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Head in the cloud


by Dick Hobbs Issue 89 - May 2014 Ive just had a look back through the archives, and I am pretty certain that this was my 25th NAB: a couple in the eighties and every year since 1992. In many peoples eyes this makes me just a beginner, I know. In the past I have spent the week on a stand, trying to sell something. My first ever NAB in Dallas, Texas...

Submitted by Dick Hobbs.
Published 01 June 2014

Packing a real punch for Bangshock


by John Milkovich and Jamie Milkovich Issue 88 - April 2014 Headed up by Creative Director and DP John Milkovich, and Chief Post Production Editor Jamie Milkovich, Vancouver-based media company Bangshock recently took their Ninja 2 on a shoot to capture the Thailand Superfight Thepprasit Pattaya. The Ninja 2s feather weight and rugged build proved...

Submitted by John Milkovich
Published 01 May 2014

Dick Hobbs reaches for the remote


by Dick Hobbs Issue 87 - March 2014 I spent two weeks of February working in South Africa. I tell you this not to make you jealous although temperatures were around the 30 degree mark in glorious sunshine while those I left behind in England were forming local action committees to watch puddles. Neither am I trying to suggest some sort of superiori...

Submitted by Dick Hobbs.
Published 01 April 2014

4k testing in todays world


by Adam Schadle Issue 86 - February 2014 1. With the need to ingest and process video from a number of sources, broadcasters are faced with a multifaceted need to handle all types of formats including 4K. What is your multi-resolution strategy?With the emergence of new compression standards such as High-Efficiency Video Compression (HEVC), which of...

Submitted by Adam Schadle
Published 01 March 2014

Taking legacy content into the 4K world


by Josef MarcIssue 84 - December 2013 There are 780,000 UHDTVs already manufactured and poised to hit the marketplace, and the effects of those devices (and the factories that continue to make them) are unstoppable. UHDTV and 4K will be everywhere, sponsored by UHDTV manufacturers and content owners. 4K tablets are shipping as well. As the drumbeat...

Submitted by Josef Marc
Published 01 January 2014

Supporting the transition to 4K


by David AckroydIssue 84 - December 2013 Plasma, LCD and LED screen technologies brought broadcasters HD audiences that justified their investment in HDTV. Recent computer monitors, tablets, mobile phones, digital cinema and 3D have driven an explosion in viewing formats. Together they have created an appetite for continued change and development i...

Submitted by David Ackroyd
Published 01 January 2014

Streaming Downtown Showdown


by Kate PhibbsIssue 82 - October 2013 With summer well and truly on its way out, what better way to send it off than a trip to Paris to produce and live stream the Vans Downtown Showdown 2013. After the success of producing and broadcasting the Vans Spring Classic in Italy in April, we here at 3xScreen Media knew that Downtown Showdown, Europes lar...

Submitted by Kate Phibbs
Published 01 November 2013

From archival master to usable video with Mark Gray


by Mark GrayIssue 80 - August 2013 With about 4 million new video channels expected to hit the market in the next five years, its going to be more important than ever to make high-quality content readily available. Many media archives and libraries; studios; broadcasters; production and postproduction facilities; and mastering, quality control, and...

Submitted by Mark Gray
Published 01 September 2013

Securing your rushes in a rush with G-Technologys G-DOCK


by Mark StopherIssue 80 - August 2013 I was recently charged with the task of backing up files from a 9 day web series shoot. The sci-fi series is called Hunger Ford and is being produced by Wild Seed Studios (wildseedstudios.com). We began day four by throwing a postman through a breakaway table covered in sugar glass items. After such effort went...

Submitted by Mark Stopher
Published 01 September 2013

Bringing increased efficiencies to file-based workflows


by Reed HaslamIssue 80 - August 2013 Most professionals in todays broadcast and media industries can remember a time when the videotape format was ubiquitous. It was the defacto recording, storage, and playback medium for many years, and fragments of the medium still exist today. What clearly contributed to the success of tape is its compact packag...

Submitted by Reed Haslam
Published 01 September 2013

A runaway success at Graduate Fashion Week with Blackmagi...


Issue 79 - July 2013 Encouraging and nurturing raw young talent, Graduate Fashion Week (GFW) is one of the largest international platforms of its kind. Showcasing the future of fashion, over 1,000 aspiring designers descended on London during June for Graduate Fashion Week 2013. Made up of 22 catwalk shows and an exhibition with more than 40 univer...

Submitted by KitPlus
Published 01 August 2013

NyeTec: Company spotlight


Issue 79 - July 2013 Established for 10 years, NyeTec is a growing family run company. We believe traditional service and support of our clients is paramount. Terry Nye, as MD of the company, has over 30 years experience in Television, building on a solid foundation at the IBA, and having installed several of worlds first Digital Head Ends. NyeTec...

Submitted by KitPlus
Published 01 August 2013

Addressing challenges in multiformat signal management an...


by Brian PeterssonIssue 79 - July 2013 One of the many demands broadcasters face today is establishing effective multiformat signal management and confidence monitoring, which have become critically required capabilities, and there are several reasons behind this. The first is the broadcast industrys progressive evolution slow at first, but acceler...

Submitted by Brian Petersson
Published 01 August 2013

The Teradek Bolt reviewed


The location is a small busy working kitchen of a top London restaurant; the chef and kitchen staff have enough on their plate (!) without having to worry about avoiding cables and bumping into members of the crew filming them go about their business. The soundman is able to keep himself out of the way, not causing trip hazards with cables and the...

Submitted by Jon Boast
Published 01 July 2013

The evolution of camera connectivity and the HPX600


Tape in, tape out. Cable in, video out. Card in, card out. Simpler times: productions orchestrated by an army of runners, tape op’s and engineers, with transmission to TV, ingest via a VTR and a room dedicated to storing media. Today’s production team has changed. It’s become a small elite squad, tasked with multi-channel playout, multi-resolution...

Submitted by Kieron Seth#
Published 01 July 2013