KitPlus | Articles

Manage and Monitor

Issue 93 - September 2014 In less than a month’s time, British television producers will be asked to deliver their programmes to broadcasters as files rather than tape. Some have been doing it for years. For others, it’s a whole new world. Fundamentally, the change is just replacing physical items like tapes, labels and VT reports with their zeros...

Submitted by Will Strauss#

Published 01 October 2014

Playing games with radio mics on location

by Richard Meredith Issue 93 - September 2014 Some people use the same radio mics year in year out for every job that they do - others hire in radio mics for every job and don’t own anything - I am in the unique (nearly) position of being able to select the most appropriate from my own hire stock, and so every project has the equipment best suited...

Submitted by Richard Meredith

Published 01 October 2014

Swiss Role

by Dick Hobbs Issue 93 - September 2014 Like many in the industry - and everyone concerned with marketing and the press - I am thinking a lot about IBC at the moment. All right, strictly speaking I am thinking about getting a plane to Greece tomorrow, but I know I should be thinking about IBC. But rather than write about the exciting new technologi...

Submitted by Dick Hobbs.

Published 01 October 2014

KVM extenders and matrix switches in broadcast

by Enno Littmann Issue 92 - August 2014 How successful has exhibiting at IBC been in the past?IBC 2014 marks the fifth successive year that IHSE has exhibited at the exhibition. Each year since 2009 we have moved to a more prominent position, increased the size of the stand and generated greater levels of interest amongst visitors. Many of whom hav...

Submitted by Enno Littmann

Published 01 September 2014

UWP-D11 Review

by Kevin Cook Issue 91 - July 2014 Ever since the new regulations in the UK on radio microphone frequencies were introduced in the UK at the end of 2012, the days were numbered for my trusty old Sony UWP series radio mic system (consisting of the URX-P1 UHF dual-diversity receiver and UTX-B1 transmitter). Whilst super-reliable and excellent quality...

Submitted by Kevin Cook

Published 01 August 2014

Green storage Fat wallets

by Ben Pearce Issue 91 - July 2014 Its not just eco campaigners that want to reduce their carbon footprint. Its also the financial director. Whether youre a small company or a transnational enterprise, you run the risk of losing control of your data and buying more and more disk space. You may be storing many copies of each file on multiple externa...

Submitted by Ben Pearce

Published 01 August 2014

The right MAM solution

by Michael Shore Issue 91 - July 2014 The best way to determine what features you need in a media asset management system (MAM) is to start at the end. So, when trying to decide what goes IN to your asset management system, you need to first establish what it is that you are trying to get OUT. Several factors need to be considered, including: the p...

Submitted by Michael Shore

Published 01 August 2014

At the forefront of digital asset management and publishi...

by Ian Mottashed Issue 91 - July 2014 Endemol is the largest independent television and digital production company in the world. Within 30 countries it has a global network of around 90 companies which produce over 350 multi genre series a year. Across the 90 companies there are currently around 29,000 hours of content being distributed. The produc...

Submitted by Ian Mottashed

Published 01 August 2014

Back to Basics with Media Transformation

by Craig Newbury Issue 90 - June 2014 With their shift toward use of file-based digital audio and video, rather than tape- or film-based media, broadcasters and other media companies have moved into a world that demands some familiarity with the concept of media compression. Because the video and audio captured by cameras and microphones often resu...

Submitted by Craig Newbury

Published 01 July 2014

Disaster Recovery the broadcast emergancy service

by Lee Sheppard & Paul Moran Issue 90 - June 2014 Weve all heard the phrase Disaster Recovery (DR), but what does it actually mean for broadcasters and content owners, and what constitutes a disaster?DR is a broad term that encompasses a range of scenarios, from catastrophic disaster (for instance, the complete destruction of a whole facility), to...

Submitted by Lee Sheppard

Published 01 July 2014

Simplifying On Site Workflows

by Greg LaPorte Issue 90 - June 2014 On and off-set high-end post-production demands a new level in processing capability, storage speed, and general computing horsepower to handle the ever increasing standards for digital workflow. Utilizing PCI Express® (PCIe) performance and 20Gbps of throughput, Thunderbolt 2 technology offers the fastest way t...

Submitted by Greg Laporte

Published 01 July 2014

Transforming Content and Caputure Distribution

by Russell Wise Issue 90 - June 2014 Within the broadcast industry, ongoing financial pressures have driven continued consolidation of operations, centralization of staff, and efforts to increase efficiency through smarter use of current and forward-looking media-focused technologies. At the same time, the rise of multiplatform content distribution...

Submitted by Russell Wise

Published 01 July 2014

Ask the Experts

by Matthew Rehrer Issue 90 - June 2014 What trends are you seeing with respect to investment in archiving solutions?Investment in archiving solutions has been shaped by several major trends, all fundamentally driven by the desire to store and manage media content in such a way that it can better support effective and/or profitable use of those asse...

Submitted by Matthew Rehrer

Published 01 July 2014

Premier league infrastructure

by Alan Green Issue 88 - April 2014 It is now common practice to cable major sports venues for broadcast operations. It saves time rigging pulling cables in to every camera and commentary position can take a day or more. The efficiency is great for broadcasters it means that the same truck can work at different grounds on consecutive days. As well...

Submitted by Alan Green

Published 01 May 2014

Ask the experts: Life behind the rate card

by Mike Ransome Issue 88 - April 2014 From time to time, most people in broadcast and production need to rent in some equipment. It might be to extend capabilities an extra camera channel, for example or it might be to bring in something you do not normally use, like an EVS server, for instance. Now picking a dry hire company sounds awfully simple....

Submitted by Mike Ransome

Published 01 May 2014