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As a sound designer, mixer and supervisor, Scott Gershin takes pride in telling stories with sound. Throughout his 30-year career, Gershin has worked on over 100 films and received industry awards and nominations for his work on films such as America...
NUGEN Audio is pleased to announce the latest software release for its SEQ-S linear phase ‘spline match and morph’ EQ solution at the 2020 NAMM Show (Booth 14101). Now with a resizeable direct-draw interface and EQ matching presets, SEQ-S features a...
The Film and TV School of the Academy of Performing Arts (FAMU) in Prague has purchased its first digital console - a Brio36 - from Calrec. It’s being used for various projects including automated dialogue replacement/voiceovers in the school’s recor...
PlayBox Neo reports a well-supported and highly successful Broadcast Technology Event, held in Lagos, Nigeria, November 4th-6th. Organised by UK-based Medialogy, it attracted representatives from many of Nigeria's broadcast channels. "Our aim was to...
Never.no, the award-winning audience engagement specialist, has today announced a partnership agreement with Envision Digital Media Consulting, Inc. Based in Miami Florida, USA, the media solutions company will license Never.no’s core products and pr...
Motion Pictures Laboratories, Inc. (MovieLabs), together with member studios, has published a new white paper presenting an industry vision for the future of media creation technology by 2030. The paper, jointly authored by MovieLabs and technology l...
Award-winning and Emmy-nominated (OZARK Season 2), veteran Sound Mixer Felipe “Flip” Borrero, CAS, has experienced many audio challenges in his 40-plus-year career working on countless movies and television shows. But, there’s always a first for ever...
Re-recording mixer Tom Marks, CAS, is passionate about his craft and the storytelling aspect of his job. He was recently tasked with mixing comedian Kevin Hart’s Netflix stand up special in Dolby Atmos®. He turned to NUGEN Audio’s Loudness Toolkit fo...
NUGEN Audio’s Netflix compliance is making quite a splash with post-production audio teams across the globe. Among the many Netflix-focused solutions is its Loudness Toolkit 2.8, which will be presented at IBC 2019 (Pod F.P37). The company will also...
Working with independent filmmakers allows post-production audio professionals the opportunity to put an extra stamp of creativity on their projects. This is exactly the type of work that Korey Pereira, MSPE member and owner/creative director of Aust...
DPA’s microphones are proving invaluable for Production Sound Mixer Dane Cody who has been using the company’s latest technology on his last two productions. Australian-based Dane Cody used DPA’s new 6000 Series Subminiature Microphones to capture lo...
With a unique improvisational acting style at the heart of the Netflix original film, Paddleton, capturing audio was of paramount concern for Sound Supervisor Daniel S. McCoy CAS, owner and operator of ToneMesa, Inc. Taking into consideration that re...
Audionamix’s Professional Services Division, comprised of uniquely qualified audio engineers, functions as an extension to its clients’ post departments by directly delivering separated audio elements when the original multi-tracks or stems are no lo...
As a long-term user of DPA microphones, the Sydney Theatre Company (STC) has been quick to adopt the Danish manufacturer’s CORE by DPA amplifier technology, which has now been successfully incorporated into DPA d:screet™ Miniature, d:fine™ Headset an...
Sony has today announced that its VENICE full-frame digital motion picture camera will receive additional High Frame Rate (HFR) capabilities and added workflow flexibility with a new Version 5.0 firmware update planned for January 2020. Following the...
