KitPlus | Articles

Centralised tapeless workflow at BT sport studios

by Steve Montgomery Issue 88 - April 2014 Part of the former International Broadcast Centre at the Queen Elizabeth Olympic Park in London has been transformed into the new home of BT Sport with state-of-the-art production and broadcasting systems for BTs new television broadcast operations. BT sport is a broadcasting station with 24-7 operational c...

Submitted by steve montgomery

Published 01 May 2014

The Digital Production Partnership

by Simon Pegg Issue 86 - February 2014 The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transition to fully digital production and distribution in television. As part of its work, the group has established common...

Submitted by Simon Pegg

Published 01 March 2014

Speed and accuracy in post

by Walter Kummli Issue 85 - January 2014 Walter Kummli is an experienced editor and director of Inhouse Productions Ltd, based in Basel, Switzerland. Since its inception, all editing at Inhouse Productions Ltd has been carried out using EditShares powerful non-linear editing system, Lightworks. Founded in 1999, Inhouse Productions Ltd offer organis...

Submitted by Walter Kummli

Published 01 February 2014

Review: DaVinci Resolve 10

by Toby Tomkins Issue 85 - January 2014 Colour grading for me is about the final sculpting of the image, in terms of colour, tone, texture and composition. My goal as a colourist is to push the colour, tone and texture to reflect the desired emotion and story of the image. I choose DaVinci Resolve to be my metaphorical chisel because it has a tools...

Submitted by Toby Tomkins

Published 01 February 2014

The new DPP standard

by Craig Newbury Issue 85 - January 2014 Why and how is the DPP standard significant for broadcasters and other media facilities across the U.K, and beyond? The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transit...

Submitted by Craig Newbury

Published 01 February 2014

MTV3 uses sports-specific framework to build interactive...

by Henriette SaetherIssue 83 - November 2013 As any sports rights holder knows, those rights come with a lot of moneymaking potential. MTV Oy (not to be confused with MTV, the music television), Finlands largest commercial broadcaster has exclusive rights to broadcast the Finnish national team ice hockey matches in Finland. The matches are broadcas...

Submitted by Henriette Saether

Published 01 December 2013

Sportsnet stays ahead of the game with Quantel

by Roger ThorntonIssue 81 - September 2013 Over the last 15 years, Sportsnet has risen to become one of Canadas leading sports media operations. The Sportsnet and Sportsnet One TV channels are complemented by Sportsnet Radio, Sportsnet Magazine and its premium international sports channel, Sportsnet World. In May 2013, parent company Rogers Media a...

Submitted by Roger Thornton

Published 01 October 2013

Professional Video Editing Just Got Better

Endorsed by twenty five thousand Facebook fans, six industry awards and thousands of new users through the trial download and active forum communities, Autodesk, Inc.,announced that the new Autodesk Smoke 2013, professional video editing software is now shipping. “The anticipation for Smoke, since its thrilling announcement at the National Associat...

Submitted by KitPlus

Published 01 February 2013

Plan Bs Playing with Fire Gets the DaVinci Resolve Treatm...

London-born rapper, singer-songwriter, actor and film director Plan B first hit the hip hop scene with his critically acclaimed debut album Who Needs Actions When You Got Words in 2006. Since then Plan B has released a further two albums, made on-screen film appearances and picked up scores of industry accolades including Best Male Solo Artist at t...

Submitted by Dan Moran

Published 01 February 2013

Bob Pank looks at Editing and the Cloud

By Bob PankHistorically video editing has been one of those operations shaped by technology. For decades it depended on VTRs to play and record. You had to go to an edit room, usually darkened and with loads of buttons and winking lights, to get your edit done by a video editor. It was not cheap. Then, with video stored on computer discs, editing w...

Submitted by Bob Pank#

Published 01 February 2013

The joy of field editing

In the world of remote working, cloud storage and instant news, the ability to edit on location at a shoot has become a pre-requisite. Only a few years ago, field editing used to be merely about the quick rough cut, the assembly of proxy files or simply the ingest of media in an edit-friendly format. These days, however, energy efficient, high perf...

Submitted by Kieron Seth#

Published 01 February 2013

Is it time to review your colour grading toolset?

One important step for all budget levels of post-production is the colour correction or grading tools you use to match the colour of different shots in your edit, to give a consistent look and feel. You may already be doing basic colour grading without really thinking of it as a separate process in your edit, or you may be sending off your edited t...

Submitted by Mark Brindle

Published 01 February 2013

Who wouldnt consider a career in Live sports?

There are many diverse things in this industry which give me a buzz but I think that live sports coverage is probably pretty near the top of the pile. With a 17yr old son considering his career options I thought it time to introduce him to the world of live sports and SIS LIVE were kind enough to give us a quick tour behind the scenes on the second...

Submitted by Bob Pank#

Published 01 September 2012

Tally systems and Confidence Audio Monitoring for Sports...

Q: Because sports broadcast tends to originate from OB vehicles, having the capability to connect a tally system between trucks is vital. How do you connect your TallyMan controllers together to create an integrated, seamless tally system?A: When two OB trucks are engaged in the live broadcast of a major sports event, one truck will act as the main...

Submitted by Bob Pank#

Published 01 September 2012

Eye to Eye: Video Post-production

This column’s previous excursion into video post-production was just before the 2011 NAB Spring Convention, always a dangerous time to talk about new hardware or software when a deluge of upgrades, lookalikes and lite-editions are about to hit the aisles of the Las Vegas Convention Center. Quite a lot has happened in this category over the past 12...

Submitted by Bob Pank#

Published 01 February 2012