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State of the Nation


This morning I was eating my healthy muesli and idly listening to Radio 4 when someone came on who claimed to be from the Oxford University Computational Propaganda Project. Now regular readers will know that I am fond of a bit of good old-fashioned obfuscation. But talking about computational propaganda when what you mean is fake news on social me...

Submitted by Dick Hobbs - new
Published 12 February 2018

Speed in a Changing Media Landscape


We are living in the video era - the staggering statistics on video growth make that abundantly clear. According to Cisco’s Visual Networking Index: Forecast and Methodology 2016–2021, video will make up 82 percent of all consumer internet traffic by 2021, an increase from 73 percent in 2016. To put this in perspective, “it would take an individual...

Submitted by Mike Nash
Published 08 February 2018

AoIP in the intercom world


Everyones talking about using AoIP (Audio over IP) in the broadcast world, but what does it mean to the operators actually making the production - the intercom users? And after years of interoperability taking the lowest common format of analogue tie-lines (also known as 4-wires), has intercom today already moved into the digital world by sharing d...

Submitted by John Sparrow
Published 17 January 2018

When a lens is more than just a lens


Matching shots between different cameras can be tricky at the best of times. But how do you match lens characteristics between a live action shoot and a CGI composition? The CP.3 XD lenses from Zeiss offer an efficient solution to this with their frame accurate meta-data. The ZEISS CP.3 Cinema Primes have all the characteristics that have made ZEIS...

Submitted by KitPlus
Published 02 November 2017

The Transition to a full end to end IP video solution


Most video professionals will agree that the future is IP. The question is, when and how do they make this transition? With manufacturers just introducing new IP products, many people are observing and waiting. However, the reality is that the move to IP is already rapidly taking place and is more transformational than the move from analogue to dig...

Submitted by Brian Olson
Published 02 November 2017

The dangers of live streaming without a license


The entertainment industry is visual and sound driven. Without these two elements there would be no such a thing as entertainment. Its obvious that there are people who create sound/s and visuals. Copyright laws were created to protect the industry and these artists. Many organisations have been created to look after musician, writers, poets and fi...

Submitted by Joseph Adamson
Published 02 November 2017

Video Tape recorders cannnot die.


In its simplest form, Tape Archiving requires:- 1) Playback decks 2) Tape Cleaning Facilities 3) Tape Baking Incubator/Oven 4) Ingest Platforms 5) Storage This article concentrates on what is often described as the weakest link, namely 1) above i.e. the Playback Decks and what could be another weak link, namely 2) i.e. Tape Cleaning Facilities. I h...

Submitted by KitPlus
Published 02 November 2017

Supporting broadcast quality control


With the ever-increasing number of program channels and range of different program distribution formats, the process of ensuring program quality has become a complex one for contribution/capture, production, post production, server ingest and content distribution. Add to this the complexities of HDR and WCG gamut, it is essential to ensure that the...

Submitted by Alan Wheable
Published 02 November 2017

How the Cloud can be enabled as traditional broadcast wor...


The Cloud itself is fairly simple, but for broadcasters it can be difficult to leverage. It isnt technically complex but broadcast still overlaps requirements that need real time, high resolution and quick turnaround solutions. Plus, this is coupled with the need to connect with dispersed geographic locations, reduce costs and access multi-format a...

Submitted by David Schleifer
Published 02 November 2017

Growing a news agency from the inside out


Growing a new media outlet in todays highly competitive market requires taking a strong look at the new ways media is being consumed. Many of the most successful recent startups are community focused, often finding a niche market that wants to be engaged in a way they perceive themselves. Al-Araby TV is a London-based news and current affairs satel...

Submitted by Lorna Garrett
Published 02 November 2017

Why the IABM matters


The broadcast and media industry is going through a once-in-a-generation transformation right now. Broadcasters and media companies are facing unprecedented challenges – with enormous opportunities opening up for the winners. To grasp those opportunities though, broadcasters and media companies need a new generation of agile, cost-effective technol...

Submitted by Peter White
Published 19 October 2017

A bluffers guide to image stabilisation


i(Due to the number of image references this articleis best read via the digital magazine on the link above)This month’s article is about Jelly. Unfortunately, not the kind that can be served with whipped cream after about four hours in the fridge (sorry) – but instead the video artefact seen from improperly stabilised video cameras. One of the gre...

Submitted by Mike Colyer
Published 19 October 2017

Top Tips on becoming an IBC Jedi


IBC is upon us once more. The doors of the RAI will open for the European electronic media and entertainment industry to scrum together to gather inspiration, keep abreast of developments in tech, and generally take the temperature of the industry. With a show of this scale, it's important to plan ahead to make sure that you squeeze every drop of w...

Submitted by Aaron Dunleavy
Published 19 October 2017

Power linking just got better


Sometimes batteries can be interesting and this year with IDX is one of those years with not only improvements in the V-Lock range there are significant changes within the 7.2volt area. Firstly and for the very first time in Europe the updated Power Link battery system the IPL range will be shown on the IDX stand at IBCFor years now, the HL-9 has b...

Submitted by Yasushi Wada
Published 19 October 2017

Atomos Ninja Inferno REVIEWED


Bristol-based Daniel Peters is one of a new breed of indie filmmakers discovering that you dont need big budgets to create filmic shorts. Often working solo, shooting and editing his own work, he creates the look and feel of bigger productions with only limited resources. His commitment to the craft is so great he had to sell much of his own gear t...

Submitted by Daniel Peters
Published 19 October 2017