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Run Joe Run - 360 degree live streaming running the 2024...


Three years ago to the day the 2024 TCS London Marathon took place, Joe Ramsden found himself suddenly unable to walk and see and was admitted to hospital. Uncontrollably vomiting at every attempt to open his eyes, he had no idea what was happening and nor did the doctors. After four similar incidents and being in and out of hospital – during the l...

Submitted by Joss Armitage
Published 30 April 2024

Magine Pro and Appear partner to transform and optimize S...


Appear, the global leader in media processing and delivery technology, and Magine Pro, the platform for B2B managed services for OTT, have been chosen by Sappa to transform its OTT linear distribution media workflow to include fully on-premise transcoding. Sappa has migrated its existing cloud-based workflow to Appear’s NEO20 on-premise live transc...

Submitted by Katya Pristiyanti
Published 17 April 2023

PSSI Global Services deploys Appear X Platform for REMI c...


Appear, the global leader in media processing and delivery technology, has been chosen by PSSI Global Services to deliver contribution backhaul for REMI-based productions for the Ultimate Fighting Championship (UFC®). PSSI Global Services will launch Appear’s X Platform for its global distribution of UFC coverage, beginning in May 2023. Appear’...

Submitted by Katya Pristiyanti
Published 17 April 2023

Streaming Technologies Explained


(header image courtesy of Wowza) The word streaming can relate to different technologies from different manufacturers in different scenarios and in this short article we are going to take a little tour of what it all means. When streaming video to the consumer you often see HLS DASH & CMAF mentioned. HLS is HTTP Live Streaming Dynamic Adaptive...

Submitted by Bruce Devlin - new
Published 17 February 2021

Using Modern Technology at Envy Provides a View into the...


As Jai Cave, ENVY’s technical operations director put it, “in a way, we are the cloud to our customers and partners.”ENVY’s use of modern technology, including remote edit capabilities and their expansive use of Signiant Media Shuttle, enables them to collaborate with customers and partners around the world, and made the transition to remote work d...

Submitted by Michael Darer
Published 09 December 2020

The Importance of Audio Production Systems


Large-scale entertainment programming presents a unique set of challenges for broadcasters. Often extremely high-profile keystones of a broadcaster’s schedule and increasingly billed as live ‘event television’, as well as delivering the very best audio quality they demand a huge degree of flexibility and agility in terms of their production. With m...

Submitted by Tom Knowles
Published 26 March 2020

The Business Case for Hybrid TV and AI


Video on demand (VOD) and OTT live services have come a long way since their introduction and, rather than solely competing with traditional broadcasting, they are becoming more important than ever in helping to keep broadcast TV networks popular, in particular when combining TV broadcasting with online TV into Hybrid TV models, thanks to convergen...

Submitted by Oliver Botti
Published 26 March 2020

Gearing up for The Americas with Simon Reeve


For several years, it has been my honour to collaborate as director of photography with Simon Reeve, the well-known British author, adventurer, and TV presenter. Our latest partnership, the popular BBC Two program “The Americas With Simon Reeve,” is our most ambitious project yet, tracing Simon’s journey from the top to the toe of two continents. S...

Submitted by Jonathan Joung
Published 27 January 2020

Eye Contact in Documentaries


Eye contact filming (where the interview subject speaks directly into the lens) is now more common in documentaries. But it hasn’t always been possible or acceptable for filmmakers to do. When I studied Screen Documentary in 1998, I was taught that the subject should look to the left or right of the screen. As an interviewer, I sat close to the cam...

Submitted by Sybil Ah-Mane
Published 27 January 2020

New Year, New Decade, New Rig


Some time ago I was fortunate enough to take part in a track day at Oulton Park, driving a souped up BMW M4. It was completely insane. Literally the most powerful car I’ve ever driven. From 0-60 in 4 seconds or something like that. I’m not Jeremy Clarkson so I can’t remember the exact figure. Anyway it was a really great experience, and something I...

Submitted by Alex Macleod
Published 27 January 2020

How Holokid broke barriers for Holographic Technology ove...


Project overview. Picture this: You’re at a rock concert, watching four guitarists, a drummer, and a keyboardist on stage perform in perfect sync. The sounds, the visuals, the experience—it’s flawless. You might have been fooled though because only three of the four guitarists are actually standing there in front of you. Come again?You might have s...

Submitted by KitPlus
Published 27 January 2020

More than just software - SaaS is a relationship


As cloud technology becomes mainstream in media, the highly customized applications deployed by early adopters are increasingly being retired in favor of off-the-shelf, multi-tenant SaaS (Software as a Service) solutions. Well-designed SaaS offers economic advantages in terms of much faster onboarding times, orders of magnitude lower TCO and the ab...

Submitted by Jon Finegold
Published 27 January 2020

State of the Nation - Getting Connected


We are all familiar with statistics about the growth of the internet. Cisco’s latest report, for instance, says that global IP traffic is increasing at 26% a year, and will reach 4.8 zetabytes a year by 2022. The number of connected devices will be three times the world’s population by the same date. There is a nice chart in the Cisco report: in 19...

Submitted by Dick Hobbs - new
Published 10 September 2019

Why MADI is Still Relevant


While the original idea for MADI was to cater to a very narrow recording studio application, the standard remains a viable go-to multichannel audio technology. Beginning as a standard in 1991, MADI was first introduced to the world as digital production was beginning to come of age. MADI was put together in 1988 by Solid State Logic, AMS-Neve, Sony...

Submitted by Stephen Brownsill
Published 10 September 2019

Covering Ironman Australia


KitPlus recently chatted with Stephen Kane, production manager of IRONMAN Oceania in Australia and New Zealand. IRONMAN is one of the leading mass sports brands in the world, consisting of over 260 events across 44 countries including long (IRONMAN and IRONMAN 70.3) and short (Sprint and Olympic) distance triathlons, mountain bike stage racing, roa...

Submitted by KitPlus
Published 10 September 2019