KitPlus | Articles

Discover DMPCE by Sony

Issue 86 - February 2014The Digital Motion Picture Centre in Europe is located at one of the worlds leading destinations for makers of film, television and commercials: Pinewood Studios in the UK. At DMPC(E) you can develop your craft, experience cutting edge technology and meet with Industry colleagues. The first DMPC was opened in Culver City, Ca...

Submitted by KitPlus

Published 01 March 2014

A new 4k year with Bob Pank

by Bob Pank Issue 85 - January 2014 Throughout 2013 manufacturers were popping up with solutions for 4K which together could take the format all the way from scene to screen. It has been an amazing experience to watch all the technical bricks being developed to complete, well almost, the 4K wall. This rate of progress shows just how fast digital te...

Submitted by Bob Pank#

Published 01 February 2014

Review: DaVinci Resolve 10

by Toby Tomkins Issue 85 - January 2014 Colour grading for me is about the final sculpting of the image, in terms of colour, tone, texture and composition. My goal as a colourist is to push the colour, tone and texture to reflect the desired emotion and story of the image. I choose DaVinci Resolve to be my metaphorical chisel because it has a tools...

Submitted by Toby Tomkins

Published 01 February 2014

Archive eXchange format (AXF) explained

by S Merrill Weiss Issue 85 - January 2014 The proprietary nature of archive storage long has made it challenging for content producers and owners to exchange archive files and media between systems. Thus, when faced with the need either to migrate archives to new generations of storage technology or to consolidate archives, media companies have be...

Submitted by S. Merrill Weiss

Published 01 February 2014

Taking legacy content into the 4K world

by Josef MarcIssue 84 - December 2013 There are 780,000 UHDTVs already manufactured and poised to hit the marketplace, and the effects of those devices (and the factories that continue to make them) are unstoppable. UHDTV and 4K will be everywhere, sponsored by UHDTV manufacturers and content owners. 4K tablets are shipping as well. As the drumbeat...

Submitted by Josef Marc

Published 01 January 2014

Supporting the transition to 4K

by David AckroydIssue 84 - December 2013 Plasma, LCD and LED screen technologies brought broadcasters HD audiences that justified their investment in HDTV. Recent computer monitors, tablets, mobile phones, digital cinema and 3D have driven an explosion in viewing formats. Together they have created an appetite for continued change and development i...

Submitted by David Ackroyd

Published 01 January 2014

Channel in a box: Tried, tested and trusted

Issue 84 - December 2013 The first of a new wave of local TV stations started broadcasting recently with Estuary TV launching from its base in Grimsby. Over the next year, 19 new channels will launch across the UK funded by advertising, sponsorship and commercial agreements with the BBC will see a mix of local news, sport and culture. There have be...

Submitted by Ben Gunkel

Published 01 January 2014

BroadcastShow Tour - a visitors view

by Connor PearceIssue 83 - November 2013 Suitably set on the backdrop of Britains birthplace for iconic television, the last leg of the BroadcastShow Tour saw Philip Bloom host a day of seminars at Pinewood Studios. Alongside this, internationally leading companies in film and television technology flocked to share their latest and greatest broadca...

Submitted by Connor Pearce

Published 01 December 2013

A testing 4K future...

by Steve NunneyIssue 83 - November 2013 We have only recently started to get HDTV transmitted to our homes with all the headaches of getting 1920 x 1080 50 or 60 fps down cables and compressed over the airways. Then there was the suggestion we could be sitting at home wearing glasses watching 3D however on 13th June 2013, ESPN announced an end to b...

Submitted by Steve Nunney

Published 01 December 2013

Leading digital cinematography seminar with Matt Siegel

by Matt SiegelIssue 83 - November 2013 Multiple-award-winning film producer and cinematographer Matt Siegel chose a Leader LV5381 four-input multi-SDI monitor for use during his recent seminar on Digital Cinematography at The Maine Media Workshops. Designed for emerging cinematographers, the course explained the advantages of using digital technolo...

Submitted by Matt Siegel

Published 01 December 2013

Royal College of Art targets loudness with NUGEN Audio

by Mike WyeldIssue 83 - November 2013 In the world of cinema and filmmaking I like to imagine the UK\'s Royal College of Art needs no introduction. Weve had some amazing alumni; Director Sir Ridley Scott, novelist Len Deighton, and Sgt Pepper artist Peter Blake have all walked the halls. Vacuum designer James Dyson imagined his revolutionary vacuum...

Submitted by Mike Wyeld

Published 01 December 2013

Placebo Live Performance Shot on Blackmagic Cinema Camera

Issue 82 - October 2013 Alternative rock band Placebo has recorded a live studio set of its new album on the Blackmagic Cinema Camera. The hour long session was filmed at the famous Rak Studios in London and will be featured as bonus material on the bands soon to be released seventh album, titled Loud Like Love. Directed by Charlie Targett-Adams an...

Submitted by KitPlus

Published 01 November 2013

Bob Pank looks at shooting 4K TV

by Bob PankIssue 82 - October 2013 Not unexpectedly IBC was full of buzz and products for 4K the new image format for television. This is generally taken to be a 2x2 version of HDTVs 1920 x 1080, i.e. defining a 3840 x 2160 pixel picture. But there is nothing new about big pictures like this. Back in late 2004 a draft of the Digital Cinema Initiati...

Submitted by Bob Pank#

Published 01 November 2013

Will Strauss rounds up IBC 2013

by Will StraussIssue 82 - October 2013 Dear Reader. I have a confession. I did not visit every single one of the many hundreds of stands at IBC this year. In fact, I didnt even visit all 11 halls within the RAI. And I didnt talk to all 52,974 attendees. I was there. I have the stroopwafels to prove it. Its just that IBC is a massive show. And I am...

Submitted by Will Strauss#

Published 01 November 2013

Polecam delivers 500th rig

by Mel NoonanIssue 81 - September 2013 We in the UK should be rightly proud of Polecam and what it has achieved, with news that the 500th rig has been delivered. Extreme sports cameraman Steffan Hewitt designed the lightweight jib for his own use, as a tool to get the shots he wanted. He kept refining it as he used it. Others saw it and wanted it....

Submitted by Mel Noonan

Published 01 October 2013