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Discover DMPCE by Sony

Issue 86 - February 2014The Digital Motion Picture Centre in Europe is located at one of the worlds leading destinations for makers of film, television and commercials: Pinewood Studios in the UK. At DMPC(E) you can develop your craft, experience cutting edge technology and meet with Industry colleagues. The first DMPC was opened in Culver City, Ca...

Submitted by KitPlus

Published 01 March 2014

Peter Savage asks: Is the 1980s vision still relevant tod...

by Peter SavageIssue 82 - October 2013 The focus of this issue of tv-bay acquisition takes me back to the very beginning of my involvement in broadcast. In the late 1980s, the whole of the broadcast world changed for what, I believe, was the better. The BBC introduced Producer Choice, which meant that commissioners of programmes were for the first...

Submitted by Dick Hobbs.

Published 01 November 2013

True neutrality with TRUE ND

by Raymond BurnsIssue 82 - October 2013 Neutral Density (ND) filters are an essential addition to any filmmakers kit, particularly when attempting to get a proper exposure or a shallow depth of field when shooting outside in bright conditions or with strong sunlight. Now available in Europe via exclusive distributor Octica Professional, TRUE ND fil...

Submitted by Raymond Burns

Published 01 November 2013

Will Strauss rounds up IBC 2013

by Will StraussIssue 82 - October 2013 Dear Reader. I have a confession. I did not visit every single one of the many hundreds of stands at IBC this year. In fact, I didnt even visit all 11 halls within the RAI. And I didnt talk to all 52,974 attendees. I was there. I have the stroopwafels to prove it. Its just that IBC is a massive show. And I am...

Submitted by Will Strauss#

Published 01 November 2013

A preview of this years IBC with Will Strauss

by Will StraussIssue 80 - August 2013 Writing an IBC preview when the show itself is still seven weeks away is never easy. Despite best intentions, lots of exhibitors havent yet shown their hands (or are still deciding which cards to play) and many of those that have, are really not giving much away. However, fear not dear reader. The next two page...

Submitted by Will Strauss#

Published 01 September 2013

Dick Hobbs looks at intellectual property rights

Troll onby Dick HobbsIn my column last month I wrote about the Tolkein sort of troll. This month I want to look at another sort: the ones who acquire portfolios of patents not with the intention of making anything useful, but simply to try to extort money from those who just want to earn an honest buck. I am sure that every one of you reading this...

Submitted by Kieron Seth#

Published 01 April 2013

4K or not 4K, that is the question

Peter Savage goes all literary to show how our industry draws on Shakespeare and Keyne. 4K or not 4K, that is the question. Whether 'tis nobler in the mind to suffer The slings and arrows of a much larger workflow Or to take arms against a sea of other formats And by opposing end them. 2K, to sleep No more--and by a sleep to say we end That format,...

Submitted by Robert Howard

Published 01 March 2013

Sony cameras and Canon EF Lenses being used to great effe...

By Mike Tapa MTFWith the immanent introduction of the F5 and F55 from Sony, perhaps we should take look back on the fantastic work done by its predecessor the PMW-F3 in the past year. Interchangeable lenses is one of its main features, coupled with an extremely shallow lens register make this one of the most versatile tools in any cameraman's a kit...

Submitted by Mike Tapa

Published 01 March 2013

Ask the experts: What lens?

Ask the Expert with Paul Sargeant, Procam TVWhen choosing the right lens for your project, there are a huge range of options to choose from that depend entirely on your individual project and your needs. You need to think about the quality of filming you require, where the content will be placed, what camera you will be using to shoot it and how yo...

Submitted by Peter Daffarn

Published 01 March 2013

Review of Kinoflo Celeb 200

Good quality lighting is at the heart of all great photography, when we use the sun we are at the mercy of the weather and need to take into consideration all the variables from time of day to position of sun to name a few, importantly however we can trust the source to provide a complete spectrum. However when we are shooting with tungsten or with...

Submitted by Will Strauss#

Published 01 November 2012

How we lit Mick

Shine a lightLets start at the beginning with the most fundamental, basic of questions – what’s the point of lighting anything, let alone a living legend like Sir Mick Jagger? The answer is simple – because lighting is the most important part of the whole process. Not the filming. Not the fiddly edit. Not the chin-scratching pre-production. The lig...

Submitted by Dennis Lennie

Published 01 January 2009