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FilmLight creates Cold War look for The Americans


The sixth and final Emmy award winning series of The Americans, a period spy thriller set in the 1980s during the Cold War, was recently finished in HDR and 4K Ultra HD at Technicolor PostWorks in New York. Since series two, the look of the finished...

Submitted by MKM Marketing Communications
Published 29 October 2018

Baselight innovation streamlines collaborative creativity...


FilmLight is to demonstrate remarkably powerful new functionality for its colour grading and management platform Baselight at IBC2018 (Amsterdam, 14–18 September, stand 7.B26). The latest software will be shown on Baselight grading stations, and also...

Submitted by MKM Marketing Communications
Published 07 September 2018

Leader Announces ZEN Series LV5350 UHD HD SD-SDI Waveform...


Leader Electronics Corporation is expanding its ZEN series of test and measurement instruments with the LV5350 portable 12G/3G/HD/SD-SDI waveform monitor and its LV7300 rasterizing equivalent. Making their European exhibition debut on stand 11.B27 at...

Submitted by Stylus Media Communications
Published 23 August 2018

FilmLights Worldwide Colour Tour brings key industry tale...


FilmLight is to stage one of its hugely popular colour tour masterclasses at IBC2018 (RAI Amsterdam) on Sunday 16 September. This intensive day of live presentations and practical discussions is designed to guide colourists, DoPs and the wider produc...

Submitted by MKM Marketing Communications
Published 07 August 2018

Encore turns to Baselight to colour the story of Picasso


The second series of National Geographic’s popular series Genius focuses on the extraordinary life of painter Pablo Picasso. Colourist Pankaj Bajpai at Encore in Hollywood was charged with creating the look that evoked the time and place as well as t...

Submitted by MKM Marketing Communications
Published 05 July 2018

Baselight helps Donbass meet Cannes deadline


Donbass, a new movie by Ukrainian writer/director Sergei Loznitsa, is to be shown as a work-in-progress version at the 2018 Cannes Film Festival. Post-production was to a tight timescale – shooting only wrapped in March – and Bucharest facility Digit...

Submitted by MKM Marketing Communications
Published 20 June 2018

FilmLight launches worldwide colour masterclass tour


To help colourists, DoPs and the wider production and post industry understand the opportunities and challenges that HDR and new delivery formats bring, FilmLight is taking intensive and specialist masterclasses on a world tour. Dates are already set...

Submitted by MKM Marketing Communications
Published 20 June 2018

FilmLight introduces BLG for Flame at NAB2018


At NAB2018, FilmLight is launching BLG for Flame as the latest product in the popular Baselight Editions range. BLG for Flame is a Linux-only plugin for Autodesk Flame that applies a Baselight grade automatically, either from Baselight Linked Grade (...

Submitted by MKM Marketing Communications
Published 20 June 2018

The Grand Tour Goes HDR with DaVinci Resolve


With its second series streaming to viewers around the globe, Amazon Prime’s The Grand Tour takes the world’s most exciting cars, driven by Jeremy Clarkson, Richard Hammond, and James May, to some of the world’s most scenic locations. The Farm Group...

Submitted by Blackmagic design
Published 26 March 2018

Sony PXW-FS7 used for Channel 4 high-tension documentary...


The production team behind Channel 4’s hit high-tension fugitive drama, Hunted, used Sony’s PXW-FS7 cameras for series 3 which aired from 4th January to 8th February 2018. Marrying image quality with run-and-gun versatility, Sony’s large sensor FS7 c...

Submitted by Marlin PR
Published 05 March 2018

X-Rite Delivers Colour Control For Filmmakers At BVE 2018


X-Rite Photo Europe, the specialist photo market distributor for X-Rite’s range of products, will be demonstrating on-stand colour grading tips at this year’s BVE 2018 (27thFebruary to 1st March) on the Color Confidence stand M26 with professional fi...

Submitted by Bubble Communications
Published 12 February 2018