KitPlus | Articles

The greening of broadcast facilities

By Chris Exelby, Managing Director, TSL Professional Products, Ltd. In today’s world of tightening broadcast facility budgets, planners need to keep a keen eye on the bottom line to ensure operational efficiency. An integral part of this process is getting a green handle on power management, an increasing necessity around the globe. Power managemen...

Submitted by Chris Excelby

Published 01 July 2013

Preparing for the future in television and film

“We prepare students for a career in television and film,” says Sean Thornton of Anglia Ruskin University. “As such, the technology we use has to be real-world and broadcast standard.”The Media Services team provides equipment to under- and post-graduate students and operates facilities that include TV and photographic studios, video editing rooms...

Submitted by Kieron Seth#

Published 01 July 2013

Managing Loudness for Broadcast TV

Often viewed as the “ugly sister” when compared to its more glamorous rival video, audio is finally receiving some much deserved attention in broadcast circles. The trigger for this realisation is an increasing shift in awareness that viewers are interested in not just the pictures they are seeing, but equally the sound they are hearing. In particu...

Submitted by Anothony Wilkins

Published 01 June 2013

Changing the art of Chroma Key

ChromaKey technology has been used for decades in TV and film studios to composite images or footage into a shot using green and blue screen backdrops. Although used on multi-million dollar movies, such as AVATAR and used all around the world in News rooms, conventional ‘Fabric’ ChromaKey technology requires Kilowatts of lighting, hours of setup ti...

Submitted by Rod Aaron Gammons

Published 01 June 2013

How to choose the right broadcast microphone

By Ralph Dunlop, Director, Sound Network– UK distributor for DPA Microphones1. What are most common types of microphones for broadcast use and how far has microphone technology progressed in the digital world?Traditionally the most popular microphone used in broadcast and film sound recording was the “Boom” mounted mic. The problem with older boom...

Submitted by Ralph Dunlop

Published 01 June 2013

Are the ultimate noise cancellation headphones here?

StudioSeries (an Editors Keys company) have just launched a brand new pair of noise cancellation headphones, which will simply blow you away. Whether you’re looking to enjoy a plane journey for the first time, by taking out the noise of the engines and surrounding passengers, or use them to film without the distraction around you taking over, then...

Submitted by Raymond Burns

Published 01 June 2013

Capturing awesome audio

Paul Sargeant, Director of Operations at Procam discusses the challenges facing sound recordists using the latest broadcast technology If you look at the industry as a whole, the rapid evolution of camera technology is drifting away from audio, despite the importance of compatibility between the two. Meaning it’s becoming harder to plug straight in...

Submitted by Oliver Masciarotte

Published 01 June 2013

The future of the intercom industry

At NAB 2013 RTS launched its first OMNEO interface cards, marking the first deployment of OMNEO in the broadcast intercom industry. In the future, users can transform their RTS ADAM matrix into a flexible, IP-based, AVB-compatible intercom network. TV-Bay spoke to Manuel Brico, RTS Sales Manager CCS GAS & Balkan, on OMNEO and the advantage of the n...

Submitted by KitPlus

Published 01 June 2013

Back to basics: MPEG Dash

by David Springall, CTO & Founder, YospaceJust when you thought that you had got your head around the different flavours of MPEG, another one comes along. What on earth is MPEG-DASH, and why do we need to care about it?The DASH part stands for dynamic adaptive streaming over HTTP. MPEG-DASH is an attempt to create a standardised approach to deliver...

Submitted by David Springall

Published 01 May 2013

TV-Bay takes BroadcastShow on tour!

TV-Bay’s BroadcastShow goes on tour... Where & When?London (Pinewood Studios) 9th May 2013Glasgow 14th May 2013Manchester 16th May 2013Cardiff 21st May 2013Bristol 23rd May 2013Who’s exhibiting?A growing band of leading manufacuters and distributors are coming on the tour and (at time of going to print) we are pleased to say Panasonic, NewTek, Blac...

Submitted by KitPlus

Published 01 May 2013

Dick Hobbs remembers the BBC Television Centre

I am writing this column the day after the last news programme was transmitted from BBC Television Centre, and by the time you read it the place will be more or less moribund. Which is sad. My first experience of Television Centre was – frighteningly – 40 years ago when I went to a recording of Andr Previn’s Music Night in TC1. It was a Rachmaninov...

Submitted by Bogdan Frusina

Published 01 May 2013

Creating a feature-rich subscriber-based OTT entertainmen...

TV Everywhere has become a way of life in the Nordic market, where every major broadcaster has succeeded in taking its services over the top and into the online video space. One of those broadcasters – pan-Nordic pay-TV channel provider C More Entertainment – has offered Web TV services for years through its online video portal. Competition for vie...

Submitted by Helge Hoibraaten

Published 01 May 2013

Planetary scientists stream galaxy worldwide

Sky-live.tv is a website that broadcasts real-time astronomical occurrences. It is the result of collaboration between Ciclope Group, at the Technical University of Madrid’s Montegancedo Astronomical Observatory, and Shelios, a nonprofit organization aimed at promoting and disseminating lectures, courses, exhibitions, and the results of scientific...

Submitted by Raymond Burns

Published 01 May 2013

Premiere 4K aquisition - LIVE

SIS LIVE recently put together a working group to explore the technology and workflows required to deliver live, 4K, multi-camera event coverage from an outside broadcast unit, which culminated in a field test at St James Park on 2nd February. Working with major camera and equipment suppliers, SIS LIVE has conducted proof of concept tests at base u...

Submitted by KitPlus

Published 01 April 2013

Adventure Filmmaking with Ian Burton

What exactly is it that you do now/ what do you specialise in? How did you get started in filmmaking?I'm an independent adventure filmmaker, specialising in shooting in remote and ‘vertical’ locations. I shoot my own projects as well as commercial projects for a huge range of companies, and I love filming world class extreme athletes pushing themse...

Submitted by KitPlus

Published 01 April 2013