Dante DIO Audiophile Interfaces by Sonifex

Date: 20/03/2020
Dante DIO Audiophile Interfaces by Sonifex

The Sonifex DIO Audiophile Dante® Interfaces are higher quality, plug and play audio interfaces which provide a convenient and elegant method of connecting legacy analogue and digital audio equipment to the Dante AoIP audio network. There are nine products in the range which cover mono and stereo analogue & AES3 inputs and outputs, together with a microphone amplifier and a headphone output.

If you’re converting audio sources into AoIP, it makes sense to use the best converters that you can afford, to benefit the whole network. These cost effective products provide the answer. What’s the difference between these units and others? The audio quality. Sonifex are using A/D and D/A circuitry that for analogue I/O is 10 times better than similar competing products, offering >120dB of dynamic range.

Using Dante Controller for configuration and powered by PoE, these rugged aluminium boxes have side slots for screw mounting and contain superior audio circuitry for optimal audio performance. They use rugged Neutrik EtherCon® connectors and Neutrik lockable audio connectors for ultra-reliable connectivity.

Information about all products in the range can be found at: https://www.sonifex.co.uk/category/aoip/index.shtml

For more information, please contact sales@sonifex.co.uk or call +44 1933 650 700.



Tags: sonifex | dio | audiophile | interfaces
Submitted by Carl Gibbard (Sonifex Ltd)
View author's directory page

Related Interviews
  • Sonifex at NAB 2012

    Sonifex at NAB 2012

  • Sonifex at BVE 2012

    Sonifex at BVE 2012

  • Sonifex at BVE 2012

    Sonifex at BVE 2012

  • Bella 22 MK11 Network Audio Monitor from Glensound at IBC 2019

    Bella 22 MK11 Network Audio Monitor from Glensound at IBC 2019

  • VisLM Loudness Meter update from Nugen Audio at IBC 2019

    VisLM Loudness Meter update from Nugen Audio at IBC 2019

  • Hitomi Matchbox Glass lipsync, audio and video alignment. Now Wireless on a free app. IBC 2019

    Hitomi Matchbox Glass lipsync, audio and video alignment. Now Wireless on a free app. IBC 2019

  • Broadcast Bionics range of studio telephony products starting with Caller One at IBC 2019

    Broadcast Bionics range of studio telephony products starting with Caller One at IBC 2019

  • TSL Products acquire DNF Controls plus TSL SAM-Q SDI Audio Monitor NAB 2019

    TSL Products acquire DNF Controls plus TSL SAM-Q SDI Audio Monitor NAB 2019

  • Bionics show the Bionic Studio, Telos TV Solutions, IQOYA TALK and much more at BVE 2019

    Bionics show the Bionic Studio, Telos TV Solutions, IQOYA TALK and much more at BVE 2019

