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#TVFUTURES


by Callum O\'Leary Issue 101 - May 2015 When I first introduced myself back in September, I had just begun my final year project and it was all very early days. I cannot stress how scary the prospect of a final year project is, and it is most certainly a mountain that needs to be climbed. I had originally decided upon a \'combined project\', which...

Submitted by Callum O Leary
Published 01 June 2015

Transmitting love...live


by Kieron Seth Issue 101 - May 2015 A year after its launch, Transmitter is developing a real name for itself. A partnership between the BPI and music media company LoveLive, it\'s a dedicated online music channel designed to promote the best music talent Britain has to offer. The content produced is shaped and driven by its viewers, and optimised...

Submitted by Kieron Seth#
Published 01 June 2015

From VoD to Linear TV


by Nikos Kyriopopoulos Issue 100 - April 2015 Content owners, broadcasters, and operators worldwide typically provide a sizable library of VoD content and a limited offering of live/linear programming. This unbalanced ratio between VoD and linear TV offerings is historically shaped by two factors:- The cost associated with linear TV production, a b...

Submitted by Nikos Kyriopoulos
Published 01 May 2015

Ask the experts: Streaming


by Motty Lentzitzky Issue 99 - March 2015 In today\'s multiscreen world, pay-TV operators are managing their customers\' video streaming experience on an ever-increasing number of devices, including TVs, PCs, smartphones, and tablets. To compound this issue, viewer expectations have changed dramatically in recent years. During this Q&A session, Mot...

Submitted by Motty Lentzitzky
Published 01 April 2015

Still unsure about cloud editing? Read this..


by Stephen Streater Issue 97 - January 2015 For all the talk about the cloud in the past couple of years, it can still be a bit of a mystery. When it comes to editing video in the cloud, some people still struggle with the concept. Is cloud editing secure? Do I need special knowledge? Why switch from traditional editing workflows? Won\'t cloud edit...

Submitted by Stephen Streater
Published 01 February 2015

#TVFUTURES


Issue 93 - September 2014TV-Bay has featured a number of stories from the University of Portsmouth course BSc Television and Broadcasting over the last 12 months, and the course is relatively unusual for operating an actually television channel in tandem with the curriculum, and for producing weekly live professional TV programmes. The course has r...

Submitted by Larry Jordan#
Published 01 October 2014

Vision for the future of TV


Issue 92 - August 2014During the Commonwealth Games BBC Research and Development took the opportunity to unveil a range of new trials and public demonstrations as part of its Games showcase. These experiments brought together a wide range of industry partners and are helping to shape BBC R&D’s vision for the future of TV, and included a number of b...

Submitted by KitPlus
Published 01 September 2014

Information Control and Automation but not as you know it


by Sandra Squire Issue 90 - June 2014 Cameras, branding, lighting and timers all at the touch of a button. Accurate clocks, timing and cue information are essential components of any broadcasting environment directors, production teams and presenters have always depended on them for the delivery of broadcast critical operations. This is still the c...

Submitted by Sandra Squire
Published 01 July 2014

Object of desire


by Will Strauss Issue 89 - May 2014 If NAB is a decent yardstick, 2014 is all about 4k and why, when and how it might become a mainstream TV proposition. But in amongst all this pixel counting and discussion about higher frame rates, there is a subject that often gets forgotten but definitely deserves a mention, one that is closely linked to the in...

Submitted by Will Strauss#
Published 01 June 2014

Broadcasting predictions for 2014


by David Hochner Issue 85 - January 2014 2013 has seen a huge array of developments within the broadcasting and satellite space ranging from the rise of connected devices, OTT and Smart TVs becoming common place in the home, the emergence of Ultra HD, or 4K as it is commonly known, through to some broadcasters starting their 3D screenings and those...

Submitted by David Hochner
Published 01 February 2014

OTT: Back to basics


by Lorna GarrettIssue 84 - December 2013 Going over the top opens up boundless opportunities. Just make sure you work with someone who can help you over the potential pitfalls. Not that long ago, if asked to envisage a family watching television, you probably would have pictured Mum and Dad seated on the sofa, while a couple of children lay sprawle...

Submitted by Lorna Garrett
Published 01 January 2014

Service providers should see OTT as a revenue opportunity


by Haggai BarelIssue 84 - December 2013 Todays content service providers can use over-the-top (OTT) content to enhance the viewing experience for their subscribers and generate revenue for their service offerings. To accomplish this, however, service providers must overcome the initial - and justified - belief that OTT is a threat that must be bloc...

Submitted by Haggai Barel
Published 01 January 2014

MTV3 uses sports-specific framework to build interactive...


by Henriette SaetherIssue 83 - November 2013 As any sports rights holder knows, those rights come with a lot of moneymaking potential. MTV Oy (not to be confused with MTV, the music television), Finlands largest commercial broadcaster has exclusive rights to broadcast the Finnish national team ice hockey matches in Finland. The matches are broadcas...

Submitted by Henriette Saether
Published 01 December 2013

Introducing #TVFUTURES


Issue 82 - October 2013 Will IngramI studied media at GCSE and studied photography and video for a year at AS level before switching to a full time video course. In July 2011, I had a serious downhill mountain bike crash initially rendering me paralysed and having a massive impact on my life. Learning to walk again and rebuilding your body isnt eas...

Submitted by KitPlus
Published 01 November 2013

Generic vs. name brand: Portable power solutions


Ask the Experts: Generic vs. Name Brand – How to Differentiate Portable Power SolutionsIn today’s marketplace, there seems to be a disparity in cost when it comes to batteries. What should the professional consider when purchasing new batteries? There are three key considerations: What value do I place on reliability—is my reputation at stake? Seco...

Submitted by Martyn Sly-Jex
Published 01 July 2013