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For the past 30 years, award-winning Re-recording Mixer Joe Barnett has worked on a wide variety of high-profile projects including American History X, Austin Powers: The Spy Who Shagged Me, Crazy Heart, When in Rome, Chronicle, 2 Guns, Luke Cage, Da...
Gravity Media, the leading global provider of complex live broadcast facilities and production services, has agreed to acquire Chief Entertainment Pty Limited, a leading Sydney, Australia-based provider of live studio and production services, from Te...
Re-recording mixer Tom Marks, CAS, is passionate about his craft and the storytelling aspect of his job. He was recently tasked with mixing comedian Kevin Hart’s Netflix stand up special in Dolby Atmos®. He turned to NUGEN Audio’s Loudness Toolkit fo...
NUGEN Audio’s Netflix compliance is making quite a splash with post-production audio teams across the globe. Among the many Netflix-focused solutions is its Loudness Toolkit 2.8, which will be presented at IBC 2019 (Pod F.P37). The company will also...
Magewell's Ultra Stream HDMI standalone streaming encoder has earned industry and customer acclaim for making live streaming remarkably easy even for non-technical users, from church volunteers and educators to corporate marketers and live event orga...
Build quality, accuracy and, of course, phenomenal sound are just some of the reasons why Mark Yaman has chosen PMC monitoring for Audio Asylum, his audio post production facility in Johannesburg, South Africa. “I really love PMC’s attention to detai...
When Clark Media unveiled its new 53-foot state-of-the-art production trailer, Calrec Audio’s Artemis Light digital broadcast audio console was front and centre. The rig was designed to be flexible; specifically to meet the demands of native 4K UHD a...
Audionamix’s Professional Services Division, comprised of uniquely qualified audio engineers, functions as an extension to its clients’ post departments by directly delivering separated audio elements when the original multi-tracks or stems are no lo...
The June issue of the SMPTE Motion Imaging Journal is now available. This online-only edition of the Journal is available here. SMPTE June WebcastsCredentialed press are welcome to join any SMPTE® webcast. Members of the media must contact Sunny Bran...
‘Something that packed a punch’ – that’s what Jaz Singh, one half of the award-winning DJ and production due The Kray Twinz, was looking for when he decided to upgrade the monitoring in his new project studio. Having always regarded PMC products as t...
As a sound designer, re-recording mixer and partner at Panela Productions, Marcelo Cyro takes pride in telling stories with sound. When Cyro and his team were given the task of mixing Netflix’s Super Drags, the first show in South America to use Dolb...
Decimator Design has launched a new product to extend their converter range. Building on their existing crossconverters, the new 12G-CROSS offers 4K support up to 4096x2160 at 60p, expanding the versatility of the range. 12G-CROSS: Decimator Design’s...
NUGEN Audio will be displaying its latest updates to its Loudness Toolkit and Halo Downmix, enabling its customers to more easily provide Netflix-ready content, at NAB 2019 (Booth SL8330). These essential plug-ins are designed for content creators wo...
Fenix, one of the largest and most well equipped recording studios in Scandinavia, has undergone a significant redesign to ensure that it´s new PMC QB1 XBD-A monitoring system perfectly complements its control room acoustics. Located in Varnhem, a sm...
NUGEN Audio will be showcasing its new update to Halo Downmix at BVE 2019 (Booth G60). The updated version of Halo Downmix is available now and features new ranges for downmix coefficients and a Netflix preset. The new version of Halo Downmix also ad...