  • Glensound show Beatrice the AES67 Network audio intercom beltpack at IBC 2018

    Glensound show Beatrice the AES67 Network audio intercom beltpack at IBC 2018

  • Latest audio product updates from TSL Products at IBC 2018

    Latest audio product updates from TSL Products at IBC 2018

  • Blackmagic ATEM Television Studio Pro 4K at NAB 2018

    Blackmagic ATEM Television Studio Pro 4K at NAB 2018

  • Nugen Audio Loudness Meter, Halo Upmix and Halo Downmix at NAB 2018

    Nugen Audio Loudness Meter, Halo Upmix and Halo Downmix at NAB 2018

  • Broadcast Bionics show the Bionics Studio at BVE 2018

    Broadcast Bionics show the Bionics Studio at BVE 2018

  • Glyph External Storage including the Studio and Atom raid at IBC 2017

    Glyph External Storage including the Studio and Atom raid at IBC 2017

  • Skype TX for Radio from Broadcast Bionics at NAB 2017

    Skype TX for Radio from Broadcast Bionics at NAB 2017

  • 7.1.2 Dolby Atmos support by Halo from Nugen Audio at NAB 2017

    7.1.2 Dolby Atmos support by Halo from Nugen Audio at NAB 2017

  • ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

    ATEM TV Studio Pro HD from Blackmagic Design at NAB 2017

  • The Media Experience Studio from Verizon at NAB 2017

    The Media Experience Studio from Verizon at NAB 2017

  • Nugen Audio at IBC 2016

    Nugen Audio at IBC 2016

  • Infinity Arm - Matthews Studio Equipment at NAB 2016

    Infinity Arm - Matthews Studio Equipment at NAB 2016

  • AudioVideo BrandBuilder Corp at NAB 2016

    AudioVideo BrandBuilder Corp at NAB 2016

  • Nugen Audio at NAB 2016

    Nugen Audio at NAB 2016

  • Minnetonka Audio at NAB 2016

    Minnetonka Audio at NAB 2016

  • Nugen Audio Loudness Toolkit at BVE 2016

    Nugen Audio Loudness Toolkit at BVE 2016

  • Nugen Audio Halo Upmix at BVE 2016

    Nugen Audio Halo Upmix at BVE 2016

  • NUGEN Audio at IBC 2015

    NUGEN Audio at IBC 2015

  • NOA Audio Solutions at IBC 2015

    NOA Audio Solutions at IBC 2015

  • CHYRONHEGO STUDIO MEDIAMAKER at NAB2015

    CHYRONHEGO STUDIO MEDIAMAKER at NAB2015

  • NUGEN Audio at BVE 2015

    NUGEN Audio at BVE 2015

  • Nugen Audio at NAB 2014

    Nugen Audio at NAB 2014

  • Studio Technologies at NAB 2014

    Studio Technologies at NAB 2014

  • Blackmagic Studio Camera at NAB 2014

    Blackmagic Studio Camera at NAB 2014

  • Audio Network on BroadcastShow LIVE at IBC 2013

    Audio Network on BroadcastShow LIVE at IBC 2013

  • NOA Audio Solutions at IBC 2013

    NOA Audio Solutions at IBC 2013

  • NuGen Audio at IBC 2013

    NuGen Audio at IBC 2013

  • NUGEN Audio: Loudness Toolkit at NAB 2013

    NUGEN Audio: Loudness Toolkit at NAB 2013

  • Nugen Audio at IBC 2012

    Nugen Audio at IBC 2012

  • Studio Technologies at NAB 2012

    Studio Technologies at NAB 2012

  • Audio Developments at ProVideo2011

    Audio Developments at ProVideo2011

  • Audio Developments at BVE North 2011

    Audio Developments at BVE North 2011

  • Junger Audio at IBC2011

    Junger Audio at IBC2011

  • Equipping The Next Generation From University to the Media World

    Equipping The Next Generation From University to the Media World

  • K-tek Stingray range shown at NAB 2019

    K-tek Stingray range shown at NAB 2019

  • Calrec Apollo IP Console at NAB 2019

    Calrec Apollo IP Console at NAB 2019

  • Nugen Halo Upmix and AMB Updates at IBC 2017

    Nugen Halo Upmix and AMB Updates at IBC 2017

  • Combo Live 55 Pedestal from Miller at NAB 2017

    Combo Live 55 Pedestal from Miller at NAB 2017

  • Canford at BVE 2017

    Canford at BVE 2017

  • Broadcast Bionics PhoneBox at BVE 2017

    Broadcast Bionics PhoneBox at BVE 2017

  • Telos Alliance at BVE 2017

    Telos Alliance at BVE 2017

  • Broadcast Bionics at BVE 2017

    Broadcast Bionics at BVE 2017

  • The Telos Alliance at IBC 2016

    The Telos Alliance at IBC 2016

  • Glensound at IBC 2016

    Glensound at IBC 2016

  • Studer Glacier at IBC 2016

    Studer Glacier at IBC 2016

  • Wohler at IBC 2016

    Wohler at IBC 2016

  • Video Devices PIX-E at IBC 2016

    Video Devices PIX-E at IBC 2016

  • Sound Devices Wingman app at IBC 2016

    Sound Devices Wingman app at IBC 2016

  • Cineo HS2 at IBC 2015

    Cineo HS2 at IBC 2015

  • FilmGear LED lighting at IBC 2015

    FilmGear LED lighting at IBC 2015

  • LiteGear at IBC 2015

    LiteGear at IBC 2015

  • LiteGear LED LiteMat at IBC 2015

    LiteGear LED LiteMat at IBC 2015

  • LSC Lighting at IBC 2015

    LSC Lighting at IBC 2015

  • Cineo Matchbox at IBC 2015

    Cineo Matchbox at IBC 2015

  • Sound Devices 688 at IBC 2015

    Sound Devices 688 at IBC 2015

  • Video Devices PIX-E Series at IBC 2015

    Video Devices PIX-E Series at IBC 2015

  • RTS at BVE 2015

    RTS at BVE 2015

  • Brainstorm Multimedia at BVE 2015

    Brainstorm Multimedia at BVE 2015

  • Glensound Dante at IBC 2014

    Glensound Dante at IBC 2014

  • NOA Archive Solutions at IBC 2014

    NOA Archive Solutions at IBC 2014

  • RTW at IBC 2014

    RTW at IBC 2014

  • Cobham new receiver at IBC 2014

    Cobham new receiver at IBC 2014

  • RTW at NAB 2014

    RTW at NAB 2014

  • Sound Devices at NAB 2014

    Sound Devices at NAB 2014

  • Thomson Broadcast at NAB 2014

    Thomson Broadcast at NAB 2014

  • Clear-Com ProGrid at NAB 2014

    Clear-Com ProGrid at NAB 2014

  • Clear-Com HelixNet Partyline at NAB 2014

    Clear-Com HelixNet Partyline at NAB 2014

  • Glensound Atomic Copper at NAB 2014

    Glensound Atomic Copper at NAB 2014

  • JVC GY-HM850 and GY-HM650 at NAB 2014

    JVC GY-HM850 and GY-HM650 at NAB 2014

  • Blackmagic URSA at NAB 2014

    Blackmagic URSA at NAB 2014

  • Cintel Film Scanner: Blackmagic Design at NAB 2014

    Cintel Film Scanner: Blackmagic Design at NAB 2014

