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Stop, collaborate and listen


by Peter Savage Issue 106 - October 2015 Fresh from his trip to Amsterdam, Azule chairman Peter Savage relives what he saw at IBC by highlighting a very welcome industry trend: equipment manufacturers are finally talking to each other. Its not terribly rock and roll but the most surprising and welcome - thing that I saw at IBC 2015 was the willing...

Submitted by Dick Hobbs.
Published 01 November 2015

Budgeting and controlling costs


by Den Lennie Issue 106 - October 2015 This is a very important aspect of running a production, and one you have to keep a close eye on. Its very simple; you have your actual hard costs in one budget and you have what youre charging the client in another. Lets say you charge the client £450 per day for the camera package, but the rental house is on...

Submitted by Den Lennie
Published 01 November 2015

Take a peek at Periscope


by Beth Zarkhosh Issue 106 - October 2015 If youre a Twitter user, you may have recently started to notice an increase in the use of the word Periscope. No, this is not a sudden surge of nautical fanatics - Periscope is the latest social media app to the take the web(/world) by storm and has duly been morphed into a verb - to Periscope. The live vi...

Submitted by Beth Zarkhosh
Published 01 November 2015

Ground breaking production tool


with Stefan Lange Issue 106 - October 2015 NEO¢, the latest product from British LED manufacturer Rotolight, is a revolutionary on-camera or location LED lighting fixture designed for the most demanding of professionals. NEO¢ includes several industry first features that set it apart from the field, notably amongst which is an arsenal of Cinematogr...

Submitted by Stefan Lange
Published 01 November 2015

Ed Sheeran goes 4k live at Wembley


by Steffan Hewitt Issue 106 - October 2015 Ed Sheeran has had a phenomenal ride to music success world wide. In July 2015 as part of his x World Tour he played three sold out concerts at Londons Wembley Stadium, his biggest solo shows to date with combined show audiences of 240,000 plus. Paul Dugdale and Jim Parsons whilst working for JA Digital pl...

Submitted by Steffan Hewitt
Published 01 November 2015

The key to stability


by Mark Scotton Issue 106 - October 2015 Moving shots dont just enhance video production, they bring it to life and allow the viewer to experience what they are watching. This isnt something new, but the options we now have available to bring productions to life are more varied and readily available than ever before. No longer do you need a Hollywo...

Submitted by Mark Scotton
Published 01 November 2015

Sony PXW-FS5 Review


by Alister Chapman Issue 106 - October 2015 I was lucky enough to get some hands on time with a prototype FS5 in Amsterdam at IBC. In case you havent heard about it, the PXW-FS5 is a compact interchangeable lens, super 35mm camcorder from Sony that can record in HD or UHD 4K. It shares many of the features of the already incredibly popular PXW-FS7...

Submitted by Alister Champman
Published 01 November 2015

7 must sees at IBC 2015


by Beth Zarkhosh Issue 105 - September 2015 IBC, the annual broadcasting event that brings professionals in the media industry together has been running since 1967. Each year brings new excitement and innovation to the event held in Amsterdam. Originally aimed at purely the technical broadcasting industry, IBC (International Broadcast Convention) a...

Submitted by Beth Zarkhosh
Published 01 October 2015

No broadcast without flawless communication


Issue 105 - September 2015 Reliable and fail-safe communications for the broadcast of live events are more important than ever. On site, broadcasters only have one chance to grab the perfect image for the viewer with time being a crucial factor. The larger the event, the more viewers it reaches and the higher the risk that something could go wrong....

Submitted by KitPlus
Published 01 October 2015

McDonalds goes live multi-camera


Issue 105 - September 2015 Earlier in 2015 SIS LIVE was central to the London section of an ambitious 24-hour global entertainment campaign by McDonalds, involving a surprise open-top bus gig by Jessie J. Fans worldwide shared the excitement of the 24 continuous gifts of joy in synchronised public events, across 24 cities around the world over a 24...

Submitted by KitPlus
Published 01 October 2015

Dealing with clients


by Den Lennie Issue 104 - August 2015 For many clients, the prospect of commissioning a video production leaves one key consideration in their minds and that is: how much is it all going to cost? Particularly for marketing departments or smaller businesses which may only spend a nominal amount of money on advertising. Video production by its very n...

Submitted by Den Lennie
Published 01 September 2015

Cue Dick Barton Music


by Charlie Watts Issue 103 - July 2015 RUN VT: This time last year the University of Portsmouth course team and students of BSc Television and Broadcasting were recovering from a mammoth charity fundraising 24 hour broadcast. In hindsight this event helped to convey what the course was capable of, and it created an unforgettable milestone moment. I...

Submitted by Charlie Watts
Published 01 August 2015

How we got live streaming to work for us


by Larry Jordan & Megan Paulos Issue 103 - July 2015 We originate three hours of live programming from our studios every week. In fact, everything we do is designed for live web streaming. For the last several months, we have been exploring a number of options that would enable live video streaming with live audio mixing and support an unlimited nu...

Submitted by Larry Jordan#
Published 01 August 2015

Selling yourself online


by Beth Zarkhosh Issue 103 - July 2015 YouTube ; the video sharing website that was founded in San Bruno California in 2005 has quickly become one of if not the biggest, and most prominent websites of the decade. Allowing pretty much anyone, anywhere to upload videos of their choice with millions of viewers around the world, YouTube has grown in to...

Submitted by Beth Zarkhosh
Published 01 August 2015

Distribution in the UHD Era


by Paul Briscoe Issue 103 - July 2015 Once upon a time, there were few broadcast TV standards. Each used its own regional image formats, color encoding scheme and sound and vision modulation standards. High-power over-the-air (OTA) transmitters broadcast the signal on internationally coordinated and regionally allocated radio frequency (RF) channel...

Submitted by Paul Briscoe
Published 01 August 2015