KitPlus | Articles

The shining star of Dancing On Ice

Lighting is an incredibly important part of any TV production, and it can make a huge difference to what is seen on-screen. If the right lights are used in the right way, it can create a mood, set a tone and convey a certain atmosphere. Nowhere is this more evident than on the set of dramatic TV shows such as Dancing on Ice, a hugely popular UK sho...

Submitted by Rod Aaron Gammons

Published 26 March 2018

TV Futures, Tales on Location

If I think back to last May, I was just finishing my second year at the University of Portsmouth, studying Television and Broadcasting, and winding down for the summer. Then out of the blue I got a message from my course leader, saying I might be getting a call from someone who was a location manager working for Raider productions, you know, the pr...

Submitted by Georgia Thirtle

Published 26 March 2018

Why OTT needs multicast ABR

Last year, Netflix’s global revenue reached $11 billion, with 24 million new names added to its subscribers’ list. Viewers are certainly making their preferences heard – and voting with their remote controls to show that over-the-top (OTT) content is here to stay. However, OTT doesn’t just mean video on demand but extends to live streaming too. Dri...

Submitted by Damien Lucas

Published 26 March 2018

Reliable back-up at the Music City Bowl

WLEX – LEX18 – is the NBC affiliate in Lexington, Kentucky, and part of the Cordillera Communications Group. As a very popular local station with a broadcast area that covers 40 counties across central Kentucky we have a big commitment to news, broadcasting more than seven hours of live programming on a typical day. As well as the usual unpredictab...

Submitted by Sam Gordon

Published 26 March 2018

Grand slam IPTV and digital signage platform

Kauffman Stadium in Kansas City, Missouri, is home to major league baseball’s Kansas City Royals. Built in 1973, “The K” has a proud baseball legacy, and goes down in history for winning two World Series championship titles; one in 1985 and another in 2015 — exactly 20 years apart. The most recent win brought a resurgence of baseball fever to the s...

Submitted by Joe Walsh

Published 26 March 2018

Somewhere down the latency river

Some people have been, understandably, getting fairly excited over the prospect of being able to deploy wireless cameras to capture and transmit 4K UHD. Manufacturers and developers are closing in on the ability to deliver systems that will offer up almost endless creative options at the highest – to date – possible picture quality. But they’re not...

Submitted by Ben Hawker

Published 12 February 2018

Innovation in cameras moving to 4k

For a number of reasons, wireless camera links needed time to migrate to 4K. However Broadcast Sports International, BSI, designs their own cameras and builds their own hardware and their transition to 4K is already complete. In an industry where innovation is key, hire companies buy what is on offer from the manufacturers, however BSI has taken a...

Submitted by Tony Valentino

Published 12 February 2018

Studio Invate - Case Studio

Studio INVATE is a video company based in Bangkok, with an inventive reputation. Its public persona is everyday commercial work, such as producing highly creative videos, live broadcasts and commercials, for companies ranging from large industrial brands and retail businesses to educational institutions. But in between the studio and on-location wo...

Submitted by KitPlus

Published 12 February 2018

Playing with Pink Floyd

For the founder of London-based Hangman, James Tonkin, this has indeed been a summer to remember. After sixteen years of working in the same suites, he designed and moved his team into a new future proofed facility in Kew Gardens created specifically for the manipulation and delivery of formats in up to 8K HDR. Soon afterward, he was approached by...

Submitted by KitPlus

Published 12 February 2018

Capturing the spirit of Mexico

Filmmaker, director and editor, Leonardo Dalessandri first came to fame with his stunning video ‘Watchtower of Turkey,’ which with more than 200 million views, garnered the accolade of Best Vimeo Video in 2014. His vibrant images are combined with a unique editing style, incorporating slow motion, hyper lapses and invisible match cuts to produce ge...

Submitted by Leonardo Dalessandri

Published 12 February 2018

A Pandoras Box to empower the filmmaker

The setting was Celebro Studios London, home to their fully 4k television studios, where journalists and industry commentators gathered late last November to witness the launch of the revolutionary Rotolight Anova PRO 2. This was no ordinary unveiling though, the launch was streamed live on Facebook and YouTube and hosted by award winning news anch...

Submitted by KitPlus

Published 12 February 2018

Canon C200: Tried and Tested

There are many reviews about this camera online and a heap of incredibly detailed comparison and behind the scenes footage that will really give you a full insight into what it can do. So first a disclaimer - this review is less detailed and based on my personal reading of what this camera means for Canon and all other camera manufacturers and us –...

Submitted by Ben Sherriff

Published 12 February 2018

Panasonic GH5: Tried and Tested

My journey as a filmmaker began with a select number of enthusiastic BBC reporters picked out and trained in the concept of Personal Digital Production by the American Video Journalist Michael Rosenblum. Back in the early naughties he was pioneering the concept of one person journalist shoot editors. A complete news reporting package with small per...

Submitted by Tim Bearder

Published 12 February 2018

Steadicam M-1 Volt: Tried and Tested

Early in November some of us lucky Steadicam Operators from around the UK were invited to try out the new Tiffen M1 Volt, which is essentially an electronic motorized horizon assist unit attached to the gimbal of the latest Steadicam M1. Is it a good idea? As experienced Steadicam Operators, directors or producers, why would we be interested? Let’s...

Submitted by John E Fry

Published 12 February 2018

IP for everyone and 4k everywhere - that will be 2018

IP for EveryoneMy first prediction for the coming year is that the use of IP to move broadcast content will increase dramatically. Ultimately, it will become the commonplace, just as the use of IP has become part of our everyday, consumer lives. Live sports are closely linked to this growth, as conversion of broadcast signals for transportation acr...

Submitted by John Smith -new

Published 12 February 2018