  • Brainstorm Multimedia at NAB 2014

    Brainstorm Multimedia at NAB 2014

  • aQ Broadcast Production Suite at BVE 2014

    aQ Broadcast Production Suite at BVE 2014

  • Sony Wireless Microphones at BVE 2014

    Sony Wireless Microphones at BVE 2014

  • TSL Products SAM1 MADI at BVE 2014

    TSL Products SAM1 MADI at BVE 2014

  • Glensound Cub at BVE 2014

    Glensound Cub at BVE 2014

  • Projects Department on BroadcastShow LIVE at IBC

    Projects Department on BroadcastShow LIVE at IBC

  • Calrec on BroadcastShow LIVE at IBC 2013

    Calrec on BroadcastShow LIVE at IBC 2013

  • Brainstorm on BroadcastShow LIVE at IBC 2013

    Brainstorm on BroadcastShow LIVE at IBC 2013

  • Wohler Technologies on BroadcastShow LIVE at IBC 2013

    Wohler Technologies on BroadcastShow LIVE at IBC 2013

  • Nexidia QC on BroadcastShow LIVE at IBC 2013

    Nexidia QC on BroadcastShow LIVE at IBC 2013

  • Softron Media Services on BroadcastShow LIVE at IBC 2013

    Softron Media Services on BroadcastShow LIVE at IBC 2013

  • Cobham on BroadcastShow LIVE at IBC 2013

    Cobham on BroadcastShow LIVE at IBC 2013

  • TSL Products PAM1, SAM1 and PAM PiCo at IBC 2013

    TSL Products PAM1, SAM1 and PAM PiCo at IBC 2013

  • Glensound with the USB Commentary Mixer at IBC 2013

    Glensound with the USB Commentary Mixer at IBC 2013

  • TSL Products at IBC 2013

    TSL Products at IBC 2013

  • Zylight LED Fresnel at IBC 2013

    Zylight LED Fresnel at IBC 2013

  • Blackmagic Design with the new ATEM Production Suite at IBC 2013

    Blackmagic Design with the new ATEM Production Suite at IBC 2013

  • Jampro Antennas at NAB 2013

    Jampro Antennas at NAB 2013

  • Calrec at NAB 2013

    Calrec at NAB 2013

  • IMT at NAB 2013

    IMT at NAB 2013

  • Sound Devices at NAB 2013

    Sound Devices at NAB 2013

  • TSL Products at NAB 2013

    TSL Products at NAB 2013

  • Thear Technology at BVE 2013

    Thear Technology at BVE 2013

  • TSL Systems at BVE 2013

    TSL Systems at BVE 2013

  • TSL Products at BVE 2013

    TSL Products at BVE 2013

  • Guntermann and Drunck GmbH at BVE 2013

    Guntermann and Drunck GmbH at BVE 2013

  • AC Entertainment Technologies at BVE 2013

    AC Entertainment Technologies at BVE 2013

  • Pinknoise at BVE North 2012

    Pinknoise at BVE North 2012

  • Shure Distribution at BVE North 2012 LIVE Show

    Shure Distribution at BVE North 2012 LIVE Show

  • RTW at NAB 2012

    RTW at NAB 2012

  • Vinten Radamec at NAB 2012

    Vinten Radamec at NAB 2012

  • Sound Devices at NAB 2012

    Sound Devices at NAB 2012

  • Emotion Systems at NAB 2012

    Emotion Systems at NAB 2012

  • Clear-Com Tempest at NAB 2012

    Clear-Com Tempest at NAB 2012

  • Clear-Com Eclipse MADI Card at NAB 2012

    Clear-Com Eclipse MADI Card at NAB 2012

  • Glensound at NAB 2012

    Glensound at NAB 2012

  • TSL at NAB 2012

    TSL at NAB 2012

  • Triveni Digital at NAB 2012

    Triveni Digital at NAB 2012

  • Petrol at NAB 2012

    Petrol at NAB 2012

  • Qualis at NAB 2012

    Qualis at NAB 2012

  • Calrec at NAB 2012

    Calrec at NAB 2012

  • DK-Technologies at NAB 2012

    DK-Technologies at NAB 2012

  • Glensound at BVE 2012

    Glensound at BVE 2012

  • Calrec at BVE 2012

    Calrec at BVE 2012

  • Xpertia at BVE 2012

    Xpertia at BVE 2012

  • DiGiCo at BVE 2012

    DiGiCo at BVE 2012

  • 4HM at BVE 2012

    4HM at BVE 2012

  • Thear Technology Limited at ProVideo2011

    Thear Technology Limited at ProVideo2011

  • 4HM at BVE North 2011

    4HM at BVE North 2011

  • TNP and DSMB at BVE North 2011

    TNP and DSMB at BVE North 2011

  • The Mic Store at BVE North 2011

    The Mic Store at BVE North 2011

  • Sennheiser at BVE North 2011

    Sennheiser at BVE North 2011

  • Source Distribution and Genelec at BVE North 2011

    Source Distribution and Genelec at BVE North 2011

  • HHB and Soundfield at BVE North 2011

    HHB and Soundfield at BVE North 2011

  • Riedel at BVE North 2011

    Riedel at BVE North 2011

  • Solid State Logic at IBC2011

    Solid State Logic at IBC2011

  • Dolby at IBC2011

    Dolby at IBC2011

  • RTS Telex at IBC2011

    RTS Telex at IBC2011

  • Riedel at IBC2011

    Riedel at IBC2011

  • Murraypro at IBC2011

    Murraypro at IBC2011

  • Calrec at IBC2011

    Calrec at IBC2011

  • Blackmagic at IBC2011

    Blackmagic at IBC2011

  • TC Electronic at IBC2011

    TC Electronic at IBC2011

  • SADiE at IBC2011

    SADiE at IBC2011

  • RTW at IBC2011

    RTW at IBC2011

  • Prodys at IBC2011

    Prodys at IBC2011

  • DK Technology at IBC2011

    DK Technology at IBC2011

  • Linear Acoustic at IBC2011

    Linear Acoustic at IBC2011

  • Sound Devices at IBC2011

    Sound Devices at IBC2011


Related Shows
  • Pixel Power in the KITPLUS studio at BVE

    Pixel Power in the KITPLUS studio at BVE


Related Articles
  • The Importance of Audio Production Systems

    The Importance of Audio Production Systems

  • Gearing up for The Americas with Simon Reeve

    Gearing up for The Americas with Simon Reeve

  • MEDIAPRO leads across the audiovisual value chain

    MEDIAPRO leads across the audiovisual value chain

  • IP Technology for Broadcast Audio Routing Systems

    IP Technology for Broadcast Audio Routing Systems

  • The LED Lighting Revolution

    The LED Lighting Revolution

  • The Evolution of Audio Monitoring

    The Evolution of Audio Monitoring

  • Centre Stage for Cameras with All About Eve

    Centre Stage for Cameras with All About Eve

  • Sennheiser Memory Mic User Review

    Sennheiser Memory Mic User Review

  • Giving Welsh sport a global audience

    Giving Welsh sport a global audience

  • The Biggest Toy Shop in the World

    The Biggest Toy Shop in the World

  • Live audio contribution over wireless networks

