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Andrew McLeans Guide to Lenses

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Andrew McLean, an experienced cinematographer and now vice president of business development at broadcast equipment hire company HotCam, details some of the basic things to consider when it comes to choosing and using camera lenses. What’s the first thing you do when choosing lenses for a shoot?First I consider the creative direction – the aestheti...

Submitted by Bob Pank#

Published 01 March 2012

Cameras for streaming

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I first saw true HD pictures years ago at IBC. OpTex had a camera focusing on some beautifully lit fruit. The image on the screen was extraordinary, hypnotising. Leap forward a decade and Amsterdam brought Europe its first taste of Ultra High Definition Television - not 720p, not 1080i, but 4320p. The enveloping cinematic pictures and the embrace o...

Submitted by Kieron Seth#

Published 01 August 2011

AF101 a first look

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IBC saw the first working prototypes of the AF100 being shown to the public. Barry Green (some of you will be familiar with Barry from the US Forum DVXUSER) had the pleasure of working with the pre-production AF101 while at IBC. Incidentally the AF100 & AF101 are the same basic camera for different markets, all of them are NTSC/PAL switchable. At t...

Submitted by Bob Pank#

Published 01 November 2010

Television camera lenses

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This is a glass-to-glass report with a difference, starting at front-end of the video production chain and staying there. Given the speed of development in almost every other branch of television, it is easy to overlook the advances taking place in optics. Until, that is, you need a wider capture angle than your existing kit can deliver or you want...

Submitted by Bob Pank#

Published 01 November 2010

Film Affect

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As shooting on film for TV applications is increasingly being replaced with HD, there is a growing tendency for people to wish to apply film tools and methods to origination when using the electronic medium. However, unless aiming for a specific look that cannot be achieved any other way, it can prove more time consuming and costly to work this way...

Submitted by Dennis Lennie

Published 01 January 2010

The Sony PMW-EX1 what can we expect?

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We cannot ignore the fact that tapeless acquisition and workflow has become a ‘hot topic’ in recent months with programme makers recognising that like it or not, tapeless acquisition in HD is where television production is headed. Mitcorp have always been at the forefront of technology educating and supporting our customers with full workflow solut...

Submitted by Dennis Lennie

Published 01 March 2008