KitPlus | Articles

Capture and Produce

Issue 93 - September 2014 Amongst all the new cameras, support and other production kit being touted prior to IBC, it was a less tangible announcement that really captured the imagination: Atomos’ announcement that it wants to standardize its Start/Stop Trigger connectivity for HDMI by making it available to other manufacturers. Locking SDI interfa...

Submitted by Will Strauss#

Published 01 October 2014

Manipulate and Edit

Issue 93 - September 2014 Company mergers can be no fun. Staff panic about ‘efficiencies’ and therefore their jobs. The press speculates about ‘what really happened?’ And there are always lawyers involved. And no one likes that. When DiGiCo revealed that it would merge with fellow audio console manufacturers Calrec and Allen & Heath, following a bu...

Submitted by Will Strauss#

Published 01 October 2014

6

Must have or just a dream? Either way these are our 6 of the best this month chosen by Larry Jordan, David Crossman and Jon Boast. Issue 93 - September 2014 DJI Ronin Handheld Gimbal SystemThe DJI Ronin Handheld Gimbal System has been developed for the cinematographer with pro-grade build quality keeping up with the demands of everyday use and aeri...

Submitted by Larry Jordan#

Published 01 October 2014

The right MAM solution

by Michael Shore Issue 91 - July 2014 The best way to determine what features you need in a media asset management system (MAM) is to start at the end. So, when trying to decide what goes IN to your asset management system, you need to first establish what it is that you are trying to get OUT. Several factors need to be considered, including: the p...

Submitted by Michael Shore

Published 01 August 2014

Getting more from your MAM

by Colin Blake Issue 91 - July 2014 The value of a media asset management (MAM) system cannot be understated. The MAM system serves as the window into your archive, and a properly implemented MAM system can mean the difference between finding and repurposing assets or letting them sit idle and unmonetized. There are several choices for MAMs availab...

Submitted by Colin Blake

Published 01 August 2014

Powerful New Levels of Discovery

by Drew Lanham Issue 90 - June 2014 For media creators, owners, and distributors, the amount of digital media in their libraries never stops growing as they continue to add new content every day. Those who dont organize and manage their data well are not getting the maximum value out of their archive. Thats why they need easy, accurate, and cost-ef...

Submitted by Drew Lanham

Published 01 July 2014

The Digital Production Partnership

by Simon Pegg Issue 86 - February 2014 The Digital Production Partnership (DPP) was founded in January 2011 by the BBC, ITV, and Channel 4, with representation from Sky, Channel 5, S4/C, UKTV, and BT Sport, to help speed the transition to fully digital production and distribution in television. As part of its work, the group has established common...

Submitted by Simon Pegg

Published 01 March 2014

Will Strauss looks at post production in 2014

by Will Strauss Issue 85 - January 2014 Despite being named in Americas Top 10 Dying Industries in 2011, post-production still very much has its place in the UK. But it is changing. And fast. With increasingly commoditized and affordable technology allowing pretty much anyone (within reason) to do post-production, the lines between production and p...

Submitted by Will Strauss#

Published 01 February 2014

The art of E.P.I.C innovation

by Robin BrownIssue 81 - September 2013 Autoscript has a history of innovation, technological development and investment that push the boundaries of the prompting discipline not just for the sake of selling more stuff but to solve our customers real-world problems or challenges. All of our innovations are derived from intimate customer knowledge, a...

Submitted by Robin Brown

Published 01 October 2013

The international worship market: shoot, compress and del...

by Kieron SethIssue 81 - September 2013 The worship TV market in the U.S. is big business, with an output that rivals many international broadcasters, both in terms of quantity, production values, audience size and commercial success. John Hagee Ministries leads a 17,000-strong congregation and broadcasts to the USA on 160 TV stations, 50 radio sta...

Submitted by Kieron Seth#

Published 01 October 2013

Cellular bonding now and going forward

by Ronen ArtmanIssue 81 - September 2013 The worship TV market in the U.S. is big business, with an output that rivals many international broadcasters, both in terms of quantity, production values, audience size and commercial success. John Hagee Ministries leads a 17,000-strong congregation and broadcasts to the USA on 160 TV stations, 50 radio st...

Submitted by Ronen Artman

Published 01 October 2013

Capturing awesome audio

Paul Sargeant, Director of Operations at Procam discusses the challenges facing sound recordists using the latest broadcast technology If you look at the industry as a whole, the rapid evolution of camera technology is drifting away from audio, despite the importance of compatibility between the two. Meaning it’s becoming harder to plug straight in...

Submitted by Oliver Masciarotte

Published 01 June 2013

Will Strauss captures some decent sound gear

Capturing decent location sound requires skill, experience and, as Will Strauss discovered when compiling a list of recent audio acquisition innovations, piles of expensive kit. Although some cameramen might disagree, audio is still the most important thing to get right when on location. The odd dodgy shot can, generally speaking, be sorted in post...

Submitted by Will Strauss#

Published 01 June 2013

Meeting standards in 3D

It has been said that poor quality stereoscopic TV will ‘poison the water’ for everyone. This was because in the past 3D was made to quite poor and uncontrolled production and delivery standards. But since BSkyB’s “Technical Guidelines for Plano Stereoscopic 3D Programme Content” were published over two years ago programme makers have had specific...

Submitted by Bob Pank#

Published 01 January 2013

Call of Duty Black Ops II: World Exclusive First Look Str...

I work a lot in live online broadcasting, and backup systems are top of mind when designing any live event. Being off air for any reason is unacceptable, so I build systems knowing that should something fail, I can easily reroute the signal or switch to another machine. This was on my mind when we were asked to live stream for four straight days at...

Submitted by Will Strauss#

Published 01 January 2013