    Live audio contribution over wireless networks

  • AoIP Solutions at Sky TV

    AoIP Solutions at Sky TV

  • Listening to the needs of audio engineers

    Listening to the needs of audio engineers

  • Out of the box: Sennheiser Ambeo VR microphone

    Out of the box: Sennheiser Ambeo VR microphone

  • Six steps for award winning sound design with Jungle Studios

    Six steps for award winning sound design with Jungle Studios

  • Studio Invate - Case Studio

    Studio Invate - Case Studio

  • Immersive Audio

    Immersive Audio

  • What happened to audio networking

    What happened to audio networking

  • Audio at 750mph

    Audio at 750mph

  • Object Based Audio - The first steps

    Object Based Audio - The first steps

  • Who really benefits from the Cloud?

    Who really benefits from the Cloud?

  • Streaming and the need for continued innovation

    Streaming and the need for continued innovation

  • The Transistion in Audio Monitoring

    The Transistion in Audio Monitoring

  • The Benefits of LED Lighting in Broadcast

    The Benefits of LED Lighting in Broadcast

  • The secret to global Gogglebox success

    The secret to global Gogglebox success

  • Radio cameras bring a live broadcast to life

    Radio cameras bring a live broadcast to life

  • Smart audio - the way foward for live broadcast production

    Smart audio - the way foward for live broadcast production

  • Measurement and Visualization of Loudness

    Measurement and Visualization of Loudness

  • Audio

    Audio

  • VR and 3D Audio - Ask The Experts

    VR and 3D Audio - Ask The Experts

  • TV Futures

    TV Futures

  • Sound Devices: My Choice For Everything Audio

    Sound Devices: My Choice For Everything Audio

  • Class: Multi - Channel Audio

    Class: Multi - Channel Audio

  • The importance of maintaining digital audio paths

    The importance of maintaining digital audio paths

  • Object Audio - whats all the noise about

    Object Audio - whats all the noise about

  • Audio Streaming with Larry Jordan

    Audio Streaming with Larry Jordan

  • New Upmixing Challenges and Strategies for Audio Post-production Today and Tomorrow

    New Upmixing Challenges and Strategies for Audio Post-production Today and Tomorrow

  • Ask The Expert- Post Production Supervisor at BBC Studios and Post Production

    Ask The Expert- Post Production Supervisor at BBC Studios and Post Production

  • Monitoring Q & A

    Monitoring Q & A

  • AERO.soft - Bringing audio monitoring and processing into AoIP

    AERO.soft - Bringing audio monitoring and processing into AoIP

  • Authoring and Monitoring for the emerging 3D immersive Broadcast Audio formats

    Authoring and Monitoring for the emerging 3D immersive Broadcast Audio formats

  • Microphone Placement

    Microphone Placement

  • Ground breaking production tool

    Ground breaking production tool

  • CLASS - FIMS: A plug-and-play solution

    CLASS - FIMS: A plug-and-play solution

  • Digital and analog in harmony at Pama Studios

    Digital and analog in harmony at Pama Studios

  • TVFutures: Student pitch

    TVFutures: Student pitch

  • Making multi-camera shooting faster & more affordable

    Making multi-camera shooting faster & more affordable

  • Increase your prices... vital for growth

    Increase your prices... vital for growth

  • Lighting fundamentals

    Lighting fundamentals

  • Three days to launch a TV station

    Three days to launch a TV station


News
Rascular Announces Ross MC1 Channel Branding and Master Control Switcher Helm Control Integration Posted: 26/03/2020
Rascular Announces Ross MC1 Channel Branding and Master Control Switcher Helm Control Integration

Rascular, designers of software-based powerful, customisable control and monitoring applications for third-party, professional video technologies, has today announced the availability of comprehensive software control of Ross’ MC1 family of Channel Branding and Master Control Switchers via its flagship control and monitoring system Helm.

Responding to considerable customer interest, Rascular, using Ross’ powerful and flexible openGear® protocol, can now provide user-defined panel control of Ross’ widely deployed MC1 family. This is a significant addition to Helm’s already extensive third-party technology control capabilities. Helm can access not only a wide range of on-air control functionality – keyers, squeezeback transitions, logos, voiceovers and so on – but also configuration and monitoring information. Users can easily design their own panels, using simple dropdown menus, containing only the functionality they require.

 

 

 

Tags: Rascular | Ross | control | monitoring | MC1 | Helm | on-air control
Submitted by Jump PR Ltd
More from this author
AJA Corvid Developer Cards Power I O for WASP3D Real-Time Broadcast Graphics Posted: 25/03/2020
AJA Corvid Developer Cards Power I O for WASP3D and rsquo;s Real-Time Broadcast Graphics

From breaking news, elections and politics, to the latest live coverage of eSports gaming tournaments and sporting events, WASP3D is a leading global provider of end-to-end real-time broadcast graphics solutions for live production workflows. Headquartered in New Delhi with offices located around the world, WASP3D’s technology solutions seamlessly integrate real-time broadcast graphics for livestreaming, OTT, television and professional AV workflows, with hundreds of installations in more than 40 countries globally. Visually enriched elements including augmented reality graphics, virtual sets, touch screen presentations and video wall graphics using design, data integration, management and automation tools are developed for clients via custom installation packages with AJA Corvid 88, Corvid 44, and Corvid 24 I/O cards at the core.

