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Crossing the TV Divide


by Kieron Seth Issue 102 - June 2015 From corporate to TVFor years, Reels in Motion has been associated with producing high quality live events and corporate video. Its ongoing project with The Property Investors Network is typical of the kind of long term projects the midlands-based company is involved in. Tasked with recording all day training wo...

Submitted by Kieron Seth#
Published 01 July 2015

The holistic approach to fighting piracy


by Rory OConnor Issue 102 - June 2015 Now more than ever, consumers are driving the way that their content is delivered and consumed across platforms. Content owners increasingly need to be able to respond and adapt in an agile manner to deliver quality content across every consumer device from the day they hit the market. To stay relevant, operato...

Submitted by Rory O Connor
Published 01 July 2015

Hungerford and the 10 rules of making a Microbuster


by Miles Bullough Issue 101 - May 2015 On April 27th 2015 Wildseed Studios\' debut feature film, \'Hungerford\', launched on iTunes and begins what we hope will be a digital voyage around the world to success. We coined the term \'Microbuster\' to describe movies made on micro budgets but with blockbuster ambitions - and it perfectly captures what...

Submitted by Miles Bullough
Published 01 June 2015

#TVFUTURES


by Callum O\'Leary Issue 101 - May 2015 When I first introduced myself back in September, I had just begun my final year project and it was all very early days. I cannot stress how scary the prospect of a final year project is, and it is most certainly a mountain that needs to be climbed. I had originally decided upon a \'combined project\', which...

Submitted by Callum O Leary
Published 01 June 2015

Cautionary notes from GTC Member number 001


by Dick Hibberd Issue 101 - May 2015 Recently I was invited to be on the panel of judges charged with selecting the winners of the 2014 \'Bill Vinten GTC University Awards\'. This was just the second year of this excellent scheme and, if the submissions from universities increase annually pro rata, then we will soon have a major logistics problem i...

Submitted by Dick Hibberd
Published 01 June 2015

Audio basics


by Larry Jordan Issue 101 - May 2015 It is an absolutely true statement that the best way to improve the quality of your image is to improve the quality of your sound. Viewers will happily watch grainy, black-and-white images and consider it "art.\" However, nothing you can say will keep them in their seats if the audio is too loud or unintelligibl...

Submitted by Larry Jordan#
Published 01 June 2015

Digital media services need more than just standard prote...


by Simen Frostad Issue 101 - May 2015 Standards are conceived in abstract. They are set up and negotiated between interested parties in a process that can last several years, with each party to the negotiations pressing its own case, and the standard that emerges at the conclusion is usually compromised in some way. At worst it can simply be a lowe...

Submitted by Simen Frostad
Published 01 June 2015

Full reference testing helps ensure quality audio deliver...


by Adam Schadle Issue 101 - May 2015 With the ever-increasing amount and variety of programming, devices, screen sizes, quality levels, and delivery methods today, broadcasters and delivery networks must be able to measure the quality of audiovisual content - and their processes for delivering it - to ensure it will meet standards that satisfy audi...

Submitted by Adam Schadle
Published 01 June 2015

REDucation - Real world RED camera training


by Ben Sherriff Issue 101 - May 2015 Saturday 28th and Sunday 29th March saw the REDucation training workshop arrive in London at the Met Film School in Ealing Studios West London. I\'ve used a Red One but have yet to work on a shoot where I can get my hands dirty with the newer cameras they manufacture (Epic-X, Scarlet, Dragon and now Weapon). Whe...

Submitted by Ben Sherriff
Published 01 June 2015

Outsourcing for maximum efficiency


by Den Lennie Issue 100 - April 2015 We filmmakers are very adept at wearing many hats. Producer, director, editor, cameraman, sound... it\'s the nature of boutique production. It can mean that you can make more money by doing more of the jobs yourself, but equally it can thin your resources out a little finely. There are certain jobs you will choo...

Submitted by Den Lennie
Published 01 May 2015

DOPs discuss minicams, lenses, 4k and all


by Mel Noonan Issue 100 - April 2015 If anyone knows about the practical reality of using minicams and lenses it has to be the DOPs who are out there using them. We are now seeing minicams used in all areas of production, some with 1080p and 4K capability at prices you would not have believed possible a few years back. I spoke to some of the DOPs I...

Submitted by Mel Noonan
Published 01 May 2015

From VoD to Linear TV


by Nikos Kyriopopoulos Issue 100 - April 2015 Content owners, broadcasters, and operators worldwide typically provide a sizable library of VoD content and a limited offering of live/linear programming. This unbalanced ratio between VoD and linear TV offerings is historically shaped by two factors:- The cost associated with linear TV production, a b...

Submitted by Nikos Kyriopoulos
Published 01 May 2015

Oh what a show!


Issue 99 - March 2015Walking through the halls of BVE 2015 it would be hard not to acknowledge the bustling atmosphere, positive vibes and busy aisles. The show attracted a high quality and diverse audience from across the broadening content creation industry seeing over 15,000* key industry decision makers including leading indies, post houses, DO...

Submitted by KitPlus
Published 01 April 2015

Loudness normalisation for podcast streaming


by Jon Schorah Issue 99 - March 2015 For media companies steeped in traditional workflows, the exploding demand for over-the-top (OTT) content on many different devices is offering up significant new opportunities as well as challenges. If content owners can re-purpose their assets effectively, they can reach existing and new audiences through chan...

Submitted by Jon Schorah
Published 01 April 2015

Capturing the action : Ocean Communications


Issue 99 - March 2015The dream of any reporter is to be on the scene when a story breaks and the action and drama unfold. This happens to only a select few. Even fewer find themselves right in the middle of events as they happen. Brian Carlin knew he\'d be getting good material reporting from onboard a boat competing in the Volvo Ocean Race, but no...

Submitted by KitPlus
Published 01 April 2015