KitPlus | Articles

Glensound Adds Ravenna and Full Remote Control to Its Mos...

What operational gap does this update address? Commentary teams often need compact, reliable units that can deliver flexible audio routing, network integration, and robust remote control. While Dante has been widely adopted in this space, expanding into Ravenna-based workflows introduces new compatibility and infrastructure demands. Glensound’s la...

Submitted by Simon Tillyer

Published 03 June 2025

Glensound Bespoke Engineering Approach Delivers Customer-...

What makes this approach different from other manufacturers? In a market where many audio hardware providers lead with fixed product lines, Glensound takes a different approach — beginning with the customer’s specific need rather than with a predefined solution. While the company does offer a wide range of off-the-shelf products, much of its innov...

Submitted by Simon Tillyer

Published 03 June 2025

Glensound Beatrice R12 MkII - A Smarter Intercom with Vis...

What problem does this solve? In fast-paced live production environments, intercom systems are critical for team coordination. Traditional button-based systems without displays often leave users guessing who they’re speaking to or receiving from, leading to miscommunication, delays, and increased operator fatigue. The need for real-time visual c...

Submitted by Simon Tillyer

Published 12 May 2025

Cinematographer Matt Ryan pairs ZEISS Supreme Primes and...

LA based cinematographer Matt Ryan’s enthusiasm for finding the most capable technology to support his creative process has enabled him to shoot across genres and formats. As a Director of Photography, Ryan has shot television for such networks as Disney, FOX, Warner Bros, MTV, PBS, and TruTV. Outside of narrative, Ryan has lensed high-profile comm...

Submitted by Kathryn Ferentchak

Published 08 September 2023

How to successfully buy AV and Broadcast Equipment at Auc...

How to successfully buy AV and Broadcast Equipment at Auction Perhaps you wouldn't expect an auctioneer to tell you this - but yes, there are risks to buying equipment at auction; just probably not the risks that you think. Some people may dismiss buying at auction out of hand based on experiences they or friends or colleagues have had. As auctione...

Submitted by Dan Main

Published 19 January 2021

Connect A Broadcast-Quality Miniature Camera To Your Comp...

Upgrade any home working or live streaming setup with a broadcast-quality professional webcam. CV503-U3 benefits from a simple plug & play setup, with a single USB 3.0 cable connecting the camera to any computer. Thumbscrew locks on the camera’s USB connector reduces the risk of signal loss due to a loose connection. Any Mac, PC or Linux computer w...

Submitted by Spencer Doran

Published 28 September 2020

Why Renting is the New Buying

To rent or to buy? This has long been a topic of debate in the world of property, with people having to choose between spending virtually all of their money up front or giving their money away each month with little chance of seeing a return. How does this apply to the media and entertainment sector? Well, the need to constantly evolve to stay ahea...

Submitted by Ed Tischler

Published 26 March 2020

CVP Helps Productions Choose the Right Lens for the Job

CVP Technical Specialist, Sam Measure, on how the company’s free online Lens Coverage and Camera Comparison tool is giving something back to the filmmaking community. One of the standout trends over the past year has been the move to shooting Full Frame, with more and more productions choosing to go down this route for the special look it brings to...

Submitted by Sam Measure

Published 27 January 2020

Gearing up for The Americas with Simon Reeve

For several years, it has been my honour to collaborate as director of photography with Simon Reeve, the well-known British author, adventurer, and TV presenter. Our latest partnership, the popular BBC Two program “The Americas With Simon Reeve,” is our most ambitious project yet, tracing Simon’s journey from the top to the toe of two continents. S...

Submitted by Jonathan Joung

Published 27 January 2020

Eye Contact in Documentaries

Eye contact filming (where the interview subject speaks directly into the lens) is now more common in documentaries. But it hasn’t always been possible or acceptable for filmmakers to do. When I studied Screen Documentary in 1998, I was taught that the subject should look to the left or right of the screen. As an interviewer, I sat close to the cam...

Submitted by Sybil Ah-Mane

Published 27 January 2020

Creating Diverse Show Content For Diversity

Diversity has been a household name in the UK for many years now. Can you tell us about your involvement with them?After winning Britain’s Got Talent (BGT), the group’s entire existence got turned on its head. One of the first things Diversity’s leader, Ashley Banjo, did was to make a list of all the things he thought made a show great. The screen...

Submitted by clive silver

Published 27 January 2020

A Focus on the Feels

Founded in London in the early 70s, Densitron was – as many companies are in the beginning - a small, specialist provider of an emerging range of thoughtfully assembled display technology products. But that was 45 years ago. Although still London-based, it is no longer accurate to refer to Densitron as ‘small’. Consistent growth through the decades...

Submitted by Simon Jones

Published 27 January 2020

IBC 2019 A Whistle Stop Rundown

I’ve been to IBC once before, taking to the floor with Simon, Matt, Jon and the rest of the KitPlus team to assist with the filming of interviews. This was a lot of fun, but it was hard to find the time to look at the kit I wanted to see. This year with the demise of BVE and unable to make it to the Media Production Show I decided to fork out for a...

Submitted by Ben Sherriff

Published 03 November 2019

Increasing Diversity in the UK Indie Market

London director Sam Addo tells us more about how he aims to change the status quo when it comes to onscreen diversity with his new feature, Cards on the Table. “Over the past thirty years, filmmakers have made movies telling a wide range of stories, however, in my humble opinion, those with disabilities, from the LGBTQ+ community and or those from...

Submitted by Sam Addo

Published 10 September 2019

REVIEW Canon UJ111x8_3B UHD Lens

Shooting in ultra high definition and high dynamic range has become the preferred option for all television productions with a potentially long commercial life. The hir-ing charge and indeed the outright purchase cost of cameras of this standard are not significantly greater than those of high definition standard dynamic range models. With half the...

Submitted by Andy McKenzie

Published 10 September 2019