In WASP3D’s live production workflows, each Corvid card hosts up to eight simultaneous input and output streams, making the cards an ideal solution for graphics playout servers and channel-in-a-box systems. Corvid provides workflow flexibility with multi-format I/O support and configurable input and output sources for separate fill and key channels. AJA’s open SDK allows for custom Corvid control to align with graphic playout server requirements. Leveraging AJA’s video I/O expertise with Corvid, WASP3D saves money and produces integrated products for market quicker than competitors.

Tags: AJA | Corvid | Broadcast | Graphics | Live Production
Submitted by AJA Video Systems
More from this author
NUGENs Surround Mix is Essential to Audio Post-Production for Todays Evolving Media Posted: 25/03/2020
NUGENs Surround Mix is Essential to Audio Post-Production for Todays Evolving Media

NUGEN Audio’s Surround Suite offers a complete set of tools forupmixing, downmixing and multi-channel sound reshaping for the production market. Featuring the company’s Halo Downmix, Halo Upmix, ISL True Peak limiter and SEQ-S match and morph EQ software, NUGEN’s Surround Suite is perfect for both movie and television productions.

“We take pride in tailoring our products to the specific needs of audio professionals working in TV and film, enabling them to accomplish their full creative vision in a time- and results-oriented manner,” says Paul Tapper, CEO, NUGEN Audio. “Surround Suite delivers all the control necessary to define, enhance and fine-tune a surround mix. As a result, it gives users access to precise and tweakable downmixing (Halo Downmix) and coherent and natural upmixing, from stereo to 5.1 and 7.1 (Halo Upmix). They can also take advantage of the suite’s True Peak limiting (ISL) and linear phase EQ (SEQ-S).”

NUGEN’s Surround Suite offers full access to surround balances, clear visual feedback and individual surround channel access. The toolkit also allows users to regulate low frequency content and fine-tune surround mixes, without the possibility of phase warping.

Included among the NUGEN Surround Suite is Halo Downmix, which complements any post-production workflow. Using precise surround control, mix monitoring and versatile downmix balancing, Downmix helps to accelerate productivity on surround mixes. Typically considered the final piece of a production workflow, Halo Downmix allows users to easily deliver projects in both stereo and surround formats without compromise.

Somewhat of a ‘parent’ software to Downmix, NUGEN’s Halo Upmix is also included in the Surround Suite. With unique center-channel management and switchable dialog extraction, Upmix is perfect for everything from archive restoration and TV, through 7.1 feature films. With surround delivery requirement becoming increasingly common, Halo Upmix offers an indispensable tool for Dolby Atmos, Aura 3D and Ambisonic productions. A 3D immersive audio option is also available.

 

 

Tags: NUGEN Audio | Upmixing | Downmixing
Submitted by D. Pagan Communications
More from this author
Spectra Logic Announces SpectraLIVE, a Virtual Conference and Executive Meeting Programme to Help Customers Maintain Business Continuity Posted: 25/03/2020
Spectra Logic Announces SpectraLIVE, a Virtual Conference and Executive Meeting Programme to Help Customers Maintain Business Continuity

Spectra Logic, a leader in data storage and data management solutions, today announced that it will provide customers and partners with several virtual opportunities to connect and engage with Spectra leadership and product managers during this unique time of global uncertainty. With customers and partners in mind, Spectra has developed SpectraLIVE, a virtual conference and executive meeting platform, alongside its monthly webinar series, to help organisations maintain business continuity and make decisions related to managing, accessing and preserving their vital data.

 

“Keeping our employees, customers and partners around the world safe is our highest priority as we deal with the challenges posed by COVID-19,” said Betsy Doughty, vice president of corporate marketing for Spectra Logic. “To that end, we have proactively put together some unique virtual offerings so that we can continue to provide the highest level of engagement and support for our Spectra customers and partners. While the coronavirus outbreak presents new hurdles for the way we do business, we want to do all we can to keep organisations operating as efficiently and securely as possible during this time.”

 

With most industry shows cancelled and countries and organisations restricting employee travel, Spectra will be producing a virtual conference to enable interaction, education and engagement between customers, partners and Spectra executives. The event will take place on Tuesday, May 12, 2020, and will enable attendees to ‘walk the floor’ by hearing about the latest market trends, learning about Spectra solutions, asking questions, sharing feedback, watching product demonstrations, and meeting with Spectra executives. Spectra will be recording this for our SpectraLIVE library, so visitors can attend one or all presentations live or on-demand at their convenience.

Tags: Spectra Logic | remote | IT | data management | data storage | executive | business continuity | data | conferences | industry show | virtual conference
Submitted by A3 Communications
More from this author
Bitmovin launches its virtual NAB to showcase the future of video streaming Posted: 25/03/2020
Bitmovin launches its virtual NAB to showcase the future of video streaming

Bitmovin, a world leader in innovative cloud-based video streaming solutions, has announced its ‘Bitmovin Live: NAB Edition’ will take place between 13th - 24th April. The fully-fledged virtual experience will bring the action of NAB Show from Las Vegas to the cloud in the form of lab sessions, partner pop-ups and webinars. Attendees will also see live demos of Bitmovin’s innovative portfolio of solutions including Encoding, Player, and Analytics and learn how they are delivering cutting-edge online entertainment experiences to audiences around the world.

