KitPlus | Articles

Want to take the road?

3D Storm, the distributor of NewTek products in EMEA integrated a MINI Countryman with a complete and fully operational HD Live Production system. When 3D Storm started the MINI LiveManTM project, the concept was to showcase the latest production systems developed by NewTek TM. Two key words: Compact, all-terrain. MINI cars were used at several occ...

Submitted by Bob Pank#

Published 01 April 2012

tv-bay Questions

Anthony Bairstow – Senior Video Editor at MTV and Editor of Two and Two, BAFTA nominated short. Who are you?I graduated from the BA Film & TV course at Westminster University and gradually found my way into the TV industry, eventually working at MTV Networks Europe. However, I have always had numerous side projects on the go, one of the latest bein...

Submitted by Kieron Seth#

Published 01 April 2012

Audio loudness for video post

For decades audiences have been complaining about the differences in perceived loudness between different parts of a television service, most commonly that the commercials seem louder than the programmes. Finally broadcasters, prompted in many cases by regulators, have addressed the issue. Over the last decade research has determined what it is tha...

Submitted by Bob Pank#

Published 01 February 2012

Grading across the Atlantic

In the last five years, color correction has made leaps and bounds in terms of the way we grade, the performance capabilities of grading systems and even the locations where we grade. Only a few years ago, color correction suites were isolated rooms that were nearly impossible to connect to other offices or artists. But the color world has changed...

Submitted by Bob Pank#

Published 01 February 2012

Eye-to-eye: 2011 highlights

“Broadcasters must climb up the ladder into high definition or they’ll get their ankles chewed by the computer industry”. Memorable quote from a manufacturer of video standards converters nearly 30 years ago when NHK was trying to establish its original 1125-line (1080-active) 5:3 aspect-ratio ‘Hi-Vision’. Well it happened. 2011 was the year ‘high-...

Submitted by Bob Pank#

Published 01 January 2012

Fast 3D

It is easy to make the assumption that 3D should comply with existing standards, as in the 2D video streams of television or movie images running at 24, 25 or 30 frames per second, according to the relevant 2D standards. However, the recent step up to doubled frame rates, generally referred to as 50p or 60p for television and 48p (or higher) for mo...

Submitted by Bob Pank#

Published 01 November 2011

Protecting your assets, safe storage and long life archiv...

A vast amount of information exists out on the Internet that can be very helpful but also misleading and confusing on how best to protect digital content over time both from degradation of content and from piracy. Thinking back on my twenty plus years in the industry, it is my personal opinion the first creative professionals to experience problems...

Submitted by Bob Pank#

Published 01 November 2011

Storage and archiving

Anyone looking closely at a helical scan video tape mechanism, particularly the miniature variety, might be forgiven for wondering how such an elaborate technology ever came to be invented. The first experimental video tape recorders were essentially audio recorders running at very high speed to achieve the bandwidth needed for television signals....

Submitted by Bob Pank#

Published 01 October 2011

Ask the Experts on Storage and Archive

What is the most important thing to consider when choosing storage for content creation applications?The single most important aspect to consider when choosing a storage device for content creation is workflow. It is critical to have made a decision with regards to the capture device, the video format to be used and how the finished project will be...

Submitted by Bob Pank#

Published 01 October 2011

IBC2011 must sees

Over 1,300 exhibitors will be supporting IBC2011, each bringing perhaps one, two or three new or enhanced products. My task is to distill these down to the 20 devices likely to be of greatest interest to TV-Bay readers, so far as that is possible several weeks before the show opens. As a recent convert to OS X, I note with gloom that Apple remains...

Submitted by Bob Pank#

Published 01 September 2011

Eye to Eye on Delivery and Distribution

A notable aspect of the 2010 IBC and 2011 NAB conference sessions was the rapidly increasing focus on IP streaming. Fibre-optic delivery to the home has yet to be turned into widespread reality but transport speeds over existing electrical infrastructure continue to accelerate. Cloud-based storage and distribution services offer a solution to the c...

Submitted by Bob Pank#

Published 01 August 2011

KVM enterprise and video matrix switchers in broadcast ap...

KVM enterprise and video matrix switchers in broadcast applicationsEngineers within the professional broadcast world are comfortably familiar with video routers for the control of uncompressed video and audio signals within live studio and editing locations. However there is less familiarity with the use of KVM enterprise and video matrix switchers...

Submitted by Kieron Seth#

Published 01 August 2011

SOLID STORAGE FOR SPECIAL EFFECTS

While it’s easy to be dazzled by the brilliance of visual effects on the big screen, the less showy side of film post-production often goes unrecognised. Here, Double Negative (known affectionately as DNeg) reveals how an array of Infinity|8 RAID systems and ATTO RAID adapters keeps all that amazing work safe and secure. Double Negative’s trophy sh...

Submitted by Kieron Seth#

Published 01 August 2011

AF101 a first look

IBC saw the first working prototypes of the AF100 being shown to the public. Barry Green (some of you will be familiar with Barry from the US Forum DVXUSER) had the pleasure of working with the pre-production AF101 while at IBC. Incidentally the AF100 & AF101 are the same basic camera for different markets, all of them are NTSC/PAL switchable. At t...

Submitted by Bob Pank#

Published 01 November 2010

Redefining Mobile, High Definition Recording With Cinedec...

IBC 2010 saw the official European launch of Cinedeck EXTREME v2.0, an ultra-portable cinema grade integrated High Definition monitoring, recording and playback device that has already won numerous awards and accolades since making its first public appearance at this year’s NAB Convention in Las Vegas. Cinedeck EXTREME v2.0 incorporates a number of...

Submitted by Bob Pank#

Published 01 November 2010