KitPlus | Articles

Sorry for any disruption caused: Netflix strikes again

by Peter Savage Issue 107 - November 2015 Netflix helped to change the TV landscape with its OTT subscription video-on-demand (SVOD) service and its Originals. Could it be about to change things again by making programmes in-house? It might seem obvious to say it but what we used to call television is currently changing at great speed: and its all...

Submitted by John Smith

Published 01 December 2015

Missing Parts Of The Spectrum

by Graham Jaggers Issue 107 - November 2015 Since the phasing out of conventional filament light bulbs and their replacement with fluorescent and LED, many manufacturers indicate the colour accuracy of their lamps with a CRI (Colour Rendering Index) number. It is possible however, to illuminate a scene using lamps with quite good CRI ratings and ex...

Submitted by Graham Jaggers

Published 01 December 2015

Authoring and Monitoring for the emerging 3D immersive Br...

by Anthony Wilkins Issue 107 - November 2015 The world of broadcast audio is on the verge of a major revolution. Numerous 3D Immersive formats are under development and will find their way into the mainstream of broadcast production and distribution in the near future. Unlike the world of relatively constrained channel based coding as we are accust...

Submitted by Anthony Wilkins

Published 01 December 2015

The beat goes on... 4k, 8k and the continual need for T&a...

by Adam Schadle Issue 107 - November 2015 Just a few short years ago, 4k was the future, but now that 4k televisions and other screens are becoming more widely available, the format is careening toward the present. 4k is still an emerging delivery format, to be sure. After all, there are still places in the world that have yet to transition from SD...

Submitted by Adam Schadle

Published 01 December 2015

AERO.soft - Bringing audio monitoring and processing into...

by Martin Dyster Issue 107 - November 2015 In the past, audio processing and monitoring required the purchasing of multiple, specialized hardware to support each function in the air chain. But now, thanks to the increase in the speed of Ethernet connectivity, and IT-based processing power, many of these same processes can be condensed and supported...

Submitted by Martin Dyster

Published 01 December 2015

CLASS - Why ingest to the Cloud?

by Matthieu Fasani Issue 105 - September 2015 With Cloud storage becoming cheaper and the data transfer to services such as Amazon S3 storage being free of charge, there are numerous reasons why ingesting to the Cloud should be part of any media organizations workflow. So, stop trying to calculate how much storage your organization consumes by day,...

Submitted by Matthieu Fasani

Published 01 October 2015

Three days to launch a TV station

by Neil Hutchins Issue 104 - August 2015 We go on-air in less than 100 hours is an alarming statement when the studio and control room in question contain no technical equipment whatsoever. But this was the situation that we faced upon arrival at the new Local TV channel in Manchester for the first time as we began to unload the van late on a Thurs...

Submitted by Neil Hutchins#

Published 01 September 2015

The evolution of vision mixers

by Liam Laminman Issue 104 - August 2015 At the heart of any multi-camera production is a vision mixer or production switcher as some people call them. Its core role is the switching of different sources, primarily cameras, often VTs and sometimes incoming external sources such as remote feeds from broadcasters. Even for non-TV types, thats relativ...

Submitted by Liam Laminman

Published 01 September 2015

Shoot safe, shoot dynamic

by Nick Allen-Miles Issue 104 - August 2015 Todays craze for shooting from a UAV or drone is not for the faint hearted. Unless used legally and in very limited situations, its a dangerous way of capturing dynamic shots. Wherever people are involved or height restrictions apply, there are more useful ways of filming safely that deliver a more intere...

Submitted by Nick Allen Miles

Published 01 September 2015

The Lobster - achieving a textural grain

Issue 104 - August 2015 Greek director Yorgos Lanthimos is about to debut his first English language feature with The Lobster, which will be in UK cinemas on the 15th of October. We speak to DaVinci Resolve colorist and long time collaborator Tony Ford about the meticulous approach to color grading this dystopian love story. Featuring an impressiv...

Submitted by KitPlus

Published 01 September 2015

SDV - Shaping the Next Generation of Linear TV Service Of...

by Lionel Bringuier Issue 103 - July 2015 Software-defined video (SDV) solutions are shaping the next generation of linear TV service offerings for both content distributors and content programmers. Live-to-VOD services such as catch-up TV, start-over TV, nPVR and delay TV offer new ways to enrich live TV experiences and package live content alongs...

Submitted by Lionel Bringuier

Published 01 August 2015

Keep memories safe at RWF

by Martin Bennet Issue 103 - July 2015 RWF World founders Gwynne Roberts and Sadie Wykeham have embarked on a 30-plus year mission with a single purpose: to tell the world about human rights violations through the eyes of its survivors. Through the course of their journey, these truth-seekers have informed the world of late 20th-century injustices...

Submitted by Martin Bennett

Published 01 August 2015

How HEVC technology is revolutionizing field-based broadc...

by Eli Garten Issue 103 - July 2015 High-Efficiency Video Encoding (HEVC), also known as H.265, is the subsequent generation of H.264 and tapped to be the next widely adopted standard for video compression. As with any MPEG evolution, the new standards goal is to make compression more efficient and allow for reducing OPEX and CAPEX in various video...

Submitted by Eli Garten

Published 01 August 2015

Is working for free, training or a pathway to paid work?

by Graham Reed Issue 102 - June 2015 I suspect like a lot of KitPlus readers I often have a look at a websites that advertise jobs, but mainly un-paid. I have frequently thought that these job offers are really just trying to get free or cheap labour for the benefit of the director/producer. One recently advertised for .... a cameraman thats enthus...

Submitted by graham reed

Published 01 July 2015

A soft shift in Monitoring Solutions

by Craig Newbury Issue 102 - June 2015 The technology supporting the media industry is evolving at a furious pace, making system flexibility a critical characteristic of any new equipment or infrastructure investment. Broadcasters and other media companies must adapt quickly if they are to benefit from changing content creation, management, and del...

Submitted by Craig Newbury

Published 01 July 2015