 

Tags: NAB | virtual | Bitmovin | encoding | player | analytics | NAB 2020 | NAB 2020
Submitted by Platform Communications
More from this author
Edgeware adds automated QoE optimization to its multi-CDN control platform StreamPilot Posted: 25/03/2020
Edgeware adds automated QoE optimization to its multi-CDN control platform StreamPilot

Edgeware has today announced the addition of its automated optimization capability to its multi-CDN control platform StreamPilot. Referred to as AutoPilot, the feature gives broadcasters and content providers the option to automatically perform actions triggered by StreamPilot’s real-time session data when using a multi-CDN set-up

StreamPilot, which was launched at IBC in September 2019, has raised significant customer interest and rendered several trial projects. Insights from these customer discussions are now channelized into the new AutoPilot capabilities.

The AutoPilot feature identifies and automatically presents a unified view of problems that could affect users’ quality of experience, independent of which CDN is delivering the TV service to the viewer. The issues presented can be related to the device, delivery CDN, ISP or the content itself. The data is processed, grouped and presented with a classification on severity level.

By giving users the unique capability to automatically – or manually – mitigate the problems through actions such as selecting another CDN for the delivery, StreamPilot meets a growing demand from broadcasters and content providers to automatically optimize delivery, rather than presenting the data for them to then analyse and act upon.

Tags: QoE | multi-CDN | broadcast | content | automation
Submitted by RLYL
More from this author
Bryan Sol Aponte Takes DPA Microphones Back to the 80s on the Set of Mixed-ish Posted: 25/03/2020
Bryan and lsquo;Sol and rsquo; Aponte Takes DPA Microphones Back to the 80s on the Set of Mixed-ish

Veteran Sound Mixer Bryan “Sol” Aponte relies on DPA Microphones4061 Miniature Omnidirectional Mic to capture the hilarious and witty dialogue of one of the network’s top sitcoms, mixed-ish. Aponte’s 20-year history in the industry features an impressive resume that includes two Emmy nominations and credits on MADtv, Workaholics, American Gangster, The Young and the Restless and Splitting up Together. He recently swapped out his previous lavaliers for the 4061s because of the impressive, natural sound quality these DPA mics provide.

“I’ve been using the DPA lavs for a year now and I absolutely love them,” says Aponte. “My audio utility, the legendary Nick Carbone, first introduced me to them—he spoke so highly of DPA microphones in comparison to other manufacturers’ solutions. When I first tested the 4061s, I fell in love with them and immediately replaced my inventory of lavaliers with DPAs. The presence boost on the 4061s not only sounds natural, but you can place them almost anywhere on talent and capture great sound.”

The decision to switch to DPA was an easy one for Aponte. “Prior to using DPA mics, I really didn’t know what I was missing, but after using them for a year, I feel like they are far superior,” he adds. “Once I heard the mics and did side-by-side comparisons with other manufacturers, I knew I couldn’t afford not to use DPA. The 4061s don’t create microphonic noise—a challenge that I’ve faced with other brands—and they take my mixing game to the next level.”

With a capsule designed with a double vent protection system and moisture resistant materials, the 4061 miniature lavalier features a condenser element with a frequency and sensitivity response that will accurately reproduce audio signals from the human voice. Additionally, Aponte appreciates the added benefits he receives from DPA’s concealer clip, designed specifically for the 4061. “The concealer clip has helped me to solve an issue with which I have long struggled—clothing rustle, which is every mixer’s worst nightmare and a challenge we are constantly trying to overcome,” he explains. “Since incorporating DPA into the mix, that problem is nearly non-existent; they are a game changer.”

Tags: DPA Microphones | Sound Mixer | Lavaliers
Submitted by D. Pagan Communications
More from this author
AVIWEST Unveils New RACK Series Video Encoders for Live Contribution and Remote At-Home Production Posted: 25/03/2020
AVIWEST Unveils New RACK Series Video Encoders for Live Contribution and Remote At-Home Production

AVIWEST, a global provider of video contribution systems, today announced its new RACK Series, the next generation of the company's video contribution encoder set to be released this summer. By integrating a best-in-class hardware H.265/HEVC encoder as well as an H.264/AVC encoder into a compact platform, the RACK Series is designed for space-constrained live production, including contribution applications and multicamera remote/at-home productions.

"As broadcasters aim to deliver superior-quality video content for live events, data costs are spiraling out of control," said Samuel Fleischhacker, senior product manager at AVIWEST. "The RACK Series features a next-generation encoder that is extremely powerful, significantly reducing the bit rates typically associated with broadcasting high-quality video in real time over bonded cellular and the public internet."

The RACK Series is designed to be deployed in fixed locations and directly connected on wired IP networks, offering a real cost-effective alternative to satellite or fiber. In addition, the RACK Series can be used on vans or trucks and connected to a roof-mounted AVIWEST QUAD CellLink 3G/4G antenna or KA satellite transmitter, enabling video broadcast from any location around the world, even in the midst of unpredictable and unmanaged network conditions.

Equipped with a user-friendly, intuitive touch screen, the unit supports multiple operational modes including live, record, live and record, file forward, and data hot spot for high-speed internet connectivity. All of these operations are possible in only two taps on the touch screen. The brand-new RACK Series also features a SIP-based intercom to simplify communications between the master control room on the broadcaster premises and remote operators in the field. Another key benefit of the RACK hybrid encoder is its video return function. In less than one second, it enables remote crews to receive the on-air feed from the studio, receive teleprompting information, and ensure the live stream is being delivered properly.

