are not significantly greater than those of high definition standard dynamic range models. With half the...

Submitted by Andy McKenzie
Published 10 September 2019

The Making of Zero


The Brothers Lynch explain how they created the sinister atmospheric world for their new sci-fi shortIn a post-apocalyptic world where humankind has emerged victorious in a war against artificial intelligent machines, a young girl dares to venture into the unknown. This is Zero, the new sci-fi short film from acclaimed British writer-director duo T...

Submitted by Keith and David Lynch
Published 10 September 2019