KitPlus | Articles

Common Questions on the Topic of Distribution and Deliver...

As the Broadcast and Post industries continue to adopt file-based workflows, there has been an ever-increasing need for the implementation of technologies for the distribution of digital media. Being tapeless also means being aware of how to send and receive files over IP networks, but there are many common questions that arise. Here is a sampling...

Submitted by Dennis Lennie

Published 01 June 2009

Eye to Eye File-based content distribution 2009

The rapidly divergent pattern of broadcast market development resembles the branches of a fast-growing tree. But there is one crucial aspect in which the industry is quite obviously converging: the transition from video and audio to file-based content distribution and delivery. This would have happened anyway given the increasing popularity of the...

Submitted by Dennis Lennie

Published 01 June 2009

Lighting. Back or rim light part 4

In my last article, I discussed modelling of the ‘talent’ by choice of lamp, and careful choice of the horizontal and vertical angle of the ‘key’ light. Having made those choices my next priority would be to choose a ‘back’ light. It is also sometimes known as a ‘hair’ light which gives a pretty good clue as to its function. Just to say that we are...

Submitted by Dennis Lennie

Published 01 May 2009

The SxS vs MxT Debate

We are all probably already tired of hearing the phrase ‘cutting costs’ but the reality is that ways have to be continuously found to reduce our production costs in order to stay competitive. The question is – are some savings a false economy or are they really worth it?We have been hiring out Sony’s XDCAM EX cameras for over a year and they are no...

Submitted by Dennis Lennie

Published 01 April 2009

HD camera market

With the low cost HD market taking an ever firmer grip on the industry, we asked for Hireacamera Managing Director Guy Thatcher’s opinion on the changes taking place. So is anyone still hiring DV/DVCAM equipment anymore?Certainly in the area we specialise in, since the arrival of the Sony HVR-Z1E nearly four years ago, we have slowly watched the ma...

Submitted by Dennis Lennie

Published 01 March 2009

Fibre Optics......the past, present and future

Although there were some discoveries in the late 19th century that were related to light and its propagation though a medium, it was not until the latter half of the 20th century when technological breakthroughs occurred which has led to modern day fibre optics. It was the development of the Fiberscope during the 1950’s, becoming the first image-tr...

Submitted by Dennis Lennie

Published 01 March 2009

Surround Sound For HD Broadcast

While 2008 may not be fondly remembered as a classic year if you work in certain industries, it's a fascinating time to be working in video media production or broadcast television. The steady move to high-definition at all stages of the video production process, is causing the biggest shake-up in technology and working practices since the introduc...

Submitted by Dennis Lennie

Published 01 February 2009

RF Condenser Microphones why they are so good in the wet

A question I am often asked when people discover who I work for is “Why are ‘RF condenser’ microphones so good in the wet, being so much less susceptible to humidity problems than the more common ‘AF condenser’ microphones?”Basically, AF capacitor microphones use the capsule as a capacitor to store charge. With one fixed plate and the other free to...

Submitted by Dennis Lennie

Published 01 February 2009

How to choose a Microphone

The microphone is probably the most important tool we use when recording sound. Plugging it into the best pre-amplifier will optimise the quality of the signal but no amount of processing will fix the wrong sound coming from your microphone. The device for turning movements in the air into an electrical signal is a creative instrument and should be...

Submitted by Dennis Lennie

Published 01 February 2009

Everything you ever wanted to know about TV lighting Part...

Back in time in the days of monochrome TV, portrait lighting was used to try and compensate for the lack of colour in those days of flickering 405 line pictures on tiny screens. The other consideration was to compensate for the lack of depth; the missing dimension from our TV screens. When colour TV came along in the 1960’s, pictures looked more re...

Submitted by Dennis Lennie

Published 01 January 2009

Lighting and Grip.

Lighting and Grip are often spoken as if they are one item, inseparable and complete. However the clue is in the phrase lighting AND grip. So let’s start by separating them. Lighting covers the instruments that provide the light. Grip covers the instruments we use to hold and control the light. LightingThere is a huge range of lights, luminaires, p...

Submitted by Dennis Lennie

Published 01 January 2009

Monitor Colour Calibration

With the growing acceptance of LCD displays for high end picture monitoring it has become increasingly important that users can be assured that they are working to a known standard. The Xrite Eye-one is typical of the more simple probes available, and is similar to the probes used to calibrate computer monitors for reliable photographic processing....

Submitted by Dennis Lennie

Published 01 November 2008

Virtual sets come of age

Virtual studios (VS) have experienced a roller coaster ride of popularity through their short life. Initially they were hailed as the future for live broadcasting, seamlessly combining people and computer-generated environments without the need for post-production. But the racks of SGI computers, complex studio set-ups, complex camera tracking syst...

Submitted by Dennis Lennie

Published 01 November 2008

Marshall masters LCD

Marshall Electronics has made huge strides in the LCD picture monitor market, with a practical package that fits with many of today’s applications and circumstances. Its LCD panels are light and compact, saving space and weight – obviously very attractive for OB vans. The monitors are recognised for their value for money while frequently winning si...

Submitted by Dennis Lennie

Published 01 November 2008

Virtual Studios

Traditionally virtual studios have been extremely expensive to equip due to the amount of technology required just to make the studio work. Besides the standard studio cameras and lighting, sophisticated additional technology is required to provide feedback from lenses, pan and tilt heads and dollies, to seamlessly synchronise foreground and backgr...

Submitted by Dennis Lennie

Published 01 November 2008