Tags: AVIWEST | RACK Series | SST Technology | Live Production | Video Encoder
Submitted by 202 Communications
More from this author
Outdoor Sport Channel chooses Globecast for worldwide distribution of content Posted: 25/03/2020
Outdoor Sport Channel chooses Globecast for worldwide distribution of content

Globecast, the global solutions provider for media, has announced a multi-year partnership with United Kingdom/Netherlands-based Outdoor Sport Channel for the worldwide distribution of its HD and 4K content to MVPDs (multichannel video programming distributors) and as the exclusive distributor in the US. The deal includes the distribution of the linear channel and video-on-demand content on all platforms including CATV, DTH, IPTV, OTT and smart TVs for North America, South America, Europe, the Russian Federation, Asia-Pacific, and exclusively in the US.

Globecast is a leading provider of both content aggregation and end-to-end media delivery for network programming from around the globe. Globecast is a preferred content provider to most US major MVPDs with direct and dedicated fiber feeds from its broadcast center in Culver City, CA. This latest deal further adds to Globecast’s growing Content Acquisition, Aggregation, & Distribution (CAAD) business.

Henk van Meer, Founder & CEO of Outdoor Sport Channel® commented, “In order to further maximize our worldwide distribution, we teamed up with Globecast as they are the ideal partner to help us ‘go global’ because that is what they do best. Globecast understands today’s operator and TV audience needs and we are keen to market, offer, and sell our channel to each and any distributing operator on the planet with a long-term vision.”

Outdoor Sport Channel® HD is an international, 24-hour global sports television networkfeaturing a vast array of outdoor, action, summer, winter sports and sports news. It distributes its HD programming worldwide via CATV, DTH satellite, IPTV, OTT, broadcast over IP, VOD, and mobile platforms.

“This distribution agreement demonstrates our value in delivering content to all types of operator platforms and our ability to partner with quality programmers to extend their reach to distributors globally. We’re eager to be working with Outdoor Sport Channel® to bring its exciting and unique international sports content to the world. It continues to affirm our successful approach to our CAAD business line,” said Berto Guzman, VP, Head of Content Acquisition, Aggregation and Distribution for Globecast Americas.

Tags: Globecast | broadcast | channels | video | distribution | content | OTT | IPTV | DTH
Submitted by Jump PR
More from this author
Switch Media Partners with SpringServe to Enable Effective OTT Monetization Posted: 25/03/2020
Switch Media Partners with SpringServe to Enable Effective OTT Monetization

Switch Media, a world leader in online video technology, has partnered with SpringServe, a leading US-based independent ad platform provider whose technology is purpose-built for video and OTT. Switch Media’s server-side ad insertion (SSAI) technology has been fully integrated with SpringServe’s ad platform to provide value-added services to OTT providers.

OTT companies that require dynamic ad insertion (DAI) also need an ad server. DAI enriches the current ad inventory – creating more addressable non-cookie-based advertising opportunities. SpringServe’s advertising platform integrated with Switch Media’s SSAI capability helps content owners to monetize their inventory effectively. Using the combined solution means that no additional time is required to test and validate integration. Users have the flexibility to add new data and features to drive targeting and additional platforms can easily be added using a centralized solution.

 

Tags: MediaHQ Lite | Switch Media | online video | encoding | VOD | SSAI | ad insertion | OTT | SpringServe | Dynamic Ad Insertion | DAI
Submitted by Jump PR Ltd
More from this author
ASG Strengthens Los Angeles Sales, Service Efforts with Industry Veteran Team of Kym Cannon and Kelli Clark Posted: 24/03/2020
ASG Strengthens Los Angeles Sales, Service Efforts with Industry Veteran Team of Kym Cannon and Kelli Clark

Advanced Systems Group (ASG), a leading media technology and engineering firm, today announced it has added the team of Kymberly Cannon and Kelli Clark to enhance sales and service efforts across Southern California. Cannon, a regional sales manager, and Clark, a solutions engineer, worked together at Quantum before joining ASG earlier this month.

Before Clark was a solutions architect at Quantum, she served for 23 years as the senior SAN/fiber channel architect and supervising engineer for 20th Century Fox, and also held technical roles for Pixar Animation Studios and Skywalker Sound. Cannon spent seven years as a regional sales manager for Quantum, often partnering with ASG on top strategic accounts. Previously, she was an account manager for Dell EMC/Isilon, HP, CommVault, and HDS.

While ASG has been an established media and entertainment service provider in Los Angeles for almost a decade, the company also supports high-end corporate video clients representing a diverse group of industries in the region. The Los Angeles office is led by Andy Darcy, who relocated to the market in 2018 after previously handling business development for ASG’s New York-based operations.

“This was a rare opportunity to recruit a successful industry team to our Los Angeles operations,” said Dave Van Hoy, president of ASG. “With Kym and Kelli, we look forward to building our customer base across a number of vertical markets, growing our Managed Services efforts, and continuing to lead with service across Southern California.”

www.asgllc.com

Tags: ASG | Quantum | systems integrator | Los Angeles | media engineering | media technology | corporate video
Submitted by Pipeline Communications
More from this author
VuWall Responds to COVID-19 With Free Visualization Tool to Help Coordinators on the Front Lines Posted: 24/03/2020
VuWall Responds to COVID-19 With Free Visualization Tool to Help Coordinators on the Front Lines

As the current situation caused by COVID-19 remains fluid, managing the overflow of information has become a complex challenge. VuWall is looking to partner with those who are on the front lines working to keep communities safe and healthy by offering its VuWall2 visualization tool as a free download, allowing organizations to create a temporary video wall solution.

