KitPlus | Articles

Prioritizing Localization Earlier in the Media Supply Cha...

The surge of content localization is a prolifically discussed topic, and it’s no secret that localization has become essential for content providers, streaming platforms, and broadcast networks to monetize their content, attract new subscribers and viewers, and ultimately provide more culturally relevant content. What was often a scalable investmen...

Submitted by Shawn Belluigi

Published 05 October 2023

Honey, I shrank the data. How DNA storage could reduce th...

By A3 Communications Capacity, cost, and performance. Three of your top data storage priorities? No wonder, and it’s the same for most organisations across the media and entertainment sector. The volume of data M&E organisations produce is in overdrive, with its global storage market size predicted to reach almost $18bn by 2027. That is likely...

Submitted by KitPlus

Published 17 March 2023

New Year, New Decade, New Rig

Some time ago I was fortunate enough to take part in a track day at Oulton Park, driving a souped up BMW M4. It was completely insane. Literally the most powerful car I’ve ever driven. From 0-60 in 4 seconds or something like that. I’m not Jeremy Clarkson so I can’t remember the exact figure. Anyway it was a really great experience, and something I...

Submitted by Alex Macleod

Published 27 January 2020

Pro Pancake Editing With Premiere Pro

Pancakes & post production. Not two things you might at first put together. But using pancake timelines can be an extremely effective way of working - so bear with me!Very recently I began working on a series of edits for Premier League kicks. If you’ve not heard of it, I’d encourage you to do a quick Google search and check it out. It's a really c...

Submitted by Alex Macleod

Published 03 November 2019

Increasing Diversity in the UK Indie Market

London director Sam Addo tells us more about how he aims to change the status quo when it comes to onscreen diversity with his new feature, Cards on the Table. “Over the past thirty years, filmmakers have made movies telling a wide range of stories, however, in my humble opinion, those with disabilities, from the LGBTQ+ community and or those from...

Submitted by Sam Addo

Published 10 September 2019

State of the Nation: Wings, Fine Coffee and Fake Nudes

One of the many attractions of this time of year is that I get to meet with my fellow judges for the IBC Innovation Awards, and see what the industry sees as the most important, most forward-looking projects of the day. For me, this says what the key talking points are going to be in September, far more eloquently than the endless press releases fr...

Submitted by Dick Hobbs - new

Published 16 July 2019

Make Time for Remapping

For my 4th Kitplus article I thought I’d highlight an effect in Premiere Pro that frankly I would be lost without. Namely - time remapping. I own and work with a Sony FS7 (other cameras are available) - and given that it’s now one of the most popular cameras in UK broadcast today I’d be willing to guess most editors will have come across the clips...

Submitted by Alex Macleod

Published 16 July 2019

TV Futures - Producers Produce

I’ve learnt two major facts about being a producer since studying on my BSc Television and Broadcasting course: ‘the role of producer cannot be defined in a sentence’ and ‘if your team don’t see you working, you’re doing your role as producer correctly’. When I first came to The University of Portsmouth I knew what course I wanted for skills and ro...

Submitted by Emily Merritt

Published 04 June 2019

IMF Adoption

The Interoperable Master Format isn’t new. It’s been around for more than six years. Despite this longevity, the broad adoption since the publication of SMPTE 2067 has been pretty slow. This is perhaps more because of the age old mantra “if it ain’t broke don’t fix it,” than the ease with which many could interpret the standard. However, it is safe...

Submitted by Howard Twine

Published 04 June 2019

The Latest Trend in Cloud Ingest Portals

The unique demands of the media industry have created an equally unique ecosystem. With high-resolution video constantly moving over the Internet during production, post production, and multi-device, multi-channel distribution, as well as the need for flexible storage and security at every stage — all under impossibly tight timelines — there isn’t...

Submitted by Megan Cater

Published 04 June 2019

Keeping Your Post Prodction on Track with Subclips and Se...

For my 2nd Kit Plus article I thought I’d try and build on the theme of my first, and that’s one of making sure things are organised at all levels of your post production projects. Last time I talked about trying as best as you can to stick to the ‘two week rule’, making sure that the names & locations of every asset you import, and every bin & seq...

Submitted by Alex Macleod

Published 21 March 2019

AI in Media and Entertainment

Artificial Intelligence (AI) is a term appearing everywhere these days. What is happening in media and entertainment (M&E) that makes the industry ripe for AI? In other words, why does the M&E industry need AI?In virtually every industry, AI is claiming a growing stake in the supply chain, creating both operational enhancements and business efficie...

Submitted by David Candler

Published 09 November 2018

How todays technology platforms can make AMAZING seem mun...

Some things never change. It's September and it's time for another IBC. Maybe I'm getting old and maybe I have selective memory about the past, but recently there hasn't been the buzz of years gone by. Sure, as you wander around the vast halls there will be lots of enthusiastic sales people trying to give you the best demo possible, but something h...

Submitted by Bruce Devlin - new

Published 08 September 2018

Tips and Tricks to Giving Sci-Fi a New Look

From Terminator to Blade Runner, Alien, and even E.T., science fiction is a genre that will never fail to capture an audience’s imagination. It’s also a genre that encompasses so much more than just space crafts or time travel: frequently providing filmmakers with a platform from which to not only highlight social and political issues, but also exp...

Submitted by Mathieu Marano

Published 07 June 2018

Playing with Pink Floyd

For the founder of London-based Hangman, James Tonkin, this has indeed been a summer to remember. After sixteen years of working in the same suites, he designed and moved his team into a new future proofed facility in Kew Gardens created specifically for the manipulation and delivery of formats in up to 8K HDR. Soon afterward, he was approached by...

Submitted by KitPlus

Published 12 February 2018