KitPlus | Articles

Taking the pain out of collaborative editing

Broadcast and post-production companies face the daily challenge of delivering more for less – both in terms of time and money. Whilst the industry has been quick to embrace the efficiencies of file-based workflows and enhancements in the creative editing process, the reality - for companies of all sizes - is that the effective and secure managemen...

Submitted by Bob Pank#

Published 01 April 2012

Want to take the road?

3D Storm, the distributor of NewTek products in EMEA integrated a MINI Countryman with a complete and fully operational HD Live Production system. When 3D Storm started the MINI LiveManTM project, the concept was to showcase the latest production systems developed by NewTek TM. Two key words: Compact, all-terrain. MINI cars were used at several occ...

Submitted by Bob Pank#

Published 01 April 2012

The premiership and conference leagues of online video

In a digital age where football clubs stand on multiple platforms, it’s the tribal ideologies and camaraderie that tie fan communities and club media together. But although personality and branding is key, so is the technology and functionality that powers the media content globally. Manchester United were ranked 6th most recognisable brand in a wo...

Submitted by Bob Pank#

Published 01 April 2012

The Biggest Game in Town

The Biggest Game in TownAnnually, as the Super Bowl approaches, stores across the States stack their shelves with the latest HDTV sets. Advertising sales teams cancel all holidays and prepare for a feeding frenzy. Networks bid in earnest to win exclusive game broadcasting rights. And new media innovators roll out their latest online and mobile apps...

Submitted by Kieron Seth#

Published 01 April 2012

Ask the experts......Intercoms for outside broadcasts

Ask the experts – intercoms for outside broadcastsBarry Spencer, Trilogy CommunicationsI just assume outside broadcast trucks come with an intercom. Why do I need to even think about it?The first big point is that an outside broadcast is not just a control room on wheels. It is an event. And that means communications beyond the truck. Within the pr...

Submitted by Kieron Seth#

Published 01 April 2012

Looking for the connection

This time last year I wrote a column which looked back. This year I have set myself the infinitely more challenging task of looking forward. What are the hot topics for 2012?The first prediction is easy. Television coverage of the Olympics and Paralympics will be extraordinary, capturing all the skill and dedication, elation and heartbreak of the w...

Submitted by Bob Pank#

Published 01 February 2012

Audio loudness for video post

For decades audiences have been complaining about the differences in perceived loudness between different parts of a television service, most commonly that the commercials seem louder than the programmes. Finally broadcasters, prompted in many cases by regulators, have addressed the issue. Over the last decade research has determined what it is tha...

Submitted by Bob Pank#

Published 01 February 2012

Eye to Eye: Video Post-production

This column’s previous excursion into video post-production was just before the 2011 NAB Spring Convention, always a dangerous time to talk about new hardware or software when a deluge of upgrades, lookalikes and lite-editions are about to hit the aisles of the Las Vegas Convention Center. Quite a lot has happened in this category over the past 12...

Submitted by Bob Pank#

Published 01 February 2012

The best job of the year so far!

I'm very nostalgic. Blame it on too much Austen and Bronte at a young age. I love photographs, how they pinpoint a moment in time that you can never reclaim. Especially spontaneous photos that capture just how you were feeling, (no matter how unflattering it is!). I also have a habit of reflecting on the past, looking at where I was, what I was doi...

Submitted by Bob Pank#

Published 01 January 2012

JVC 3D Spotlight

JVC Professional’s expanded family of 3D products now include the new GY-HMZ1 3D ProHD handheld camera, along with the GD-323D20 32 inch 3D display/production monitor, our popular DT-3D24G1 3D production monitor and the upgraded IF-2D3D1 2D to 3D converter. The products are already widely used throughout the post industry, helping content creators...

Submitted by Bob Pank#

Published 01 January 2012

Capturing a slice of the 3D market

The capture card is an essential bit of hardware glue that connects the professional TV studio world to the IT world of the modern high-performance PC.A bewildering range of models and options are offered. Some features are poorly specified or not even mentioned in the product specs. Where there is analogue to digital conversion going on, you reall...

Submitted by Bob Pank#

Published 01 December 2011

Multi Function 2D and 3D Signal Monitoring Capability

We find ourselves in a constantly evolving industry with an ever increasing variety of video sources and devices that require monitoring. There is still a significant amount of analogue equipment requiring both composite and component monitoring, and then there is the whole raft of digital video equipment supporting SDI, HDSDI, 3G and now HDMI conn...

Submitted by Bob Pank#

Published 01 December 2011

10 things you must monitor

Everyone will have their own view as to the ‘critical’ items that have to be monitored constantly in broadcast. It was this need to offer a solution to QC that led PHABRIX to create a new range of products moving on from the highly successful PHABRIX Sx hand held products to a rack mount solution. The PHABRIX Rx series was released at NAB this year...

Submitted by Bob Pank#

Published 01 December 2011

Innovation, harmonisation, simplification

You could reasonably argue that “innovation, harmonisation and simplification” is a good motto for designers of any product to bear in mind. It is certainly true for mission critical monitoring, and it is what TSL has tried to do with its range of rack-mounted professional digital audio monitors. Checking audio quality, and particularly levels, at...

Submitted by Bob Pank#

Published 01 December 2011

Back to Basics with Stereo 3D

In 2011 more than 35 networks in Europe and North America will broadcast stereo 3D programming — and several will launch dedicated 3D channels. 40 3D features are expected to hit theatres this year, and stereo-3D-ready consumer devices from TVs to video cameras to smartphones are hitting the streets. The demand for compelling content to meet the ne...

Submitted by Bob Pank#

Published 01 October 2011