"In this time of crisis, coordination teams within municipalities, newsrooms, and healthcare facilities are actively monitoring the COVID-19 pandemic and managing response efforts. These decision-makers need to access all kinds of information in order to make fast decisions and share information with their colleagues and in some cases, the public," said Paul Vander Plaetse, CEO at VuWall. "We hope that by offering our VuWall2 for no cost as a way to create a temporary emergency video wall control center, we can aid key organizations in managing this influx of data and help keep people informed. We want to assist as many organizations as possible, which is why we will be offering first come, first served setup and support."

Tags: VuWall | COVID-19 | Video Wall | VuWall2 | Software Download
Submitted by InGear
More from this author
FOR-A Delivers Video Switcher Integration with and nbsp;Technology Partners for Live Production Solutions Posted: 24/03/2020
FOR-A Delivers Video Switcher Integration with and nbsp;Technology Partners for Live Production Solutions

FOR-A Corporation of America has built integrated live production solutions that combine its HANABI series of video switchers with Variant Systems Group replay systems, ClassX graphics and playout software, ODYSSEY Insight video servers, and Brainstorm Multimedia virtual studios.

“Together with our technology partners, FOR-A is creating live production systems that make integration easier and more reliable,” said Ken Truong, President of FOR-A Corporation of America. “With the combined expertise from these companies across the professional video industry, we can offer best-of-breed solutions that improve workflows while delivering broadcast-quality results for HD, 4K, and beyond.”

Variant’s Envivo Replay offers a cost-effective sports and live event replay solution, with an intuitive user interface and continuous multiple iso-channel recording capabilities. It offers simultaneous clip storage of multiple angles, playlists for highlights playback, built-in branding capabilities, and direct publishing to Facebook, Twitter, YouTube, and other social media platforms. FOR-A is the exclusive distributor of Envivo Replay in North America.

FOR-A – the exclusive distributor of ClassX in North, Central and South America – also combines the latest ClassX real-time 2D/3D HD/4K CG and live motion broadcast graphics and playout solutions with its HANABI video switchers. An expansion I/O card for HVS-100, HVS-490, and HVS-2000 production switchers enables a close integration of the ClassX graphic playout from any HANABI video switcher directly by the switcher operator. ClassX’s real-time graphics playout software suite is popular with TV channels, news broadcasters, live event productions, and live sports productions.

Tags: FOR-A | video switcher | production switcher | live production | CG | replay | slo-mo | virtual set | video server
Submitted by Pipeline Communications
More from this author
Polar Graphics announces product support and technical sales appointments Posted: 24/03/2020
Polar Graphics announces product support and technical sales appointments

Polar Graphics, a UK leading distributor for the broadcast, post and pro-AV industries, has announced the appointments of Alexandros Galanos and Christopher Stone to further enhance ongoing business growth.

Galanos joins Polar Graphics as a product support specialist with responsibility for providing technical liaison with resellers and end users as well as support for product demos. Prior to Polar Graphics, Galanos was at Tyrell as a senior engineer with extensive experience in technical auditing, installation, workflow design, and technical support.

Stone takes on the role of technical sales manager, responsible for advising resellers and end users of the best product fit from the Polar Graphics product range for their specific workflow and providing full, first-hand guidance through the entire purchase process. Before his arrival at Polar Graphics, Stone was EMEA and APAC director of business development for XenData Ltd.

Polar Graphics Managing Director Peter Rowsell said, “Alexdandros and Christopher are seasoned professionals who bring a wealth of industry experience to their respective roles and I am delighted to welcome them both. The hands-on knowledge and decades of experience they possess will be of great benefit to our customers and is a clear indication of the ongoing expansion of Polar Graphics’ business.”

Galanos said, “Polar Graphics has a long and enviable reputation as a first-class distributor, and I look forward to using what I know to the benefit of the company and its customers.”

Stone echoed Galanos, saying, “With 40 years of experience around the broadcast world, I believe I am very well-placed to guide Polar Graphics customers, traditional and new, through a process that identifies the best product fits for their operation and, even more specifically, for their world region.”

Both appointments are effective immediately.

Tags: Polar Graphics | Appointment | Alexandros Galanos | Christopher Stone | Reseller | Distributor | AV | Broadcast | Post Poroduction
Submitted by Page Melia PR
More from this author
Vionlabs launches Emotional Fingerprint API to provide media companies with powerful AI driven decision making Posted: 24/03/2020
Vionlabs launches Emotional Fingerprint API to provide media companies with powerful AI driven decision making

Vionlabs announces the launch of Emotional Fingerprint API, a cloud-based solution that enables media companies to make better decisions based on deep AI generated video data and insights. The cloud-based solution is easily integrated with existing workflows throughout the entire video acquisition, production and distribution chain. Emotional Fingerprint API provides a significant advantage in areas such as determining acquisition and production strategies, personalized UI and video recommendations, as well as enabling intriguing opportunities in advertising.

Emotional Fingerprint API provides deeper analysis and data by measuring thousands of factors throughout the duration of the video, including colors, pace, audio, object recognition and many more variables to produce an AI-derived fingerprint timeline, frame-by-frame, that represents the emotional structure of content that the industry needs to empower its decision making.

“By providing powerful video data and insight as a service we’re making it so much easier for media organisations to utilize the deepest video knowledge presently available,” says Marcus Bergström, CEO, Vionlabs. “Our first solution Content Analysis Platform solves the important issue of content recommendation and personalization. However, we also want to open up the possibility to provide great data and insights, without deciding where and how media companies should apply it. With the launch of our cloud-based Emotional Fingerprint API, our customers can deploy our data and insights with their existing recommendation and personalization workflows, but importantly can now apply it in any and every part of their business that can be helped by the deepest understanding of video content at scale.”

Tags: Vionlabs | AI
Submitted by Platform Communications
More from this author
Pages:   [1] 2 3 4 5 6 7 > >>