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#TVFUTURES


by Callum O\'LearyIssue 102 - June 2015I made it! So here we are, the last feature to write for Kit Plus and the end of my time as a BSc (Hons) Television and Broadcasting student at the University of Portsmouth. I remember my first year at the University fondly. Lecturers and students told me that it would fly by and however cliched it sounds...it...

Submitted by Callum O Leary
Published 01 July 2015

DIY Camera dollies, flatbed vs T frame and is it worth it...


by Alasdair Brenninkmeijer Issue 102 - June 2015 As filmmakers we are creatives and sometimes we see a simple product as a waste of money, saying "I could make that.\" Sure enough with enough time, maybe we could, but is it really worth it? Lets take a camera dolly for example. The challenge is to create something to smoothly move the camera from o...

Submitted by Alasdair Brenninkmeijer
Published 01 July 2015

Hungerford and the 10 rules of making a Microbuster


by Miles Bullough Issue 101 - May 2015 On April 27th 2015 Wildseed Studios\' debut feature film, \'Hungerford\', launched on iTunes and begins what we hope will be a digital voyage around the world to success. We coined the term \'Microbuster\' to describe movies made on micro budgets but with blockbuster ambitions - and it perfectly captures what...

Submitted by Miles Bullough
Published 01 June 2015

#TVFUTURES


by Callum O\'Leary Issue 101 - May 2015 When I first introduced myself back in September, I had just begun my final year project and it was all very early days. I cannot stress how scary the prospect of a final year project is, and it is most certainly a mountain that needs to be climbed. I had originally decided upon a \'combined project\', which...

Submitted by Callum O Leary
Published 01 June 2015

NAB 2015 Highlights


by Beth Zarkhosh Issue 101 - May 2015 For those of us lucky enough to visit this year\'s annual NAB Show in Las Vegas, we know how amazing and mesmerising it was, but for those who didn\'t get the chance to make it, then here\'s a lowdown on what we thought was the highlights of the biggest post production and broadcast conventions in town!Las Vega...

Submitted by Beth Zarkhosh
Published 01 June 2015

Transmitting love...live


by Kieron Seth Issue 101 - May 2015 A year after its launch, Transmitter is developing a real name for itself. A partnership between the BPI and music media company LoveLive, it\'s a dedicated online music channel designed to promote the best music talent Britain has to offer. The content produced is shaped and driven by its viewers, and optimised...

Submitted by Kieron Seth#
Published 01 June 2015

REDucation - Real world RED camera training


by Ben Sherriff Issue 101 - May 2015 Saturday 28th and Sunday 29th March saw the REDucation training workshop arrive in London at the Met Film School in Ealing Studios West London. I\'ve used a Red One but have yet to work on a shoot where I can get my hands dirty with the newer cameras they manufacture (Epic-X, Scarlet, Dragon and now Weapon). Whe...

Submitted by Ben Sherriff
Published 01 June 2015

6 rules for the mountains


by Steffan Hewitt Issue 100 - April 2015 There are many rules (more than 6) to working in the mountains & having just returned from the 75th running of the most famous Downhill Skiing event in the world - The Hahnenkamm in Kitzbuhel, Austria, here are a few essentials!1. Thermals, sunglasses, sunscreen, hats, jackets, salopettes and lots of socks....

Submitted by Steffan Hewitt
Published 01 May 2015

DOPs discuss minicams, lenses, 4k and all


by Mel Noonan Issue 100 - April 2015 If anyone knows about the practical reality of using minicams and lenses it has to be the DOPs who are out there using them. We are now seeing minicams used in all areas of production, some with 1080p and 4K capability at prices you would not have believed possible a few years back. I spoke to some of the DOPs I...

Submitted by Mel Noonan
Published 01 May 2015

Rise of the drones


by Jeremy Braben Issue 100 - April 2015 Drones are taking TV and film productions where they have never gone before. But how can they be used to best effect, what challenges do they present and will they replace helicopters in aerial filming? Jeremy Braben of Helicopter Film Services (HFS) has some of the answers... The recent explosion of unmanned...

Submitted by Jeremy Braben
Published 01 May 2015

When the going gets tough


Issue 100 - April 2015 From the monsoonal rainforests of Papua New Guinea to the frozen Antarctic wastes , Peli cases perform in all conditions as Producer/Director and Cameraman, Alexis Girardet explains... Peli cases are renowned for their high quality, durability and dependability in extreme conditions. Offering watertight, dustproof and crushpr...

Submitted by KitPlus
Published 01 May 2015

Oh what a show!


Issue 99 - March 2015Walking through the halls of BVE 2015 it would be hard not to acknowledge the bustling atmosphere, positive vibes and busy aisles. The show attracted a high quality and diverse audience from across the broadening content creation industry seeing over 15,000* key industry decision makers including leading indies, post houses, DO...

Submitted by KitPlus
Published 01 April 2015

Cloud Editing at BVE


Issue 99 - March 2015As Media Partners at BVE 2015 KitPlus was responsible for recording, editing and publishing 50+ hours of video content from the event seminars, roaming reporters and studio discussions over the course of the show. With material coming from different sources, crew and post-production staff consisting largely of students with var...

Submitted by KitPlus
Published 01 April 2015

Sky takes sports to the limit


Issue 99 - March 2015Sky, Europe\'s leading entertainment company with more than 20 million customers across five countries, is renowned for being one of the world\'s top sports broadcasters. From the massively popular Premier League, to a raft of other sports rights including rugby, cricket and darts, Sky provides sports fans with an unrivalled of...

Submitted by KitPlus
Published 01 April 2015

Capturing the action : Ocean Communications


Issue 99 - March 2015The dream of any reporter is to be on the scene when a story breaks and the action and drama unfold. This happens to only a select few. Even fewer find themselves right in the middle of events as they happen. Brian Carlin knew he\'d be getting good material reporting from onboard a boat competing in the Volvo Ocean Race, but no...

Submitted by KitPlus
Published 01 April 2015