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Archive eXchange format (AXF) explained


by S Merrill Weiss Issue 85 - January 2014 The proprietary nature of archive storage long has made it challenging for content producers and owners to exchange archive files and media between systems. Thus, when faced with the need either to migrate archives to new generations of storage technology or to consolidate archives, media companies have be...

Submitted by S. Merrill Weiss
Published 01 February 2014

#TVFUTURES


by Danny Hutchings Issue 85 - January 2014 Since introducing myself to tv-bay readers in October I have been working on two major assignments for this year, which are a video production unit based on a 20 minute documentary and a multimedia unit producing a studio-based TV show for exhibition on a range of platforms. These so far among other smalle...

Submitted by Danny Hutchings
Published 01 February 2014

BroadcastShow Tour - a visitors view


by Connor PearceIssue 83 - November 2013 Suitably set on the backdrop of Britains birthplace for iconic television, the last leg of the BroadcastShow Tour saw Philip Bloom host a day of seminars at Pinewood Studios. Alongside this, internationally leading companies in film and television technology flocked to share their latest and greatest broadca...

Submitted by Connor Pearce
Published 01 December 2013

Leading digital cinematography seminar with Matt Siegel


by Matt SiegelIssue 83 - November 2013 Multiple-award-winning film producer and cinematographer Matt Siegel chose a Leader LV5381 four-input multi-SDI monitor for use during his recent seminar on Digital Cinematography at The Maine Media Workshops. Designed for emerging cinematographers, the course explained the advantages of using digital technolo...

Submitted by Matt Siegel
Published 01 December 2013

Introducing #TVFUTURES


Issue 82 - October 2013 Will IngramI studied media at GCSE and studied photography and video for a year at AS level before switching to a full time video course. In July 2011, I had a serious downhill mountain bike crash initially rendering me paralysed and having a massive impact on my life. Learning to walk again and rebuilding your body isnt eas...

Submitted by KitPlus
Published 01 November 2013

Education: Live TV approaches to learning without a safe...


by Jennie RawlingIssue 81 - September 2013 Live broadcasting is the core business of the University of Portsmouth course, BSc (Hons) Television and Broadcasting, and they are now entering into their fifth successive year of weekly television output. Course leader and senior lecturer Charlie Watts is delighted with the developments so far, but there...

Submitted by Jennie Rawling
Published 01 October 2013

A year in the life of SIS LIVE


by David MeynellIssue 81 - September 2013 This time a year ago SIS LIVE was still glowing with the pride that came from working to deliver outside broadcast TV coverage and satellite connectivity for London 2012 Olympic and Paralympic events. At the time 2013 was billed as a fallow year for the live broadcasting industry which, as we will see, was...

Submitted by David Meynell
Published 01 October 2013

Will Strauss looks at the growth of MediaCityUK and dock...


by Will StraussIssue 81 - September 2013 Whats up Dock?In less than three years Dock 10 has grown from a mere studio operator with add-ons to a fully-fledged digital media service provider. Will Strauss tracks the changes. MediaCityUK in Salford, Greater Manchester is exactly as the name suggests: a towering metropolis pumping out TV, radio and dig...

Submitted by Will Strauss#
Published 01 October 2013

Preparing for the future in television and film


by Kieron SethIssue 80 - August 2013 We prepare students for a career in television and film, says Sean Thornton of Anglia Ruskin University. As such, the technology we use has to be real-world and broadcast standard The Media Services team provides equipment to under- and postgraduate students and operates facilities that include TV and photograph...

Submitted by Kieron Seth#
Published 01 September 2013

Graduation of the Ravensbourne 3!


Issue 80 - August 2013 ALEX FINEThe last year of university, and the last year of my life, have been the hardest Ive ever experienced¦so far. This year has boiled my blood, and my peers, and Im glad to say Im now out of that particular blood feud. I was fortunate enough to be struck with some good grace in the last few weeks of the degree. The docu...

Submitted by KitPlus
Published 01 September 2013

Ensuring online video revenue in the face of piracy


by Helge HoibraatenIssue 80 - August 2013 When it comes to distributing video online, broadcasters and other content distributors have seen a substantial viewing time amongst certain demographics move from traditional channels to piracy. Numerous debaters have tried to give a definite answer to whether this hurt sales and current business models, o...

Submitted by Helge Hoibraaten
Published 01 September 2013

Following the Ravensbourne 3: What a past few months!


by Ruth MatosIssue 79 - July 2013 Here I am, at the end of my course BA Hons Production. For this final term I had to submit several projects including a portfolio showing a wide range of skills that I have developed and learnt. The most challenging and important one was a music video called Born of Stars, where I took the role of producer and DOP/...

Submitted by Ruth Matos
Published 01 August 2013

Ask the experts: Content readiness in time-deferred workf...


by Sudeep BoseIssue 79 - July 2013 What are the fundamental considerations that must be addressed to ensure the quality of non-real-time content, whether played out from a broadcasters media server or time-shifted for VOD and other OTT services?When focusing on the actual content itself, rather than the service, network or other components, the key...

Submitted by Sudeep Bose
Published 01 August 2013

Preparing for the future in television and film


“We prepare students for a career in television and film,” says Sean Thornton of Anglia Ruskin University. “As such, the technology we use has to be real-world and broadcast standard.”The Media Services team provides equipment to under- and post-graduate students and operates facilities that include TV and photographic studios, video editing rooms...

Submitted by Kieron Seth#
Published 01 July 2013

Alex Fine is super busy: Following the Ravensbourne 3


The name of the game right now is MAJOR FRUSTRATION! The nature of the game right now is SUPER BUSY ORGANISING LOTS OF FILMS ALL AT ONCE! This part of the term in final year at Ravensbourne is quite difficult. My peers and I are all having to either Direct and/or Produce two films (of any type) and work in minor/ supporting roles for at least two o...

Submitted by Alex Fine
Published 01 June 2013