KitPlus | Articles

Remote Production - Speed, Control, Infrastructure

i Remote production gives broadcasters the ability to capture a wider range of live events, such as regional sports, news or music festivals, and mix them in a remote facility hundreds or thousands of miles away. Many of these events might be of restricted interest, and may be broadcast to a narrow audience demographic. They may be regional news ev...

Submitted by Ian Cookson - new

Published 01 August 2017

You need wave power if you are going surfing

Tim Bonython\'s association with surfing films began in 1978, when armed with a Super-8 camera he set off to Hawaii\'s infamous North Shore, to capture the big waves and their riders. From that moment he fell in love with the sport, and became obsessed with making it the subject of breathtaking and inspiring films. To spread the word, Tim began tou...

Submitted by Tim Bonython

Published 19 May 2017

The Future of Bournemouth Air Festival

For the past two years I have had the opportunity to present live at the Bournemouth Air Festival (BAF), which, as a Television & Broadcasting student from the University of Portsmouth, was a fantastic way to see first-hand how an outside broadcast works...whilst getting paid! I managed to get this experience when, last year, I volunteered at the A...

Submitted by Georgia Tolley

Published 15 March 2017

Outside the fixed curriculum

If you\'re wondering whether or not to do some extracurricular work outside of your timetabled course, the answer should always be yes. The more you further your experience and skills the brighter your future will look. As a third year student, studying Television and Broadcasting, I\'m lucky enough to have hands on experience with filming equipmen...

Submitted by Emma Benson

Published 15 February 2017

IBC with the BBC

IBC is an exciting opportunity for us in BBC R&D to share with the world the work we've been doing on a range of technologies. Those attending the conference will be able see much of the work we are doing on new forms of content and workflows and get an understanding of the object based principles for broadcasting which we are working towards, enab...

Submitted by Jon Page

Published 26 September 2016

Shooting the WRC Rally

Mark bites the dust for his art and lives to tell the tale... A look at my website will confirm I don\'t just shoot cars, I cover a wide range of genres. But I have shot in and around cars through my career. Early on I joined a facilities company specialising in the design and build of onboard camera systems for F1 and Motorcycle GP live TV coverag...

Submitted by Mark Sallaway

Published 25 August 2016

Making multi-camera shooting faster & more affordable

by Datsa Gaile Issue 105 - September 2015 Multi-camera filming has been known for years. There was a time when shooting any production involving multiple-camera positions would require a very large studio budget. Today we have many solutions for live vision mixing and great editing platforms what offer multi-camera editing. As there are so many gre...

Submitted by Datsa Gaile

Published 01 October 2015

The Lobster - achieving a textural grain

Issue 104 - August 2015 Greek director Yorgos Lanthimos is about to debut his first English language feature with The Lobster, which will be in UK cinemas on the 15th of October. We speak to DaVinci Resolve colorist and long time collaborator Tony Ford about the meticulous approach to color grading this dystopian love story. Featuring an impressiv...

Submitted by KitPlus

Published 01 September 2015

Is working for free, training or a pathway to paid work?

by Graham Reed Issue 102 - June 2015 I suspect like a lot of KitPlus readers I often have a look at a websites that advertise jobs, but mainly un-paid. I have frequently thought that these job offers are really just trying to get free or cheap labour for the benefit of the director/producer. One recently advertised for .... a cameraman thats enthus...

Submitted by graham reed

Published 01 July 2015

Hungerford and the 10 rules of making a Microbuster

by Miles Bullough Issue 101 - May 2015 On April 27th 2015 Wildseed Studios\' debut feature film, \'Hungerford\', launched on iTunes and begins what we hope will be a digital voyage around the world to success. We coined the term \'Microbuster\' to describe movies made on micro budgets but with blockbuster ambitions - and it perfectly captures what...

Submitted by Miles Bullough

Published 01 June 2015

Finding the Oracle of audio capture

by Simon Tillyer Issue 101 - May 2015 With over 300 hours of YouTube video uploaded every 60 seconds it\'s not hard to understand why any manufacturer would be looking closely at the new generation of emerging filmmakers whether they be in the consumer (creating content for "fun") or prosumer (creating content for a fee) markets. You might however...

Submitted by Simon Tillyer

Published 01 June 2015

Transmitting love...live

by Kieron Seth Issue 101 - May 2015 A year after its launch, Transmitter is developing a real name for itself. A partnership between the BPI and music media company LoveLive, it\'s a dedicated online music channel designed to promote the best music talent Britain has to offer. The content produced is shaped and driven by its viewers, and optimised...

Submitted by Kieron Seth#

Published 01 June 2015

Oh what a show!

Issue 99 - March 2015Walking through the halls of BVE 2015 it would be hard not to acknowledge the bustling atmosphere, positive vibes and busy aisles. The show attracted a high quality and diverse audience from across the broadening content creation industry seeing over 15,000* key industry decision makers including leading indies, post houses, DO...

Submitted by KitPlus

Published 01 April 2015

SiS Live

Issue 99 - March 2015SIS LIVE is well-established as Europe\'s largest supplier of satellite uplinks, but considerable investment in a wide-ranging fibre network is positioning it as a major connectivity provider to UK Live events. Many major broadcasters now have resilient fibre links to broadcast teleports at SIS LIVE\'s headquarters in MediaCity...

Submitted by KitPlus

Published 01 April 2015

The road to Sundance Film Festival

with Kivu Ruhorahoza Issue 98 - February 2015 Things of the Aimless Wanderer, the latest feature from Rwandese filmmaker Kivu Ruhorahoza (Grey Matter) is a beautifully crafted narrative about paranoia, mistrust and misunderstandings. Premiering at this year\'s Sundance Film Festival, audiences can expect an arresting film that reveals a series of c...

Submitted by Kivu Ruhorahoza

Published 01 March 2015